{"id":55183,"date":"2021-05-14T07:57:17","date_gmt":"2021-05-14T14:57:17","guid":{"rendered":"https:\/\/www.classicalguitarshed.com\/?p=55183"},"modified":"2025-08-09T04:33:44","modified_gmt":"2025-08-09T11:33:44","slug":"sm-spanish-guitar","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/","title":{"rendered":"Spanish Guitar Songs &#8211; Free Sheet Music and TABs"},"content":{"rendered":"\n<p>Ah, the passion and fire of Spanish guitar music! It heats the blood and stirs the senses.&nbsp; Playing Spanish guitar songs on the guitar is a fun challenge.&nbsp; There are special finger-picking techniques.&nbsp; But it&#8217;s very rewarding.<\/p>\n\n\n\n<p>Below you&#8217;ll find free sheet music and TABs to download.&nbsp; <strong><a href=\"#pdfs\">Scroll down for PDFs of Spanish Guitar TABs and notation<\/a><\/strong>.&nbsp; (Or browse the entire <a href=\"https:\/\/classicalguitarshed.com\/free-guitar-sheet-music\">free sheet music and TABs library<\/a>.)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-table-of-contents\">Table of Contents<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"#what-is-spanish-guitar\">What is Spanish Guitar?<\/a><\/li>\n\n\n\n<li><strong><a href=\"#pdfs\">&gt;&gt;Free Spanish Guitar Sheet Music and TABs&lt;&lt;<\/a><\/strong><\/li>\n\n\n\n<li><a href=\"#spanish-songs\">Popular Spanish Guitar Songs to Play<\/a><\/li>\n\n\n\n<li><a href=\"#techniques\">Spanish Guitar Techniques<\/a><\/li>\n\n\n\n<li><a href=\"#position\">How to Hold a Spanish Guitar &#8211; Sitting Position<\/a><\/li>\n\n\n\n<li><a href=\"#flamenco\">Flamenco Guitar and Dance Music<\/a><\/li>\n\n\n\n<li><a href=\"#composers\">Famous Spanish Composers<\/a><\/li>\n\n\n\n<li><a href=\"#players\">Famous Spanish Guitarists<\/a><\/li>\n<\/ul>\n\n\n\n<span style=\"--tl-form-height-m:782.641px;--tl-form-height-t:564.312px;--tl-form-height-d:564.312px;\" class=\"tl-placeholder-f-type-shortcode_196919 tl-preload-form\"><span><\/span><\/span><br><a name=\"what-is-spanish-guitar\"><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-what-is-spanish-guitar\">What is &#8220;Spanish Guitar&#8221;?<\/h2>\n\n\n<div class=\"wp-block-image size-full wp-image-136670\">\n<figure class=\"alignright\"><img loading=\"lazy\" decoding=\"async\" width=\"256\" height=\"311\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/Pierre-Auguste-Renoir-CC-BY-SA-https-creativecommons.orglicensesby-sa4.0.jpg\" alt=\"Spanish Guitar\" class=\"wp-image-136670\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/Pierre-Auguste-Renoir-CC-BY-SA-https-creativecommons.orglicensesby-sa4.0.jpg 256w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/Pierre-Auguste-Renoir-CC-BY-SA-https-creativecommons.orglicensesby-sa4.0-247x300.jpg 247w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/Pierre-Auguste-Renoir-CC-BY-SA-https-creativecommons.orglicensesby-sa4.0-100x121.jpg 100w\" sizes=\"auto, (max-width: 256px) 100vw, 256px\" \/><figcaption class=\"wp-element-caption\">Pierre-Auguste Renoir \/ CC BY-SA (https:\/\/creativecommons.org\/licenses\/by-sa\/4.0)<\/figcaption><\/figure>\n<\/div>\n\n\n<p>The term &#8220;Spanish guitar&#8221; is used mainly in two ways.<\/p>\n\n\n\n<p>First, it refers to the instrument. This is also known as a classical guitar. The classical or Spanish guitar is a wooden acoustic instrument made by luthiers (guitar-making specialists). It has nylon strings, which, traditionally, were made of gut (animal intestine).<\/p>\n\n\n\n<p>The Spanish guitar was derived from the Spanish vihuela and gittern in the 1400-1500s. Through the following centuries, it morphed into the Baroque guitar.<\/p>\n\n\n\n<p>Eventually, it became the classical or Spanish guitar that many play today. <\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-spanish-guitar-music\">Spanish Guitar Music<\/h3>\n\n\n\n<p>&#8220;Spanish guitar&#8221; also refers to a style of music from Spain. When we say we play Spanish guitar, we are usually referring to songs (pieces) written for classical guitars. They often stem from the Flamenco tradition.<\/p>\n\n\n\n<p>The <a href=\"https:\/\/classicalguitarshed.com\/learn-guitar-chords\/\">classical (Spanish) guitar uses chords<\/a> in songs to create layers of <a href=\"https:\/\/classicalguitarshed.com\/analysis\/\">melody and harmony<\/a>.&nbsp; Flamenco guitar uses the Spanish guitar <a href=\"https:\/\/classicalguitarshed.com\/classical-guitar-scales\/\">scales<\/a> (and Spanish chords with <a href=\"https:\/\/classicalguitarshed.com\/rasgueado-technique\/\">strumming<\/a>) to create a characteristic sound.<\/p>\n\n\n\n<p>The Spanish guitar influenced many composers throughout Western Europe. For example, Scarlatti and Ravel composed in the Spanish style.  And it has also been very influential on Latin music from the Americas (which Spain colonized).&nbsp; This is perhaps best heard in Argentinian tango.<\/p>\n\n\n\n<p>For centuries throughout Europe, the term &#8220;Spanish&#8221; was used to refer to almost anything <a href=\"https:\/\/classicalguitarshed.com\/longline\/\">sensual or evocative<\/a>. This included (along with brothels and suggestive dances) guitar. So the phrase &#8220;Spanish guitar&#8221; is sometimes used to describe music <em>not<\/em> from Spain.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><a name=\"pdfs\"><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-spanish-guitar-songs-in-notation-and-tabs\">Spanish Guitar Songs &#8211; in Notation and TABs<\/h2>\n\n\n\n<p>Below you&#8217;ll find free PDFs of Spanish guitar music. These can be played on any guitar, but sound best, and most &#8220;Spanish&#8221; on guitars with nylon strings.<\/p>\n\n\n\n<p>Please print, play, and share these freely.&nbsp; If you are a teacher, you are free to use them privately with your students.&nbsp; Where appropriate, please attribute the arrangements to ClassicalGuitarShed.com, or Allen Mathews, and link to https:\/\/classicalguitarshed.com\/. Enjoy playing these!<\/p>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n<div id=\"my-accordion-zero\" class=\"x-accordion\" >\n<p style=\"text-align: center;\"><div  class=\"x-accordion-group\" ><div class=\"x-accordion-heading\"><a id=\"tab-69f3366589e25\" class=\"x-accordion-toggle collapsed\" role=\"tab\" data-x-toggle=\"collapse-b\" data-x-toggleable=\"69f3366589e25\" data-x-toggle-group=\"my-accordion-zero\" aria-selected=\"false\" aria-expanded=\"false\" aria-controls=\"panel-69f3366589e25\"><i class='x-framework-icon x-shortcode-accordion-icon' data-x-icon-s='&#x2b;' aria-hidden=true><\/i><span>Beginner-Level Spanish Music<\/span><\/a><\/div><div id=\"panel-69f3366589e25\" class=\"x-accordion-body x-collapsed\" role=\"tabpanel\" data-x-toggle-collapse=\"1\" data-x-toggleable=\"69f3366589e25\" aria-hidden=\"true\" aria-labelledby=\"tab-69f3366589e25\"><div class=\"x-accordion-inner\">\n<h3 style=\"text-align: center;\">Beginner-Level Spanish Music<\/h3>\n\n\n\n<div id=\"wpv-view-layout-140625-CATTR0fc796d1e7489ee636c56dacfcf5349f\" class=\"js-wpv-view-layout js-wpv-layout-responsive js-wpv-view-layout-140625-CATTR0fc796d1e7489ee636c56dacfcf5349f\" data-viewnumber=\"140625-CATTR0fc796d1e7489ee636c56dacfcf5349f\" data-pagination=\"{&quot;id&quot;:&quot;140625&quot;,&quot;query&quot;:&quot;normal&quot;,&quot;type&quot;:&quot;disabled&quot;,&quot;effect&quot;:&quot;fade&quot;,&quot;duration&quot;:500,&quot;speed&quot;:5,&quot;pause_on_hover&quot;:&quot;disabled&quot;,&quot;stop_rollover&quot;:&quot;false&quot;,&quot;cache_pages&quot;:&quot;enabled&quot;,&quot;preload_images&quot;:&quot;enabled&quot;,&quot;preload_pages&quot;:&quot;enabled&quot;,&quot;preload_reach&quot;:1,&quot;spinner&quot;:&quot;builtin&quot;,&quot;spinner_image&quot;:&quot;https:\/\/www.classicalguitarshed.com\/wp-content\/plugins\/wp-views\/embedded\/res\/img\/ajax-loader.gif&quot;,&quot;callback_next&quot;:&quot;&quot;,&quot;manage_history&quot;:&quot;enabled&quot;,&quot;has_controls_in_form&quot;:&quot;disabled&quot;,&quot;infinite_tolerance&quot;:&quot;0&quot;,&quot;max_pages&quot;:0,&quot;page&quot;:1,&quot;base_permalink&quot;:&quot;\/wp-json\/wp\/v2\/posts\/55183?wpv_view_count=140625-CATTR0fc796d1e7489ee636c56dacfcf5349f&amp;wpv_paged=WPV_PAGE_NUM&quot;,&quot;loop&quot;:{&quot;type&quot;:&quot;&quot;,&quot;name&quot;:&quot;&quot;,&quot;data&quot;:[],&quot;id&quot;:0}}\" data-permalink=\"\/wp-json\/wp\/v2\/posts\/55183?wpv_view_count=140625-CATTR0fc796d1e7489ee636c56dacfcf5349f\">\n\n\t\n\t\n<div  class=\"x-columnize\" >\n\t<ul>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-albeniz-asturias-simplified\/\">Alb\u00e9niz, Isaac &#8211; Asturias (Simplified)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-albeniz-isaac-lautomne-intro\/\">Albeniz, Isaac &#8211; Op. 170 L&#8217;automne-valse &#8211; Introduction<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-calvi-canario\/\">Calvi, Carlo &#8211; Canario<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-ejercicio\/\">Ferrer, Jose &#8211; Ejercicio<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op5-no1\/\">Ferrer, Jose &#8211; Op. 5 No. 01 Allegro moderato<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op5-no2\/\">Ferrer, Jose &#8211; Op. 5 No. 02<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op5-no3\/\">Ferrer, Jose &#8211; Op. 5 No. 03 Valse<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op8-no2\/\">Ferrer, Jose &#8211; Op. 8 No. 02 Vals<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-mathews-tarrega-theme\/\">Mathews, Allen &#8211; Study on a Theme by Tarrega<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-molondron\/\">Molondron &#8211; Traditional Spanish<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-hachas\/\">Sanz, Gaspar &#8211; Danza de las Hachas<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-espanoleta\/\">Sanz, Gaspar &#8211; Espanoleta<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-gallarda\/\">Sanz, Gaspar &#8211; Gallarda<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-matachin\/\">Sanz, Gaspar &#8211; Matachin<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-paradetas\/\">Sanz, Gaspar &#8211; Paradetas<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-pavana\/\">Sanz, Gaspar &#8211; Pavana<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-op35-no1\/\">Sor, Fernando &#8211; Op. 35 No. 01 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op35-no2\/\">Sor, Fernando &#8211; Op. 35 No. 02 Moderato<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op35-duo\/\">Sor, Fernando &#8211; Op. 35 No. 22 Etude (duo)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op44-no1\/\">Sor, Fernando &#8211; Op. 44 No. 01<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-no1\/\">Sor, Fernando &#8211; Op. 44 No. 01 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-op-60-no-18\/\">Sor, Fernando &#8211; Op. 60  No. 18 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-opus60-no1\/\">Sor, Fernando &#8211; Op. 60 No. 01 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no2\/\">Sor, Fernando &#8211; Op. 60 No. 02 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-op60-no3\/\">Sor, Fernando &#8211; Op. 60 No. 03 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no4\/\">Sor, Fernando &#8211; Op. 60 No. 04 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-op60-no5\/\">Sor, Fernando &#8211; Op. 60 No. 05 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no8\/\">Sor, Fernando &#8211; Op. 60 No. 08 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-no9\/\">Sor, Fernando &#8211; Op. 60 No. 09 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-etude10\/\">Sor, Fernando &#8211; Op. 60 No. 10 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no11\/\">Sor, Fernando &#8211; Op. 60 No. 11 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-op60-no13\/\">Sor, Fernando &#8211; Op. 60 No. 13 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no14\/\">Sor, Fernando &#8211; Op. 60 No. 14 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no17\/\">Sor, Fernando &#8211; Op. 60 No. 17 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no19\/\">Sor, Fernando &#8211; Op. 60 No. 19 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-el-vito\/\">Traditional &#8211; El Vito (Folk Song of Andalucia)<\/a><\/li>\n\t\t\n\t<\/ul>\n<\/div>\n\t\n\t\n\t\n<\/div>\n<\/div><\/div><\/div>\n<p style=\"text-align: center;\"><div  class=\"x-accordion-group\" ><div class=\"x-accordion-heading\"><a id=\"tab-69f33665957b6\" class=\"x-accordion-toggle collapsed\" role=\"tab\" data-x-toggle=\"collapse-b\" data-x-toggleable=\"69f33665957b6\" data-x-toggle-group=\"my-accordion-zero\" aria-selected=\"false\" aria-expanded=\"false\" aria-controls=\"panel-69f33665957b6\"><i class='x-framework-icon x-shortcode-accordion-icon' data-x-icon-s='&#x2b;' aria-hidden=true><\/i><span>Early-Intermediate Spanish Music<\/span><\/a><\/div><div id=\"panel-69f33665957b6\" class=\"x-accordion-body x-collapsed\" role=\"tabpanel\" data-x-toggle-collapse=\"1\" data-x-toggleable=\"69f33665957b6\" aria-hidden=\"true\" aria-labelledby=\"tab-69f33665957b6\"><div class=\"x-accordion-inner\">\n<h3 style=\"text-align: center;\">Early-Intermediate Spanish Music<\/h3>\n\n\n\n<div id=\"wpv-view-layout-140625-CATTR751610e5ee1fe362e943b7fd2c5897c1\" class=\"js-wpv-view-layout js-wpv-layout-responsive js-wpv-view-layout-140625-CATTR751610e5ee1fe362e943b7fd2c5897c1\" data-viewnumber=\"140625-CATTR751610e5ee1fe362e943b7fd2c5897c1\" data-pagination=\"{&quot;id&quot;:&quot;140625&quot;,&quot;query&quot;:&quot;normal&quot;,&quot;type&quot;:&quot;disabled&quot;,&quot;effect&quot;:&quot;fade&quot;,&quot;duration&quot;:500,&quot;speed&quot;:5,&quot;pause_on_hover&quot;:&quot;disabled&quot;,&quot;stop_rollover&quot;:&quot;false&quot;,&quot;cache_pages&quot;:&quot;enabled&quot;,&quot;preload_images&quot;:&quot;enabled&quot;,&quot;preload_pages&quot;:&quot;enabled&quot;,&quot;preload_reach&quot;:1,&quot;spinner&quot;:&quot;builtin&quot;,&quot;spinner_image&quot;:&quot;https:\/\/www.classicalguitarshed.com\/wp-content\/plugins\/wp-views\/embedded\/res\/img\/ajax-loader.gif&quot;,&quot;callback_next&quot;:&quot;&quot;,&quot;manage_history&quot;:&quot;enabled&quot;,&quot;has_controls_in_form&quot;:&quot;disabled&quot;,&quot;infinite_tolerance&quot;:&quot;0&quot;,&quot;max_pages&quot;:0,&quot;page&quot;:1,&quot;base_permalink&quot;:&quot;\/wp-json\/wp\/v2\/posts\/55183?wpv_view_count=140625-CATTR751610e5ee1fe362e943b7fd2c5897c1&amp;wpv_paged=WPV_PAGE_NUM&quot;,&quot;loop&quot;:{&quot;type&quot;:&quot;&quot;,&quot;name&quot;:&quot;&quot;,&quot;data&quot;:[],&quot;id&quot;:0}}\" data-permalink=\"\/wp-json\/wp\/v2\/posts\/55183?wpv_view_count=140625-CATTR751610e5ee1fe362e943b7fd2c5897c1\">\n\n\t\n\t\n<div  class=\"x-columnize\" >\n\t<ul>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-albeniz-isaac-lautomne-valse-no1\/\">Alb\u00e9niz, Isaac &#8211; Op. 170 No. 1: L\u2019automne &#8211; Valse<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-albeniz-isaac-lautomne-valse-no2\/\">Alb\u00e9niz, Isaac &#8211; Op. 170 No. 2: L\u2019automne &#8211; Valse<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-mi-favorita\/\">Anonymous &#8211; Mi Favorita<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-spanish-romance\/\">Anonymous &#8211; Spanish Romance<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-arcas-fagot\/\">Arcas, Julian &#8211; El Fagot (The Bassoon)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-arcas-saltarina\/\">Arcas, Julian &#8211; La Saltarina<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-arcas-manuelito\/\">Arcas, Julian &#8211; Manuelito<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-arcas-william-tell\/\">Arcas, Julian &#8211; William Tell Prelude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-andante\/\">Broca, Jose &#8211; Three Easy Pieces &#8211; Andante<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-minuet\/\">Broca, Jose &#8211; Three Easy Pieces &#8211; Minuet<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-schotisch\/\">Broca, Jose &#8211; Three Easy Pieces &#8211; Schotisch<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-una-flor\/\">Broca, Jose &#8211; Una Flor<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-falla-romance-pescador\/\">de Falla, Manuel &#8211; Romance del Pescador<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-echos-foret\/\">Ferrer, Jose &#8211; \u00c9chos de la For\u00eat<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-minuet-no1-2\/\">Ferrer, Jose &#8211; No. 02 Minuet<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op4-no1\/\">Ferrer, Jose &#8211; Op. 04 No. 01 Valse<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op5-no5\/\">Ferrer, Jose &#8211; Op. 05 No. 05 Valse<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op5-no6\/\">Ferrer, Jose &#8211; Op. 05 No. 06 March<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op5-no7\/\">Ferrer, Jose &#8211; Op. 05 No. 07 Mazurka<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op5-no8\/\">Ferrer, Jose &#8211; Op. 05 No. 08 Allegretto<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op5-no9\/\">Ferrer, Jose &#8211; Op. 05 No. 09 Valse<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op8-no1\/\">Ferrer, Jose &#8211; Op. 08 No. 01 Allegretto<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op8-no3\/\">Ferrer, Jose &#8211; Op. 08 No. 03 Andante<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op8-no5\/\">Ferrer, Jose &#8211; Op. 08 No. 05 Mazurka<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op-17-no-1\/\">Ferrer, Jose &#8211; Op. 17 No. 01 Allegretto<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-tango-no3\/\">Ferrer, Jose &#8211; Tango No. 3<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-llobet-noi-mare\/\">Holiday Music, Spanish Christmas &#8211; Llobet, Miguel &#8211; El Noi de la Mare (Catalan)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-lecuona-malaguena\/\">Lecuona, Ernesto \u2013 Malague\u00f1a<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-llobet-canco\/\">Llobet, Miguel &#8211; Canco de Lladre<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-llobet-testament-damelia\/\">Llobet, Miguel &#8211; El Testament d&#8217;Amelia<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-llobet-estilo-argentino\/\">Llobet, Miguel &#8211; Estilo Popular Argentino<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-milan-pavane-no3\/\">Milan, Luis &#8211; Pavane No. 3<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-narvaez-guardame-las-vacas\/\">Narvaez, Luis de &#8211; Guardame las Vacas<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-national-anthem-spain\/\">National Anthem &#8211; La Marcha Real (National Anthem of Spain)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-murcia-allegro\/\">Santiago de Murcia &#8211; Allegro<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-murcia-cancion\/\">Santiago de Murcia &#8211; Cancion O Tocata<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-murcia-gigue\/\">Santiago de Murcia &#8211; Gigue<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-murcia-tia-sobrina\/\">Santiago de Murcia &#8211; La Tia y la Sobrina<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-canarios\/\">Sanz, Gaspar &#8211; Canarios<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-coriente\/\">Sanz, Gaspar &#8211; Coriente<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-espanoleta-advanced\/\">Sanz, Gaspar &#8211; Espanoleta (Advanced)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-folias\/\">Sanz, Gaspar &#8211; Folias<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-fuga\/\">Sanz, Gaspar &#8211; Fuga<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-gallarda\/\">Sanz, Gaspar &#8211; Gallarda<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-gallarda-villano\/\">Sanz, Gaspar &#8211; Gallarda y Villano<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-jiga-inglesa\/\">Sanz, Gaspar &#8211; Jiga Inglesa<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-minona-cataluna\/\">Sanz, Gaspar &#8211; La Mi\u00f1ona de Catalu\u00f1a<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-pavanas\/\">Sanz, Gaspar &#8211; Pavanas<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-preludio-capricho\/\">Sanz, Gaspar &#8211; Preludio, O Capricho Arpeado<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-rujero-paradetas\/\">Sanz, Gaspar &#8211; Rujero y Paradetas<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-zarabanda\/\">Sanz, Gaspar &#8211; Zarabanda<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-zarabanda-espanol\/\">Sanz, Gaspar &#8211; Zarabanda al Ayre Espanol<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-op6-no1\/\">Sor, Fernando &#8211; Op. 06 No. 01 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op6-no2\/\">Sor, Fernando &#8211; Op. 06 No. 02 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op6-no3\/\">Sor, Fernando &#8211; Op. 06 No. 03 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op-6-no-8\/\">Sor, Fernando &#8211; Op. 06 No. 08 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op6-no9\/\">Sor, Fernando &#8211; Op. 06 No. 09<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op25-trio\/\">Sor, Fernando &#8211; Op. 25 (trio)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op25-minuet\/\">Sor, Fernando &#8211; Op. 25 Minuet<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op29-no7\/\">Sor, Fernando &#8211; Op. 29 No. 07<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op31-no1\/\">Sor, Fernando &#8211; Op. 31 No. 01 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op31-no2\/\">Sor, Fernando &#8211; Op. 31 No. 02 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op31-no3\/\">Sor, Fernando &#8211; Op. 31 No. 03<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op31-no5\/\">Sor, Fernando &#8211; Op. 31 No. 05 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op31-no16\/\">Sor, Fernando &#8211; Op. 31 No. 16<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op31-no20\/\">Sor, Fernando &#8211; Op. 31 No. 20 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op32-no1\/\">Sor, Fernando &#8211; Op. 32 No. 01 Andantino<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op32-no2\/\">Sor, Fernando &#8211; Op. 32 No. 02 Waltz<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op32-no3\/\">Sor, Fernando &#8211; Op. 32 No. 03 Andante Pastorale<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op35-no03\/\">Sor, Fernando &#8211; Op. 35 No. 03 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-op35-no13\/\">Sor, Fernando &#8211; Op. 35 No. 13<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-op35-no17\/\">Sor, Fernando &#8211; Op. 35 No. 17<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-6-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 06 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no9-op44\/\">Sor, Fernando &#8211; Op. 44 No. 09 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-10-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 10 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-11-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 11 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-14-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 14 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-2-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 2 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-petit-piece-no1\/\">Sor, Fernando &#8211; Op. 45 No. 01 Petit Piece<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no7\/\">Sor, Fernando &#8211; Op. 60 No. 07 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no12\/\">Sor, Fernando &#8211; Op. 60 No. 12 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no15\/\">Sor, Fernando &#8211; Op. 60 No. 15 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no16\/\">Sor, Fernando &#8211; Op. 60 No. 16 Andantino<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no20\/\">Sor, Fernando &#8211; Op. 60 No. 20 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no21\/\">Sor, Fernando &#8211; Op. 60 No. 21 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no22\/\">Sor, Fernando &#8211; Op. 60 No. 22 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-fernando-sor-op60-no23\/\">Sor, Fernando &#8211; Op. 60 No. 23 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op60-no24\/\">Sor, Fernando &#8211; Op. 60 No. 24 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-study-no5\/\">Tarrega, Francisco  &#8211; Study No. 5<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-study-no-6\/\">Tarrega, Francisco  &#8211; Study No. 6 (La Mariposa)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-adelita\/\">Tarrega, Francisco &#8211; Adelita<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-francisco-capricho-arabe-simplified\/\">Tarrega, Francisco &#8211; Capricho Arabe (Simplified)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-lagrima\/\">Tarrega, Francisco &#8211; Lagrima<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-mazurka\/\">Tarrega, Francisco &#8211; Mazurka in G<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-no-1\/\">Tarrega, Francisco &#8211; Prelude No. 01<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-2\/\">Tarrega, Francisco &#8211; Prelude No. 02<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-3\/\">Tarrega, Francisco &#8211; Prelude No. 03<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-no-4\/\">Tarrega, Francisco &#8211; Prelude No. 04<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-10\/\">Tarrega, Francisco &#8211; Prelude No. 10<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-no11\/\">Tarrega, Francisco &#8211; Prelude No. 11<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-no12\/\">Tarrega, Francisco &#8211; Prelude No. 12<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-no13\/\">Tarrega, Francisco &#8211; Prelude No. 13<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-no26\/\">Tarrega, Francisco &#8211; Prelude No. 26<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-study-c\/\">Tarrega, Francisco &#8211; Study in C<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-study-no2\/\">Tarrega, Francisco &#8211; Study No. 02<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-study-7\/\">Tarrega, Francisco &#8211; Study No. 07<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-sueno-mazurka\/\">Tarrega, Francisco &#8211; Sue\u00f1o Mazurka<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-spanish-dance\/\">Traditional &#8211; Spanish Dance<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-yradier-la-paloma\/\">Yradier, Sebastian &#8211; La Paloma<\/a><\/li>\n\t\t\n\t<\/ul>\n<\/div>\n\t\n\t\n\t\n<\/div>\n<\/div><\/div><\/div>\n<p style=\"text-align: center;\"><div  class=\"x-accordion-group\" ><div class=\"x-accordion-heading\"><a id=\"tab-69f33665ae1fd\" class=\"x-accordion-toggle collapsed\" role=\"tab\" data-x-toggle=\"collapse-b\" data-x-toggleable=\"69f33665ae1fd\" data-x-toggle-group=\"my-accordion-zero\" aria-selected=\"false\" aria-expanded=\"false\" aria-controls=\"panel-69f33665ae1fd\"><i class='x-framework-icon x-shortcode-accordion-icon' data-x-icon-s='&#x2b;' aria-hidden=true><\/i><span>Intermediate Spanish Music<\/span><\/a><\/div><div id=\"panel-69f33665ae1fd\" class=\"x-accordion-body x-collapsed\" role=\"tabpanel\" data-x-toggle-collapse=\"1\" data-x-toggleable=\"69f33665ae1fd\" aria-hidden=\"true\" aria-labelledby=\"tab-69f33665ae1fd\"><div class=\"x-accordion-inner\">\n<h3 style=\"text-align: center;\">Intermediate Spanish Music<\/h3>\n\n\n\n<div id=\"wpv-view-layout-140625-CATTR0f0370656e3b7d1468d1851e60fa6f8d\" class=\"js-wpv-view-layout js-wpv-layout-responsive js-wpv-view-layout-140625-CATTR0f0370656e3b7d1468d1851e60fa6f8d\" data-viewnumber=\"140625-CATTR0f0370656e3b7d1468d1851e60fa6f8d\" data-pagination=\"{&quot;id&quot;:&quot;140625&quot;,&quot;query&quot;:&quot;normal&quot;,&quot;type&quot;:&quot;disabled&quot;,&quot;effect&quot;:&quot;fade&quot;,&quot;duration&quot;:500,&quot;speed&quot;:5,&quot;pause_on_hover&quot;:&quot;disabled&quot;,&quot;stop_rollover&quot;:&quot;false&quot;,&quot;cache_pages&quot;:&quot;enabled&quot;,&quot;preload_images&quot;:&quot;enabled&quot;,&quot;preload_pages&quot;:&quot;enabled&quot;,&quot;preload_reach&quot;:1,&quot;spinner&quot;:&quot;builtin&quot;,&quot;spinner_image&quot;:&quot;https:\/\/www.classicalguitarshed.com\/wp-content\/plugins\/wp-views\/embedded\/res\/img\/ajax-loader.gif&quot;,&quot;callback_next&quot;:&quot;&quot;,&quot;manage_history&quot;:&quot;enabled&quot;,&quot;has_controls_in_form&quot;:&quot;disabled&quot;,&quot;infinite_tolerance&quot;:&quot;0&quot;,&quot;max_pages&quot;:0,&quot;page&quot;:1,&quot;base_permalink&quot;:&quot;\/wp-json\/wp\/v2\/posts\/55183?wpv_view_count=140625-CATTR0f0370656e3b7d1468d1851e60fa6f8d&amp;wpv_paged=WPV_PAGE_NUM&quot;,&quot;loop&quot;:{&quot;type&quot;:&quot;&quot;,&quot;name&quot;:&quot;&quot;,&quot;data&quot;:[],&quot;id&quot;:0}}\" data-permalink=\"\/wp-json\/wp\/v2\/posts\/55183?wpv_view_count=140625-CATTR0f0370656e3b7d1468d1851e60fa6f8d\">\n\n\t\n\t\n<div  class=\"x-columnize\" >\n\t<ul>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-albeniz-isaac-lautomne-valse-no3\/\">Albeniz, Isaac &#8211; Op. 170 L&#8217;automne-valse No. 3<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-anon-boleras\/\">Anonymous &#8211; Boleras<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-spanish-romance\/\">Anonymous &#8211; Spanish Romance<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-romance-tremolo\/\">Anonymous &#8211; Spanish Romance with Tremolo<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-anon-tirana\/\">Anonymous &#8211; Tirana<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-arcas-bolero\/\">Arcas, Julian &#8211; Bolero<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-arcas-jota-aragonesa\/\">Arcas, Julian &#8211; Jota Aragonesa<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-arcas-la-lira\/\">Arcas, Julian &#8211; La Lira<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-arcas-minuet-e-minor\/\">Arcas, Julian &#8211; Minuet in E minor<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-arcas-minuet-g\/\">Arcas, Julian &#8211; Minuet in G major<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-arcas-preludio\/\">Arcas, Julian &#8211; Preludio<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-allegretto\/\">Broc\u00e1, Jos\u00e9 &#8211; Allegretto<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-andante-sentimental\/\">Broc\u00e1, Jos\u00e9 &#8211; Andante Sentimental<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-crepusculos-valse-1\/\">Broc\u00e1, Jos\u00e9 &#8211; Crep\u00fasculos Valse No. 1<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-crepusculos-valse-2\/\">Broc\u00e1, Jos\u00e9 &#8211; Crep\u00fasculos Valse No. 2<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-crepusculos-valse-3\/\">Broc\u00e1, Jos\u00e9 &#8211; Crep\u00fasculos Valse No. 3<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-el-catalan\/\">Broc\u00e1, Jos\u00e9 &#8211; El Catalan<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-el-cortesano\/\">Broc\u00e1, Jos\u00e9 &#8211; El Cortesano<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-elegante\/\">Broca, Jose &#8211; El Elegante<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-vals\/\">Broca, Jose &#8211; Vals in A Minor<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-castillo-bolero\/\">Castillo, David del &#8211; Bolero<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-falla-fuego\/\">de Falla, Manuel &#8211; Cancion del Fuego Fatuo<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-etudiant-salamanque\/\">Ferrer, Jose &#8211; L\u2019\u00c9tudiant de Salamanque<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-minuet-no1\/\">Ferrer, Jose &#8211; No. 01 Minuet<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-nocturne-no1\/\">Ferrer, Jose &#8211; No. 01 Nocturne<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-minuet-no3\/\">Ferrer, Jose &#8211; No. 03 Minuet<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op9-no1\/\">Ferrer, Jose &#8211; Op. 09 No. 01 Valse<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-minuet-no6-op-12\/\">Ferrer, Jose &#8211; Op. 12 &#8211; No. 06 Minuet<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op-17-no-2-minuet\/\">Ferrer, Jose &#8211; Op. 17 No. 02 Minuet<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-charme-nuit\/\">Ferrer, Jose &#8211; Op. 36 Charme de la nuit Nocturne<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-pensees-du-soir\/\">Ferrer, Jose &#8211; Op. 44 Nocturne<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-op9-no2\/\">Ferrer, Jose &#8211; Op. 9 No. 02 Valse<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-souvenir-aout\/\">Ferrer, Jose &#8211; Souvenir du quinze Ao\u00fbt<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ferrer-tango-no3\/\">Ferrer, Jose &#8211; Tango No. 3<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-granados-dedicatoria\/\">Granados, Enrique &#8211; Dedicatoria<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-hacia-belen\/\">Holiday Music, Spanish Christmas &#8211; Hacia Belen va una Burra<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-llobet-noi-mare\/\">Holiday Music, Spanish Christmas &#8211; Llobet, Miguel &#8211; El Noi de la Mare (Catalan)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-jacobs-op118-no2\/\">Jacobs, Walter &#8211; Op. 118 No. 02 Spanish Follies<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-lecuona-malaguena\/\">Lecuona, Ernesto \u2013 Malague\u00f1a<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-llobet-canco\/\">Llobet, Miguel &#8211; Canco de Lladre<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-llobet-testament-damelia\/\">Llobet, Miguel &#8211; El Testament d&#8217;Amelia<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-llobet-filla\/\">Llobet, Miguel &#8211; La Filla del Marxant<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-llobet-plany\/\">Llobet, Miguel &#8211; Plany<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-llobet-preluido-maria\/\">Llobet, Miguel &#8211; Preludio a Maria Luisa Anido<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-milan-pavana-1\/\">Milan, Luis &#8211; Pavana No. 1<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-milans-pavana-no2\/\">Milan, Luis &#8211; Pavana No. 2<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-narvaez-guardame-las-vacas\/\">Narvaez, Luis de &#8211; Guardame las Vacas<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-ravel-bolero\/\">Ravel, Maurice &#8211; Bolero<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-murcia-fandango\/\">Santiago de Murcia &#8211; Fandango<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-murcia-folias\/\">Santiago de Murcia &#8211; Folias Gallegas<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-murcia-prelude\/\">Santiago de Murcia &#8211; Prelude por la E<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-murcia-tarantela\/\">Santiago de Murcia &#8211; Tarantela<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-allemanda\/\">Sanz, Gaspar &#8211; Allemanda<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-canarios\/\">Sanz, Gaspar &#8211; Canarios<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-jacaras\/\">Sanz, Gaspar &#8211; Jacaras<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-minona-cataluna\/\">Sanz, Gaspar &#8211; La Mi\u00f1ona de Catalu\u00f1a<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-passacalle\/\">Sanz, Gaspar &#8211; Passacalle<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-passacalle-cavalleria\/\">Sanz, Gaspar &#8211; Passacalle de la Cavalleria de Napoles<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-passacalles-crucado\/\">Sanz, Gaspar &#8211; Passacalles (Por Crucado)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-prelude-fantasy\/\">Sanz, Gaspar &#8211; Prelude and Fantasy<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sanz-sesquialtera\/\">Sanz, Gaspar &#8211; Sesquialtera<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-fortea-guajiras-cubanas\/\">Severino Garc\u00eda Fortea &#8211; Guajiras Cubanas<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-fortea-sevillana\/\">Severino Garc\u00eda Fortea &#8211; Sevillana<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op29-no2\/\">Sor, Fernando  &#8211; Op. 29 No. 02<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-six-divertissements-op-2-no-4\/\">Sor, Fernando &#8211; Op. 02 No. 04 Six Divertissements<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-minuet\/\">Sor, Fernando &#8211; Op. 03 Minuet<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op6-no6\/\">Sor, Fernando &#8211; Op. 06 No. 06 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op6-no11\/\">Sor, Fernando &#8211; Op. 06 No. 11 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op6-no12\/\">Sor, Fernando &#8211; Op. 06 No. 12 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-minuet-op11\/\">Sor, Fernando &#8211; Op. 11 No. 05 Minuet<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-folia-menuet\/\">Sor, Fernando &#8211; Op. 15(a) &#8211; Folia Menuet<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-folia-theme\/\">Sor, Fernando &#8211; Op. 15(a) &#8211; Folia Theme and Variations<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op22-minuet-trio\/\">Sor, Fernando &#8211; Op. 22 Minuet &#038; Trio<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op24-no7-allegretto\/\">Sor, Fernando &#8211; Op. 24 No. 07 Allegretto<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-allegretto-op24-no7-alternative\/\">Sor, Fernando &#8211; Op. 24 No. 07 Allegretto (Alternative)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op29-no8\/\">Sor, Fernando &#8211; Op. 29 No. 08 Study<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op29-no13\/\">Sor, Fernando &#8211; Op. 29 No. 13 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op29-no23\/\">Sor, Fernando &#8211; Op. 29 No. 23 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op31-no19\/\">Sor, Fernando &#8211; Op. 31 No. 19<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op31-no20\/\">Sor, Fernando &#8211; Op. 31 No. 20 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op31-no21\/\">Sor, Fernando &#8211; Op. 31 No. 21<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op32-no4\/\">Sor, Fernando &#8211; Op. 32 No. 04 Mazurka<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op32-no5\/\">Sor, Fernando &#8211; Op. 32 No. 05 Andante<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op32-no6\/\">Sor, Fernando &#8211; Op. 32 No. 06 Galop<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op35-no16\/\">Sor, Fernando &#8211; Op. 35 No. 16 Allegretto Grazioso<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op35-no22\/\">Sor, Fernando &#8211; Op. 35 No. 22 (B minor Etude)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-3-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 03 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-4-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 04 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-5-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 05 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-7-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 07 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-8-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 08 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-13-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 13 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op-44-no-15\/\">Sor, Fernando &#8211; Op. 44 No. 15 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-18-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 18 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-no-19-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 19 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-no21-op-44\/\">Sor, Fernando &#8211; Op. 44 No. 21 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-etude-no23-op44\/\">Sor, Fernando &#8211; Op. 44 No. 23 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-petite-piece-op45-no2\/\">Sor, Fernando &#8211; Op. 45 No. 02 Petite Piece<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-petite-piece-op45-no3\/\">Sor, Fernando &#8211; Op. 45 No. 03 Petite Piece<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op45-no4\/\">Sor, Fernando &#8211; Op. 45 No. 04 Valse<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-funeral-marche\/\">Sor, Fernando &#8211; Op. 59 Funeral Marche<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-fernando-op60-no25\/\">Sor, Fernando &#8211; Op. 60 No. 25 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-study-no5\/\">Tarrega, Francisco  &#8211; Study No. 5<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-study-no-6\/\">Tarrega, Francisco  &#8211; Study No. 6 (La Mariposa)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-adelita\/\">Tarrega, Francisco &#8211; Adelita<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-alborada\/\">Tarrega, Francisco &#8211; Alborada<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-francisco-capricho-arabe\/\">Tarrega, Francisco &#8211; Capricho Arabe<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-danza-mora\/\">Tarrega, Francisco &#8211; Danza Mora<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-columpio\/\">Tarrega, Francisco &#8211; El Columpio<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-el-raton\/\">Tarrega, Francisco &#8211; El Raton<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-endecha-prelude\/\">Tarrega, Francisco &#8211; Endecha<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-schumann-fugue\/\">Tarrega, Francisco &#8211; Fugue by R. Schumann<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-gran-vals\/\">Tarrega, Francisco &#8211; Gran Vals<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-isabel\/\">Tarrega, Francisco &#8211; Isabel<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-las-dos-hermanitas\/\">Tarrega, Francisco &#8211; Las Dos Hermanitas<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-malaguena\/\">Tarrega, Francisco &#8211; Malague\u00f1a<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-manchegas\/\">Tarrega, Francisco &#8211; Manchegas<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-maria\/\">Tarrega, Francisco &#8211; Maria<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-marieta\/\">Tarrega, Francisco &#8211; Marieta<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-mazurka\/\">Tarrega, Francisco &#8211; Mazurka in G<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-minueto\/\">Tarrega, Francisco &#8211; Minueto<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-oremus-prelude\/\">Tarrega, Francisco &#8211; Oremus<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-paquito\/\">Tarrega, Francisco &#8211; Paquito<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-pavana\/\">Tarrega, Francisco &#8211; Pavana<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-pepita\/\">Tarrega, Francisco &#8211; Pepita<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-bminor-prelude\/\">Tarrega, Francisco &#8211; Prelude in B Minor<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-no-1\/\">Tarrega, Francisco &#8211; Prelude No. 01<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-2\/\">Tarrega, Francisco &#8211; Prelude No. 02<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-3\/\">Tarrega, Francisco &#8211; Prelude No. 03<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-no-4\/\">Tarrega, Francisco &#8211; Prelude No. 04<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-5\/\">Tarrega, Francisco &#8211; Prelude No. 05<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-no-8\/\">Tarrega, Francisco &#8211; Prelude No. 08<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-no9\/\">Tarrega, Francisco &#8211; Prelude No. 09<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-no19\/\">Tarrega, Francisco &#8211; Prelude No. 19<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-prelude-24\/\">Tarrega, Francisco &#8211; Prelude No. 24<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-rosita\/\">Tarrega, Francisco &#8211; Rosita<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-studio-campanela\/\">Tarrega, Francisco &#8211; Studio de Campanela<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-12-studies-no3\/\">Tarrega, Francisco &#8211; Study No. 03<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-study-7\/\">Tarrega, Francisco &#8211; Study No. 07<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-study-no8\/\">Tarrega, Francisco &#8211; Study No. 08<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-study-10\/\">Tarrega, Francisco &#8211; Study No. 10<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-schumann-fragment\/\">Tarrega, Francisco &#8211; Study on a Fragment of Schumann<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-sueno-mazurka\/\">Tarrega, Francisco &#8211; Sue\u00f1o Mazurka<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-suspiro-de-amor\/\">Tarrega, Francisco &#8211; Suspiro de Amor<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-tango\/\">Tarrega, Francisco &#8211; Tango<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-vals-re\/\">Tarrega, Francisco &#8211; Vals en Re<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-vinas-andante\/\">Vinas, Jose &#8211; Andante Sentimental<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-la-parisiense\/\">Vi\u00f1as, Jos\u00e9 &#8211; La Parisiense<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-recuerdo-de-la-costa\/\">Vi\u00f1as, Jos\u00e9 &#8211; Recuerdo de la Costa<\/a><\/li>\n\t\t\n\t<\/ul>\n<\/div>\n\t\n\t\n\t\n<\/div>\n<\/div><\/div><\/div>\n<p style=\"text-align: center;\"><div  class=\"x-accordion-group\" ><div class=\"x-accordion-heading\"><a id=\"tab-69f33665c7b14\" class=\"x-accordion-toggle collapsed\" role=\"tab\" data-x-toggle=\"collapse-b\" data-x-toggleable=\"69f33665c7b14\" data-x-toggle-group=\"my-accordion-zero\" aria-selected=\"false\" aria-expanded=\"false\" aria-controls=\"panel-69f33665c7b14\"><i class='x-framework-icon x-shortcode-accordion-icon' data-x-icon-s='&#x2b;' aria-hidden=true><\/i><span>Advanced Spanish Music<\/span><\/a><\/div><div id=\"panel-69f33665c7b14\" class=\"x-accordion-body x-collapsed\" role=\"tabpanel\" data-x-toggle-collapse=\"1\" data-x-toggleable=\"69f33665c7b14\" aria-hidden=\"true\" aria-labelledby=\"tab-69f33665c7b14\"><div class=\"x-accordion-inner\">\n<h3 style=\"text-align: center;\">Advanced Spanish Music<\/h3>\n\n\n\n<div id=\"wpv-view-layout-140625-CATTR4891b30cf54e615d873fe1268182003c\" class=\"js-wpv-view-layout js-wpv-layout-responsive js-wpv-view-layout-140625-CATTR4891b30cf54e615d873fe1268182003c\" data-viewnumber=\"140625-CATTR4891b30cf54e615d873fe1268182003c\" data-pagination=\"{&quot;id&quot;:&quot;140625&quot;,&quot;query&quot;:&quot;normal&quot;,&quot;type&quot;:&quot;disabled&quot;,&quot;effect&quot;:&quot;fade&quot;,&quot;duration&quot;:500,&quot;speed&quot;:5,&quot;pause_on_hover&quot;:&quot;disabled&quot;,&quot;stop_rollover&quot;:&quot;false&quot;,&quot;cache_pages&quot;:&quot;enabled&quot;,&quot;preload_images&quot;:&quot;enabled&quot;,&quot;preload_pages&quot;:&quot;enabled&quot;,&quot;preload_reach&quot;:1,&quot;spinner&quot;:&quot;builtin&quot;,&quot;spinner_image&quot;:&quot;https:\/\/www.classicalguitarshed.com\/wp-content\/plugins\/wp-views\/embedded\/res\/img\/ajax-loader.gif&quot;,&quot;callback_next&quot;:&quot;&quot;,&quot;manage_history&quot;:&quot;enabled&quot;,&quot;has_controls_in_form&quot;:&quot;disabled&quot;,&quot;infinite_tolerance&quot;:&quot;0&quot;,&quot;max_pages&quot;:0,&quot;page&quot;:1,&quot;base_permalink&quot;:&quot;\/wp-json\/wp\/v2\/posts\/55183?wpv_view_count=140625-CATTR4891b30cf54e615d873fe1268182003c&amp;wpv_paged=WPV_PAGE_NUM&quot;,&quot;loop&quot;:{&quot;type&quot;:&quot;&quot;,&quot;name&quot;:&quot;&quot;,&quot;data&quot;:[],&quot;id&quot;:0}}\" data-permalink=\"\/wp-json\/wp\/v2\/posts\/55183?wpv_view_count=140625-CATTR4891b30cf54e615d873fe1268182003c\">\n\n\t\n\t\n<div  class=\"x-columnize\" >\n\t<ul>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-albeniz-asturias\/\">Alb\u00e9niz, Isaac &#8211; Asturias (Leyenda)<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-romance-tremolo\/\">Anonymous &#8211; Spanish Romance with Tremolo<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-fantasia\/\">Broca, Jose &#8211; Fantasia No.6<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-broca-pensamiento-espanol\/\">Broca, Jose &#8211; Pensamiento Espanol<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-falla-danza-corregidor\/\">de Falla, Manuel &#8211; Dance of the Corregidor<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-falla-danza-del-molinero\/\">de Falla, Manuel &#8211; Danza del Molinero<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-llobet-filadora\/\">Llobet, Miguel &#8211; La Filadora<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-mudarra-fantasia\/\">Mudarra, Alonso &#8211; Fantasia<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-fernando-sor-grand-solo\/\">Sor, Fernando &#8211; Op. 14 Grand Solo<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op24-no5-menuet\/\">Sor, Fernando &#8211; Op. 24 No. 05 Menuet<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op29-no17\/\">Sor, Fernando &#8211; Op. 29 No. 17 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-op29-no22\/\">Sor, Fernando &#8211; Op. 29 No. 22 Etude<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-sor-variations-mozart\/\">Sor, Fernando &#8211; Op. 9 Variations on a Theme by Mozart<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-recuerdos\/\">Tarrega, Francisco &#8211; Recuerdos de la Alhambra<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-12-studies-no3\/\">Tarrega, Francisco &#8211; Study No. 03<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-study-no-4\/\">Tarrega, Francisco &#8211; Study No. 04<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-sueno\/\">Tarrega, Francisco &#8211; Sue\u00f1o<\/a><\/li>\n\t\t\n          <li><a href=\"https:\/\/classicalguitarshed.com\/sm-vinas-sueno\/\">Vinas, Jose &#8211; Sue\u00f1o<\/a><\/li>\n\t\t\n\t<\/ul>\n<\/div>\n\t\n\t\n\t\n<\/div>\n<\/div><\/div><\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>If you have any recommendations for Spanish guitar TABs and pieces to add to this collection, please <a href=\"https:\/\/classicalguitarshed.com\/contact\">reach out<\/a> and let us know!&nbsp; We&#8217;re always on the lookout for great Spanish guitar songs (and classical guitar music as well).<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-premium-courses-on-spanish-guitar-music\">Premium Courses on Spanish Guitar Music<\/h2>\n\n\n\n<p>Want to dive deeper into the music of Spain?&nbsp; Consider a premium course.&nbsp; Each Spanish guitar lesson below will take you note by note, so you master the moves.&nbsp; And you\u2019ll get detailed, step-by-step lessons on phrasing and expression, so you play it beautifully.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u2022 <a href=\"https:\/\/classicalguitarshed.com\/asturias\/\">Alb\u00e9niz, Isaac &#8211; Asturias (Leyenda)<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u2022 <a href=\"https:\/\/classicalguitarshed.com\/malaguena\/\">Lecuona, Ernesto &#8211; Malague\u00f1a<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u2022 <a href=\"https:\/\/classicalguitarshed.com\/ejercicio\/\">Ferrer, Jos\u00e9 &#8211; Ejercicio<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">\u2022 <a href=\"https:\/\/classicalguitarshed.com\/ferrer-tango-3-classical-guitar\/\"><strong>Ferrer, Jos\u00e9 &#8211; Tango #3<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u2022 <a href=\"https:\/\/classicalguitarshed.com\/espanoleta\/\">Sanz, Gaspar &#8211; Espa\u00f1oleta<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u2022 <a href=\"https:\/\/classicalguitarshed.com\/sor-bm\/\">Sor, Fernando &#8211; B Minor Etude (35-22)<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">\u2022 <a href=\"https:\/\/classicalguitarshed.com\/sor-44-1\/\"><strong>Sor, Fernando &#8211; Etude 1, Opus 44<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u2022 <a href=\"https:\/\/classicalguitarshed.com\/sor-60-16\/\">Sor, Fernando &#8211; Opus 60 Number 16<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u2022 <a href=\"https:\/\/classicalguitarshed.com\/adelita\/\">T\u00e1rrega, Francisco &#8211; Adelita<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>\u2022 <a href=\"https:\/\/classicalguitarshed.com\/capricho-arabe\/\">T\u00e1rrega, Francisco &#8211; Capricho Arabe<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">\u2022 <a href=\"https:\/\/classicalguitarshed.com\/recuerdos\/\"><strong>T\u00e1rrega, Francisco &#8211; Recuerdos de la Alhambra<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\">\u2022 <a href=\"https:\/\/classicalguitarshed.com\/tarrega-study-c\/\"><strong>T\u00e1rrega, Francisco &#8211; Study in C<\/strong><\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><a name=\"spanish-songs\"><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-popular-spanish-songs-to-play\">Popular Spanish Songs to Play<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-spanish-romance-anonymous\">Spanish Romance &#8211; Anonymous<\/h3>\n\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/youtube.com\/embed\/MGYoJJJbwgY?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<p>Spanish Romance &#8211; composer unknown<\/p>\n\n\n\n<p>One of the most famous songs for guitar.&nbsp; Much of the piece is fairly easy to play. But you will find a barre chord combined with a rather wicked little-finger stretch. (Do some <a href=\"https:\/\/classicalguitarshed.com\/classical-guitar-warmup\/\" rel=\"noopener noreferrer\">warm-up exercises<\/a> before trying this!) <\/p>\n\n\n\n<p>Click here for the <a href=\"https:\/\/classicalguitarshed.com\/sm-spanish-romance\/\">Spanish Romance TABs and notation<\/a>.<br>Click for the <a href=\"https:\/\/classicalguitarshed.com\/spanish-romance\/\">full Study Guide to Spanish Romance (Romanza)<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-malaguena-ernesto-lecuona\">Malague\u00f1a &#8211; Ernesto Lecuona<\/h3>\n\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/youtube.com\/embed\/ezsWXdalxRI?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<p>Malaguena &#8211; by Ernesto Lecuona<\/p>\n\n\n\n<p>A very fun and popular song to play in the Spanish guitar style. Its Spanish chords and strums give it a distinct flair. The first and third sections are easy and are great for learning common Spanish guitar techniques.<\/p>\n\n\n\n<p>Click here for the <a href=\"https:\/\/classicalguitarshed.com\/sm-lecuona-malaguena\/\">Malgue\u00f1a sheet music and TABs<\/a><br>Click here for the <a href=\"https:\/\/classicalguitarshed.com\/malaguena\/\">full course on Malaguena.<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-lagrima-francisco-tarrega\">Lagrima &#8211; Francisco Tarrega<\/h3>\n\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/youtube.com\/embed\/ys-Wr3DezoM?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">?<\/span><\/iframe><\/p>\n\n\n\n<p>Lagrima &#8211; by Francisco Tarrega<\/p>\n\n\n\n<p>One of the best examples of Spanish classical guitar. A slow ballad with a beautiful melody, it&#8217;s extremely popular with classical guitar players.<\/p>\n\n\n\n<p>Click here for the <a href=\"https:\/\/classicalguitarshed.com\/sm-tarrega-lagrima\/\">Lagrima TABs and sheets<\/a>.<br>Click here for the <a href=\"https:\/\/classicalguitarshed.com\/lagrima\">full course on Lagrima, by Francisco Tarrega<\/a>.<\/p>\n\n\n<span style=\"--tl-form-height-m:782.641px;--tl-form-height-t:564.312px;--tl-form-height-d:564.312px;\" class=\"tl-placeholder-f-type-shortcode_196919 tl-preload-form\"><span><\/span><\/span>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-the-spanish-guitar\">The Spanish Guitar<\/h2>\n\n\n<div class=\"wp-block-image wp-image-196876 size-medium\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"236\" height=\"300\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/dp130799-236x300.jpg\" alt=\"\" class=\"wp-image-196876\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/dp130799-236x300.jpg 236w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/dp130799-804x1024.jpg 804w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/dp130799-768x978.jpg 768w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/dp130799-1207x1536.jpg 1207w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/dp130799-1609x2048.jpg 1609w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/dp130799-100x127.jpg 100w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/dp130799-1200x1527.jpg 1200w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/dp130799-scaled.jpg 2011w\" sizes=\"auto, (max-width: 236px) 100vw, 236px\" \/><figcaption class=\"wp-element-caption\">A Spanish guitarist<\/figcaption><\/figure>\n<\/div>\n\n\n<p>For much of its history, the guitar was a parlor instrument. Society thought it was suitable for informal gatherings. But it was not seen as capable as the piano, violin, or other \u201cserious\u201d instruments. Over time this image came to change. This is thanks to many important performers, <a href=\"https:\/\/classicalguitarshed.com\/free-guitar-sheet-music\/\">composers<\/a>, and guitar builders (luthiers).<\/p>\n\n\n\n<p>The acoustic and Spanish guitars <a href=\"https:\/\/classicalguitarshed.com\/classical-on-acoustic\/\">differ in several ways.<\/a> These include the internal bracing, the type of strings, and the number of frets. The playing style is also different.\u00a0\u00a0The Spanish Guitar accompanies singers or other instruments.  Or it plays <a href=\"https:\/\/classicalguitarshed.com\/interpret-classic-guitar-music\/\">&#8220;polyphonic&#8221; music<\/a>. (More than one part playing at the same time.)<\/p>\n\n\n\n<p>Acoustic guitars generally use steel strings. Classical and Spanish guitars use nylon strings. These have lower tension than acoustic steel-string guitars. This makes classical and Spanish guitar <a href=\"https:\/\/classicalguitarshed.com\/beginner-progress-guitar\/\">easier to play for beginners<\/a>. <\/p>\n\n\n\n<p>Acoustic guitars usually have a larger body than classical or Spanish guitars. The classical guitar has a wider neck, with more space between strings.<\/p>\n\n\n\n<p>Flamenco guitars are different from classical guitars, although they look similar. Spanish flamenco guitars traditionally accompanied singers and dancers. Because of this, the Spanish classical guitar has a different build.\u00a0\u00a0It has a thinner top, and different bracing inside. The string tension may be lower, and the strings closer to the fretboard. The neck may also be flatter.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-spanish-guitar-techniques\">Spanish Guitar Techniques<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-fingerpicking-guitar\">Fingerpicking Guitar<\/h3>\n\n\n\n<p>We play Spanish guitar by plucking the strings (aka finger picking) with the right-hand fingers. Modern guitar players grow their <a href=\"https:\/\/classicalguitarshed.com\/classical-guitar-nails\/\">right-hand nails<\/a> to assist with projection and speed. Many guitarists play<a href=\"https:\/\/classicalguitarshed.com\/classical-guitar-without-fingernails\/\">\u00a0without nails<\/a>, but most use a combination of nail and flesh.<\/p>\n\n\n<div class=\"wp-block-image wp-image-33536 size-medium\">\n<figure class=\"alignright\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/IMG_1439-300x169.jpg\" alt=\"\" class=\"wp-image-33536\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/IMG_1439-300x169.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/IMG_1439-768x432.jpg 768w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/IMG_1439-1024x575.jpg 1024w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/IMG_1439-100x56.jpg 100w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/IMG_1439-1200x671.jpg 1200w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/IMG_1439.jpg 1906w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Spanish Guitar Techniques<\/figcaption><\/figure>\n<\/div>\n\n\n<p>We call the right-hand fingers P, I, M, A, and C. The names come from the Spanish language.<\/p>\n\n\n\n<p>P &#8211; Pulgar (Thumb)<br>I &#8211; Indice (Index)<br>M &#8211; Medio (Middle)<br>A &#8211; Anular (Ring)<br>C &#8211; Chico (Pinky)<\/p>\n\n\n\n<p>The right hand creates the sound of the guitar. This sound defines the Spanish guitar. Skillful players use a variety of right-hand techniques to change the tone (sound quality). <br><a name=\"position\"><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Tremolo Guitar Technique<\/h3>\n\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/youtube.com\/embed\/PqfkMgVaOeY?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">?<\/span><\/iframe><\/p>\n\n\n\n<p><a href=\"https:\/\/classicalguitarshed.com\/classical-guitar-tremolo\/\">Tremolo<\/a> is one of the most recognized right-hand techniques for guitar. It gives us the illusion of a sustained note. But in reality, we pluck the same string repeatedly. <\/p>\n\n\n\n<p>A difficult technique to master, tremolo is a staple in some of the most popular pieces on the guitar. <em>Recuerdos de la Alhambra <\/em>and<em> Campanas del Alba<\/em>, are two of the most popular tremolo works.<\/p>\n\n\n\n<p>Other instruments have adapted this technique as well.  You can hear <em>Recuerdos de la Alhambra<\/em> played on the violin, piano, and marimba!<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-scales\">Scales<\/h3>\n\n\n\n<p><a href=\"https:\/\/classicalguitarshed.com\/practicing-scales-on-the-classical-guitar\/\">Scales<\/a> are the building blocks of music, and nearly every pitched instrument uses them.<\/p>\n\n\n\n<p>The Spanish guitar player can move through different musical keys with ease.  They move adaptable <a href=\"https:\/\/classicalguitarshed.com\/classical-guitar-scales\/\">patterns and \u201cshapes\u201d<\/a> around the fretboard.<\/p>\n\n\n\n<p>Many flamenco guitar players can play extremely fast scales. Paco de Lucia, for example, could match the speed of others playing with a plectrum.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-rasgueado-strumming-technique\">Rasgueado Strumming Technique<\/h3>\n\n\n\n<p>The <a href=\"https:\/\/classicalguitarshed.com\/rasgueado-technique\/\">rasgueado<\/a> is a strumming technique that adds percussive elements to <a href=\"https:\/\/classicalguitarshed.com\/chords\/\">guitar chords<\/a>.<\/p>\n\n\n\n<p>Rasgueados use mainly the nails of the right hand. We prep the fingers within the hand and then launch them with force onto the strings. This allows for great speed and a loud initial attack.<\/p>\n\n\n\n<p>The thumb <a href=\"https:\/\/classicalguitarshed.com\/classical-guitar-thumb-technique\/\">stabilizes the hand<\/a>. Or it alternates with the other right-hand fingers in specific patterns.<\/p>\n\n\n\n<p>There are many different rasgueado patterns possible.&nbsp;The rasgueados match the intensity and rhythm of the dancing and singing.<\/p>\n\n\n\n<p>Many guitar composers have adapted right-hand techniques like <a href=\"https:\/\/classicalguitarshed.com\/2-finger-rasgueado-strum\">rasgueado<\/a>. These increase emotional intensity or pay homage to the Spanish guitar style.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-picado\">Picado<\/h3>\n\n\n\n<p>Picado is a fingerpicking technique utilized in flamenco guitar playing. Picado is when a guitarist pushes the string into the guitar using fingers on the right hand (plucking hand).<\/p>\n\n\n\n<p>The sound is sweeter for melodic passages. And the technique also allows the fingers to alternate quickly for fast passages.<\/p>\n\n\n\n<p>It\u2019s closely related to the rest stroke on the classical guitar.<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"position\">Spanish Guitar Position<\/h2>\n\n\n<div class=\"wp-block-image wp-image-107681 size-full\">\n<figure class=\"alignright\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/05\/allen-playing-250.jpg\" alt=\"\" class=\"wp-image-107681\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/05\/allen-playing-250.jpg 250w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/05\/allen-playing-250-150x150.jpg 150w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/05\/allen-playing-250-100x100.jpg 100w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Classical guitar sitting position<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image wp-image-196901 size-medium\">\n<figure class=\"alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/flamenco-sitting-position-300x300.jpg\" alt=\"\" class=\"wp-image-196901\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/flamenco-sitting-position-300x300.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/flamenco-sitting-position-150x150.jpg 150w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/flamenco-sitting-position-100x100.jpg 100w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/flamenco-sitting-position.jpg 555w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Paco de Lucia, with traditional flamenco sitting position<\/figcaption><\/figure>\n<\/div>\n\n\n<p>We typically <a href=\"https:\/\/classicalguitarshed.com\/how-to-hold-a-guitar\">hold a classical guitar<\/a> at a 45-degree angle. <\/p>\n\n\n\n<p>This allows both hands to play comfortably.\u00a0 The left hand can move up and down the fretboard. And the right hand is at liberty to play anywhere over the guitar body.<\/p>\n\n\n\n<p>Flamenco guitar players traditionally sit with the right foot over the left knee. The guitar sits on the right leg, with the neck horizontal. This stems from the informal heritage of flamenco music.<\/p>\n\n\n\n<p>The way we hold the guitar has evolved.&nbsp; In the 19th century, some players built tripods to hold the guitar.&nbsp; Players also have tried various straps to hold the guitar to the body.&nbsp; None of these have proved practical for most people.<\/p>\n\n\n\n<p>The <a href=\"https:\/\/classicalguitarshed.com\/classical-guitar-footstool-review\/\">footstool<\/a> has been the most popular guitar support for centuries. We don\u2019t quite know where this tradition began. But many attribute it to guitarist and composer Francisco Tarrega.<\/p>\n\n\n\n<p>Today we have <a href=\"https:\/\/classicalguitarshed.com\/guitar-support-reviews\/\">various guitar supports available<\/a>. These modern-day contraptions help us to play in a healthy way.<\/p>\n\n\n\n<p><a name=\"flomenco\"><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-flamenco-guitar-music\">Flamenco Guitar Music<\/h2>\n\n\n<div class=\"wp-block-image wp-image-196905 size-medium\">\n<figure class=\"alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/flamenco-group-300x200.jpg\" alt=\"flamenco guitar group\" class=\"wp-image-196905\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/flamenco-group-300x200.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/flamenco-group-100x67.jpg 100w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/flamenco-group.jpg 768w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Traditional flamenco performance<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Flamenco is the traditional music of Spain. Born in Andalusia, it contains folkloric elements of many cultures from Southern Spain including that of early Muslims.<\/p>\n\n\n\n<p>Flamenco music usually contains song and dance. The guitar plays the accompaniment, with flourishes interjected.<\/p>\n\n\n\n<p>Many flamenco guitar techniques came about by necessity. Flamenco music is often loud, with singing, clapping, and shoe heel clicking in the dance. These all demanded more volume from the guitar. So players invented special strumming techniques such as <a href=\"https:\/\/classicalguitarshed.com\/rasgueados\/\">rasgueados<\/a>.<\/p>\n\n\n\n<p>Flamenco guitarists tend to <a href=\"https:\/\/classicalguitarshed.com\/develop-rhythm\/\">develop immaculate rhythms<\/a>. While they add their own flare, flamenco guitarists were traditionally secondary to the dancer or singer.<\/p>\n\n\n\n<p>Solo flamenco guitar players only began to gain fame in the 20th century. Guitarists like Sabicas, Paco de Lucia, and Paco Pena, were the trailblazers. <\/p>\n\n\n\n<p>Flamenco is especially popular in the United States and Japan. Wikipedia suggests there are currently more flamenco schools in Japan than there are in Spain.<a name=\"flamenco\"><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-flamenco-dance\">Flamenco Dance<\/h2>\n\n\n<div class=\"wp-block-image wp-image-196881 size-medium\">\n<figure class=\"alignright\"><img loading=\"lazy\" decoding=\"async\" width=\"168\" height=\"300\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/The_flamenco_dancer_Leopold_Schmutzler-168x300.jpg\" alt=\"\" class=\"wp-image-196881\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/The_flamenco_dancer_Leopold_Schmutzler-168x300.jpg 168w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/The_flamenco_dancer_Leopold_Schmutzler-100x178.jpg 100w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/The_flamenco_dancer_Leopold_Schmutzler.jpg 514w\" sizes=\"auto, (max-width: 168px) 100vw, 168px\" \/><figcaption class=\"wp-element-caption\">A flamenco dancer, playing the castanets<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Flamenco dance is perhaps the most recognizable element of flamenco music. Dancers wear distinctive clothes. And they commonly sing and clap, or play castanets.&nbsp; They use scarves and fans as expressive accessories to convey different emotions.<\/p>\n\n\n\n<p>Flamenco dancers need to learn many variations of typical flamenco dances. These include the Bulerias, Tango, Alegrias, and Guajira.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-about-spanish-guitar-notation-and-tabs\">About Spanish Guitar Notation and Tabs<\/h2>\n\n\n\n<p>Many classical and Spanish guitar players learn to read sheet music notation. This has been common practice since the early 1800s. Before that, tablature was used for most instruments in the early guitar family.<\/p>\n\n\n\n<p>Standard notation gives players instructions on what note to play. It can also specify where to play the note. It includes cues for expression, volume, and tone quality.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/standard-notation-scaled-1-300x200.jpg\" alt=\"standard notation spanish music\" class=\"wp-image-199884\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/standard-notation-scaled-1-300x200.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/standard-notation-scaled-1-1024x683.jpg 1024w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/standard-notation-scaled-1-768x512.jpg 768w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/standard-notation-scaled-1-1536x1024.jpg 1536w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/standard-notation-scaled-1-2048x1366.jpg 2048w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/standard-notation-scaled-1-100x67.jpg 100w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/standard-notation-scaled-1-1200x800.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p>\u201cFingerings\u201d are an important part of guitar notation. These advise the guitarist which finger to use. Most notes can be found in several places on the guitar. So left-hand fingerings can reduce confusion and help with phrasing.&nbsp; Right-hand fingerings also clarify the easiest way to play a passage.<\/p>\n\n\n<div class=\"wp-block-image wp-image-14407 size-medium\">\n<figure class=\"alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"192\" height=\"300\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2016\/08\/classical2tab-192x300.jpg\" alt=\"early classical guitar tab\" class=\"wp-image-14407\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2016\/08\/classical2tab-192x300.jpg 192w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2016\/08\/classical2tab.jpg 240w\" sizes=\"auto, (max-width: 192px) 100vw, 192px\" \/><figcaption class=\"wp-element-caption\">Early guitar tablature<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Some symbols correspond to specific guitar techniques. These include rasgueados, tremolo, harmonics, and tambora (a percussive effect).<\/p>\n\n\n\n<p>The original notation used for learning most early guitar music was called &#8220;tablature&#8221;.  It was used for the lute, vihuela, and baroque guitar.<\/p>\n\n\n\n<p>There were different types of tablature. The best-known were French, German, and Spanish.\u00a0 These systems used letters or numbers to indicate frets. Lines indicated which string was played. And some offered rhythms written above the lines.<\/p>\n\n\n\n<p>Students of classical and Spanish guitar can either use music notation and\/or tablature (TABs). Learning to read music (standard notation) can take time. So TAB opens the doors to a more varied repertoire.&nbsp; However, notation can include more detail.<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n<span style=\"--tl-form-height-m:782.641px;--tl-form-height-t:564.312px;--tl-form-height-d:564.312px;\" class=\"tl-placeholder-f-type-shortcode_196919 tl-preload-form\"><span><\/span><\/span>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><a name=\"composers\"><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-famous-spanish-composers\">Famous Spanish Composers<\/h2>\n\n\n<div class=\"wp-block-image wp-image-196472 size-medium\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"210\" height=\"300\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/Isaac_Albeniz_1901-210x300.jpg\" alt=\"Albeniz Piano Spanish\" class=\"wp-image-196472\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/Isaac_Albeniz_1901-210x300.jpg 210w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/Isaac_Albeniz_1901-100x143.jpg 100w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/Isaac_Albeniz_1901.jpg 243w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/><figcaption class=\"wp-element-caption\">Isaac Albeniz, Spanish Composer<\/figcaption><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading\" id=\"h-isaac-albeniz\"><b>Isaac Albeniz<\/b><\/h3>\n\n\n\n<p>Isaac Albeniz was born in 1860 in the town of Camprodon, Spain. He spent his life composing, performing, and teaching.<\/p>\n\n\n\n<p>Albeniz was a pianist, but his works have been frequently transcribed to guitar.&nbsp; These days, he may be more widely known for these transcriptions of Spanish guitar songs than for his original piano music.&nbsp; One of his most notable collections is the famous opus 47, &#8220;Suite Espanola&#8221;.&nbsp; Movements from it such as <em>Asturias \u2013 Leyenda<\/em>, <em>Granada<\/em>, and <em>Sevilla<\/em>&nbsp;are staples of the guitar repertoire.<\/p>\n\n\n\n<p>Albeniz was influenced by the musicologist and teacher Felipe Pedrell.&nbsp; He also worked with other notable composers like Manuel de Falla and Enrique Granados, and was friends with Francisco Tarrega. <\/p>\n\n\n\n<p>It\u2019s rumored that Albeniz preferred his pieces played on the guitar.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-\"><figure><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-196473 size-medium\" style=\"font-size: 16px;\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/Francisco_Tarrega-300x215.jpg\" alt=\"Tarrega Spanish Guitar\" width=\"300\" height=\"215\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/Francisco_Tarrega-300x215.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/Francisco_Tarrega-768x550.jpg 768w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/Francisco_Tarrega-100x72.jpg 100w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2021\/05\/Francisco_Tarrega.jpg 990w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><\/h3>\n\n\n\n<p class=\"has-text-align-center\">Francisco Tarrega, Spanish Guitar Composer<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-francisco-tarrega\"><b>Francisco Tarrega<\/b><\/h3>\n\n\n\n<p>Francisco Tarrega was born in Villarreal, Spain in 1852.\u00a0 At the time, the guitar was not considered a serious concert instrument. Although his father supported his guitar playing, he insisted Tarrega studied piano.\u00a0 Later, this keyboard knowledge would help him arrange many works for the guitar.<\/p>\n\n\n\n<p>There was little repertoire for the guitar at the time. So Tarrega arranged works by composers including Isaac Albeniz, Joaquin Malats, Franz Schubert, J.S. Bach, and others.<\/p>\n\n\n\n<p>Tarrega also composed well-known works that we recognize as standards today. Popular compositions include, among others, <em>Recuerdos de la Alhambra<\/em>, <em>Lagrima<\/em>, <em>Adelita<\/em>, <em>Grand Valse<\/em>, and <em>Capricho Arabe<\/em>.<\/p>\n\n\n\n<p>Along with arranging and composing, Tarrega also taught.  And it was Tarrega\u2019s teachings that marked a turning point in the history of the classical guitar. His students included Miguel Llobet, Daniel Fortea, and Emilio Pujol, and others. These students would go on to have fruitful careers and spread Tarrega&#8217;s ideas and methods to the wider world.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-\"><figure><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-196474 size-full aligncenter\" style=\"font-size: 16px;\" src=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/joaquin-rodrigo.jpg\" alt=\"Rodrigo Composer Spanish Guitar\" width=\"210\" height=\"210\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/joaquin-rodrigo.jpg 210w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/joaquin-rodrigo-150x150.jpg 150w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/06\/joaquin-rodrigo-100x100.jpg 100w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/><\/figure><\/h3>\n\n\n\n<p class=\"has-text-align-center\">Joaquin Rodrigo, Spanish Composer<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-joaquin-rodrigo\"><b>Joaquin Rodrigo<\/b><\/h3>\n\n\n\n<p>Joaquin Rodrigo was born in 1901 near Valencia, Spain. Tragically, an accident left him blind in his childhood. But he had a gift for music and didn&#8217;t let his visual ability impair his musical abilities.\u00a0 Beginning music lessons at the age of six, he started composition and harmony lessons at 16.<\/p>\n\n\n\n<p>Rodrigo wrote many staples of the guitar repertoire. Two of his most popular pieces are the <em>Tres Piezas Espanolas<\/em> and the <em>Concierto de Aranjuez.\u00a0 <\/em>Written for the Spanish guitarist Regiono Sainz de la Maza, this is probably the most performed guitar concerto in the world today,  We often hear it paired in concert with <em>Fantasia Por Un Gentilhombre<\/em>, which he wrote for Segovia.<\/p>\n\n\n\n<p>Rodrigo&#8217;s music mixes a love of early music with a splash of Spanish influence and a modern musical approach.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><a name=\"players\"><\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-famous-spanish-guitarists\">Famous Spanish Guitarists<\/h2>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/youtube.com\/embed\/GPNvTcnNT8A?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-andres-segovia\"><b>Andres Segovia<\/b><\/h3>\n\n\n\n<p>Andres Segovia was an influential figure in the history of the Spanish guitar. He brought the guitar to a larger audience in the 20th century.<\/p>\n\n\n\n<p>He was born in Linares, Spain in 1893. After moving to Granada around 1908, he discovered the guitar.\u00a0 Because he could not find a teacher, he taught himself. Segovia stated: \u201c(I was) my own teacher and pupil, and thanks to the efforts of both, they were not discontented with each other.\u201d<\/p>\n\n\n\n<p>Segovia encouraged composers such as Manuel Maria Ponce, Heitor Villa Lobos, Manuel de Falla, Mario Castelnuovo-Tedesco and others to write for the guitar. Now many of those pieces are central to the repertoire today.<\/p>\n\n\n\n<p>Segovia worked hard to improve the quality of teaching on the guitar. He taught legends like John Williams, Oscar Ghiglia, Christopher Parkening, Julian Bream, and Alirio Diaz.<\/p>\n\n\n\n<p>His efforts helped cement the validity of the guitar on the classical music stage. He helped establish a repertoire and technique for the guitar that remained little changed for 100 years.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/youtube.com\/embed\/EWxg4tE-QbM?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-narciso-yepes\"><b>Narciso Yepes<\/b><\/h3>\n\n\n\n<p>Narciso Yepes was born in Lorca, Spain in 1927. He was a player with a unique Spanish sound. Yepes didn&#8217;t study with any guitar teacher for long.&nbsp; He received his musical education from other instrumentalists and composers.<\/p>\n\n\n\n<p>Yepes gained fame after performing the \u201cConcierto de Aranjuez\u201d by Spanish composer Joaquin Rodrigo. He continued to practice and learn, and took lessons with many prominent international figures. These include George Enescu (Romanian composer and violinist), <a href=\"https:\/\/classicfm.com\/discover-music\/women-in-music\/nadia-boulanger-composer-conductor-music-teacher\/\" target=\"_blank\" rel=\"noopener\">Nadia Boulanger<\/a> (influential French composer), and Walter Gieseking (German pianist and composer).&nbsp; He began to research into early music (circa 500 &#8211; 1750).<\/p>\n\n\n\n<p>In the 1960s, Yepes began to play the 10-string guitar. The extra strings extended the range of the instrument. This allowed him to experiment with the music of various musical periods and transcribe pieces from other instruments.<\/p>\n\n\n\n<p>Here he is performing the famous \u201cSpanish Romance\u201d.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/youtube.com\/embed\/pmps3Cc-5_0?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-paco-de-lucia\"><b>Paco de Lucia<\/b><\/h3>\n\n\n\n<p>Paco de Lucia was born on December 21st, 1947 in Algeciras, Spain.<\/p>\n\n\n\n<p>His father introduced him to guitar at age five. He was an enthusiastic student and said; \u201cI learned the guitar like a child learns to speak.\u201d<\/p>\n\n\n\n<p>Like most Flamenco guitar players, he started his career playing with a dance troupe. In those days, it was not common for solo flamenco guitarists to lead a career independent of a group.&nbsp; He was one of the few flamenco guitarists to reach international fame.<\/p>\n\n\n\n<p>A life-long learner, he gained knowledge from working with musicians in various styles.&nbsp;&nbsp;Since then, he has redefined the genre. He composed pieces using modern harmonies. He added percussion instruments and other instruments to his ensembles.&nbsp; And now, many modern flamenco guitar players emulate his sound and style.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/youtube.com\/embed\/-oxH-7VklBI?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-pepe-romero\"><b>Pepe Romero<\/b><\/h3>\n\n\n\n<p>Pepe Romero was born in Malaga, Spain in 1944. He\u2019s a musician of the highest caliber and his career has spanned six generations as a soloist and a chamber musician.<\/p>\n\n\n\n<p>His family influenced his musical upbringing. He studied guitar with his father, Celedonio Romero. When his father was away playing concerts studied with his older brother, Celin Romero. Pepe\u2019s mother was an opera singer. Her influence was important to his musical development and love for opera.<\/p>\n\n\n\n<p>Pepe has championed the music of many Spanish composers. These include Joaquin Rodrigo, Fernando Sor, Francisco Tarrega, and Isaac Albeniz.<\/p>\n\n\n\n<p>His interpretations of the traditional Spanish repertoire are legendary. The <i>Concierto de Aranjuez<\/i>, the most performed concerto in the world, is a key piece of his repertoire. He has performed it with the world\u2019s leading orchestras. His recording of <em>Aranjuez&nbsp;<\/em>with the Academy of St. Martin in the Fields comes highly recommended.<\/p>\n\n\n\n<p>Some of Pepe&#8217;s well-known students include Scott Tennant, Christopher Parkening and William Kanengiser.<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n<span style=\"--tl-form-height-m:782.641px;--tl-form-height-t:564.312px;--tl-form-height-d:564.312px;\" class=\"tl-placeholder-f-type-shortcode_196919 tl-preload-form\"><span><\/span><\/span>\n","protected":false},"excerpt":{"rendered":"<p>Ah, the passion and fire of Spanish guitar music! It heats the blood and stirs the senses.&nbsp; Playing Spanish guitar songs on the guitar is a fun challenge.&nbsp; There are special finger-picking techniques.&nbsp; But it&#8217;s very rewarding. Below you&#8217;ll find free sheet music and TABs to download.&nbsp; Scroll down for PDFs of Spanish Guitar TABs and notation.&nbsp; (Or browse the &#8230; <\/p>\n<div><a href=\"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":2973,"featured_media":55184,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[62],"tags":[453,462],"class_list":["post-55183","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-resources","tag-composer-page","tag-spanish-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Spanish Guitar Sheet Music and TABs - Free PDFs and more<\/title>\n<meta name=\"description\" content=\"Discover the history and incredible music of Spain. Elevate your guitar skills with a large selection of free Spanish songs with sheet music and tabs.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Spanish Guitar Songs - Free Sheet Music and TABs\" \/>\n<meta property=\"og:description\" content=\"Discover the history and incredible music of Spain. Elevate your guitar skills with a large selection of free Spanish songs with sheet music and tabs.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/\" \/>\n<meta property=\"og:site_name\" content=\"Classical Guitar Shed\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ClassicalGuitarShed\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-05-14T14:57:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-09T11:33:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2019\/06\/Great-Composers-Images9.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"320\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Allen Mathews\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@CLguitarshed\" \/>\n<meta name=\"twitter:site\" content=\"@CLguitarshed\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Allen Mathews\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"17 minutes\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Spanish Guitar Sheet Music and TABs - Free PDFs and more","description":"Discover the history and incredible music of Spain. 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Elevate your guitar skills with a large selection of free Spanish songs with sheet music and tabs.","og_url":"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/","og_site_name":"Classical Guitar Shed","article_publisher":"https:\/\/www.facebook.com\/ClassicalGuitarShed\/","article_published_time":"2021-05-14T14:57:17+00:00","article_modified_time":"2025-08-09T11:33:44+00:00","og_image":[{"width":640,"height":320,"url":"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2019\/06\/Great-Composers-Images9.jpg","type":"image\/jpeg"}],"author":"Allen Mathews","twitter_card":"summary_large_image","twitter_creator":"@CLguitarshed","twitter_site":"@CLguitarshed","twitter_misc":{"Written by":"Allen Mathews","Est. reading time":"17 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/#article","isPartOf":{"@id":"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/"},"author":{"name":"Allen Mathews","@id":"https:\/\/classicalguitarshed.com\/#\/schema\/person\/435f2f8d2618df3c54e630e55ba86fc6"},"headline":"Spanish Guitar Songs &#8211; Free Sheet Music and TABs","datePublished":"2021-05-14T14:57:17+00:00","dateModified":"2025-08-09T11:33:44+00:00","mainEntityOfPage":{"@id":"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/"},"wordCount":3284,"publisher":{"@id":"https:\/\/classicalguitarshed.com\/#organization"},"image":{"@id":"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/#primaryimage"},"thumbnailUrl":"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2019\/06\/Great-Composers-Images9.jpg","keywords":["composer page","Spanish Classical Guitar Sheet Music and TABs"],"articleSection":["Resources"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/","url":"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/","name":"Spanish Guitar Sheet Music and TABs - Free PDFs and more","isPartOf":{"@id":"https:\/\/classicalguitarshed.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/#primaryimage"},"image":{"@id":"https:\/\/classicalguitarshed.com\/sm-spanish-guitar\/#primaryimage"},"thumbnailUrl":"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2019\/06\/Great-Composers-Images9.jpg","datePublished":"2021-05-14T14:57:17+00:00","dateModified":"2025-08-09T11:33:44+00:00","description":"Discover the history and incredible music of Spain. 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