{"id":35416,"date":"2018-10-16T08:00:07","date_gmt":"2018-10-16T15:00:07","guid":{"rendered":"http:\/\/classicalguitarshed.foureyes.com\/?p=35416"},"modified":"2020-10-22T04:03:12","modified_gmt":"2020-10-22T11:03:12","slug":"tq-leopold-auer-understand-style","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/tq-leopold-auer-understand-style\/","title":{"rendered":"Violinist Leopold Auer on Musical Understanding and Style"},"content":{"rendered":"

Tuesday Quotes<\/a> are short explorations of music, life, and the daily endeavor of practicing classical guitar. Enjoy!<\/p>\n

\n

\u201cTo understand, and to cause to be understood \u2013 these words sum up the end and aim of style.\u201d<\/p>\n

Leopold Auer<\/p>\n<\/blockquote>\n

\n

Leopold Auer (1845\u20131930) was one of the most renown violin teachers in history. He was guide to many of the biggest and best in the classical violin world.<\/p>\n

His students could do anything, technique-wise. He took technique for granted. Playing the notes was a foregone conclusion. He was more concerned with \u201chow\u201d they played the notes.<\/p>\n

Auer was against stuffy notions of \u201ctraditional\u201d playing. He saw stodgy, monotone renditions of Bach or Mozart as signs of a lazy (or, at best, undeveloped) musical mind. His passion was for passion – and for each player to find their own true individual expression and style.<\/p>\n

But by this he didn\u2019t mean it to be a free-for-all. Style had to follow the needs of the music. And this is where understanding comes to bear.<\/p>\n

\u201cTo understand, and to cause to be understood \u2013 these words sum up the end and aim of style.\u201d<\/em><\/p>\n

The basis of style, according to Auer, is to first understand. But understand what? Everything – the technical demands, sure. But also the musical context of each note<\/a> and phrase, and the desired musical and emotional outcomes.<\/p>\n

By way of a metaphor, consider the question, \u201cWhat will I wear today?\u201d<\/p>\n

Of course it depends on where we\u2019re going and what we\u2019re doing. Do we don our \u201cSunday best\u201d for an afternoon on the beach? Perhaps, if we\u2019ll be meeting the Queen. But otherwise probably not.<\/p>\n

To meet the Queen a six-year-old may want to impress her with his favorite Spider Man t-shirt. A military officer may opt for his formal \u201cmess dress\u201d. And a young lady may choose her best sundress (unless she\u2019s representing a larger organization, which may prompt a smart pant-suit).<\/p>\n

A wedding is different than a knighting is different than a pheasant hunt, even if the Queen attends each. The scene also depends on who else in in attendance. The more we know of each attendee and their relationship, the richer and more colorful will be our understanding of the situation.<\/p>\n

Our stylistic choices depend on our understanding of the situation, and the desired outcome<\/a>.<\/p>\n

In our music, one of the most powerful questions we can ask is, \u201cWhat\u2019s going on here?\u201d.<\/p>\n

We can first seek to discover where the music is going, and how it means to get there. Then we can start deciding to get louder<\/a> here or to slow down<\/a> there.<\/p>\n

Until we understand the music, we\u2019ll not succeed at playing it so that others also understand it. With time, we learn more and better ways to communicate musical ideas. We expand our understanding of what is possible, and we find more of the subtle subtexts and interplays within the music.<\/p>\n

We develop style layer by layer. We develop understanding piece by piece. And we develop technical facility one focused practice at a time.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Enjoy! \u201cTo understand, and to cause to be understood \u2013 these words sum up the end and aim of style.\u201d Leopold Auer Leopold Auer (1845\u20131930) was one of the most renown violin teachers in history. He was guide to many of the biggest and … <\/p>\n

Read More<\/a><\/div>\n","protected":false},"author":2973,"featured_media":35417,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[328],"tags":[],"class_list":["post-35416","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tuesday-quotes"],"yoast_head":"\n[Quote] Violinist Leopold Auer on Musical Understanding and Style<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Violinist Leopold Auer on Musical Understanding and Style\" \/>\n<meta property=\"og:description\" content=\"Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. 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Enjoy! \u201cTo understand, and to cause to be understood \u2013 these words sum up the end and aim of style.\u201d Leopold Auer Leopold Auer (1845\u20131930) was one of the most renown violin teachers in history. He was guide to many of the biggest and ... 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