How to Avoid Mistakes Playing Guitar Pieces
Every guitarist faces that tricky moment in a piece. Your heart beats faster. Your hands tense up. You worry about making mistakes.
Most players try to fix this by practicing more or by telling themselves “Don’t mess up!”
But this usually makes things worse.
There’s a better way. Instead of focusing on mistakes, we can learn specific strategies to build confidence and play accurately.
This guide will show you how to turn challenging passages into your strongest moments.
Let’s explore how to practice smarter, not harder, and make your playing more reliable and enjoyable.
The Psychology of Mistakes
When we focus on avoiding mistakes, we actually draw more attention to them. It’s like trying not to think about a purple elephant – the more you try not to think about it, the more you do.
This negative focus creates physical tension. Your shoulders tighten. Your breathing becomes shallow. Your hands get stiff. All of this makes mistakes more likely.
Your mind starts preparing for failure. You remember past mistakes. You imagine new ones.
This creates a cycle of anxiety and tension.
And performance anxiety makes this worse. Playing for others or recording yourself can amplify these feelings. The pressure to play perfectly often leads to more mistakes.
Tip: Your brain responds better to positive directions. Instead of thinking about what not to do, focus on what you want to do.
Think of it like driving. When you see a pothole, looking directly at it makes you more likely to hit it. Instead, focus on where you want your car to go.
Focus on What You Want
The key is clarity. Ask yourself: “What exactly do I want to happen here?”
Be specific.
Don’t just think “I want to play this part well.” Think about exact finger movements, hand positions, and the sound you want to create.
Good questions lead to good practice.
Ask yourself: “What’s going on here?” This helps you understand exactly what needs to happen.
Break down each movement.
Where does your left thumb need to be? How should your right hand approach the strings? What angle works best for this chord?
Think about the sound you want.
Is this phrase building up or dying away? Should these notes connect smoothly or separate clearly? What tone quality fits this section?
Consider the musical expression.
What emotion drives this passage? How can your physical movements support that feeling?
Make your goals crystal clear.
Instead of “play this part better,” think “make this chord ring clearly by placing my fingers closer to the frets and using firm but relaxed pressure.”
Practical Strategies
Start by finding your trouble spots. Don’t just play through the whole piece hoping problems will fix themselves. They won’t.
Listen carefully during practice. Mark difficult spots in your music. Use a pencil to circle transitions that feel awkward.
Take the difficult section to your “practice workbench”. Break it down into small parts. Sometimes the problem is just two notes connecting poorly.
Write in your fingerings.
Mark exactly which finger plays each note. Do this for both hands. Don’t assume you’ll remember in the moment.
Experiment with different fingerings.
The first solution isn’t always the best. Try several options before deciding.
Think about body position.
How should your left hand be angled? When should your wrist move? Where do you shift positions?
Plan your movements like a choreographer.
Every shift, every position change should be mapped out. Nothing should be left to chance.
Consider the space between notes.
How do you get from one position to another? What’s the most efficient path?
Practice these movements without the guitar.
Use visualization or air guitar. This helps you focus on the movement patterns.
Manage Tension
Many mistakes happen because we get tense. Tension is like a bad habit – we teach our bodies to tense up at certain spots.
Watch for early warning signs. Does your jaw clench before difficult passages? Do your shoulders rise? These are tension signals.
Start with your breathing.
Keep it steady and natural. Many players hold their breath during hard parts. This creates tension.
Check your sitting position.
Your shoulders should be level and relaxed. Your back should be straight but not rigid. Your neck should feel free.
Practice staying calm in difficult passages.
Use only the tension you need. Your shoulders, face, and breathing should stay relaxed.
Try practicing with “buzzed notes.”
Buzzed notes is a practice technique whereby you press just enough to make the string buzz. This teaches you to use the right amount of pressure.
Notice where you grip too hard. And your thumb should guide, not squeeze.
Take tension breaks.
Stop every few minutes during practice. Let your hands hang loose. Roll your shoulders. Stretch gently. Allow your eyes to soften (notice your periphery).
Learn the difference between good and bad tension.
Some muscle engagement is necessary. But excess tension makes playing harder.
Practice Methods
Start slow.
Really slow. Slow enough to think about every movement.
Use a metronome, but creatively.
Start at, say, 40% of final tempo. Increase speed only when movements feel natural.
Break passages into tiny chunks.
Two notes. Three notes. Small groups that you can control perfectly. (See the Add-a-Note practice method.)
Practice transitions between chunks. Often the problem isn’t the notes themselves, but moving between them.
Watch what happens when you speed up. Notice where things start to feel rushed or tense.
If something breaks down at higher speeds, slow down again. Fix the problem before speeding up.
Try different rhythms.
Practice fast passages with dotted rhythms. This highlights weak spots.
Use recording as a practice tool.
Record yourself at different speeds. Listen for uneven notes or timing issues.
Practice starting from different points.
Don’t always begin at the beginning. Learn to jump in anywhere.
Create practice variations.
Play the passage with different dynamics. Change the rhythm. Make it musical, not mechanical.
Move Beyond Just Playing Notes
Getting the notes right is only the beginning. Once you’re playing accurately, focus on making music.
Think about dynamics – making some notes louder than others. Think about tone quality. Think about expression.
Listen to the space between notes.
Are notes connecting smoothly? Are there unwanted gaps? Is the timing even?
Shape your phrases.
Every passage tells a story. Some notes lead forward, others resolve.
Experiment with different tone/sounds.
Try playing the same passage with a warmer or brighter sound.
Add subtle variations in timing.
Not every note needs to be exactly on the beat. Music breathes.
Think about the big picture.
How does this passage fit into the whole piece? What’s its role?
Practice performing, not just playing. Imagine an audience. Play with emotion and purpose.
Final Thoughts
Remember: focus on what you want, not what you don’t want.
- Be specific in your practice. Know exactly what should happen at every moment.
- Stay calm and use only the tension you need.
- Build confidence through preparation. Know you can play it because you’ve practiced intelligently.
- Trust your practice. When performing, let go and play. The work you’ve done will show.
- Accept that perfection isn’t the goal. Making music that moves people is more important than playing every note perfectly.
- Keep learning and experimenting. Every challenge teaches you something new about playing.
With these approaches, you’ll not only play fewer wrong notes – you’ll make better music, enjoy your playing more, and connect more deeply with your audience.
Becoming a better guitarist isn’t just about eliminating mistakes. It’s about growing as a musician and finding your own voice on the instrument.

Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
I came on board three months ago and I’m loving it more than ever. I have maintained my practice pattern. I’m sticking wholeheartedly with the program as written. That makes it easy to see what I NEED to work on rather than just playing the shiny places I’ve gone beyond…..I’ve learned to focus 100% on what I’m doing that very minute….I’m developing strength in my left hand...I spend time with the videos in the evenings and always find something more to help me. I’m not looking for info anywhere else. Everything I need is right here in The Woodshed. You say “Jump” and I say “How high.” I’m so grateful I found you. You speak in a language I understand.
~ Gloria Mader
-Gloria Mader
These warm-up and stretching exercises are helping me a lot! Because I’m a software developer I have to stay 8 hours typing on a computer keyboard, so I use my hands a lot during the day. At night, when I have some time to practice the guitar my hands and arms are usually in pain because they have been working a lot during the day, but I’ve found that doing the warm-up/stretching exercises in The Woodshed releases me from this pain and I’m then able to practice after doing them.
You are building a very interesting and working guitar course, because for what I’ve seen so far it really works!
~ Ulysses Alexandre Alves
-Ulysses Alexandre Alves
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