{"id":34747,"date":"2018-10-05T08:00:18","date_gmt":"2018-10-05T15:00:18","guid":{"rendered":"http:\/\/classicalguitarshed.foureyes.com\/?p=34747"},"modified":"2022-08-02T04:08:15","modified_gmt":"2022-08-02T11:08:15","slug":"swing-time","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/swing-time\/","title":{"rendered":"Swing Time: How to Learn and Practice Tunes in Swing Time"},"content":{"rendered":"<p>When we study music, we may sometimes forget that music is first a form of human expression, and only second a formal study-subject.<\/p>\n<p>Just as words exist to communicate ideas, music exists (in large part) to communicate feelings.<\/p>\n<p>One of the oldest and most visceral elements of music is rhythm. From the first dances and sticks-clicks, up to today, rhythm speaks to the body.<\/p>\n<p>And one charismatic and upbeat musical expression is called \u201cswing time\u201d, or \u201cshuffle feel\u201d.<\/p>\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UmsXh1UAzsE?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700&quot;\" height=\"393&quot;\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2 style=\"text-align: center;\">What is \u201cSwing Time\u201d, \u201cSwing Feel\u201d or \u201cShuffle Rhythm\u201d?<\/h2>\n<p>\u201cSwing\u201d is a musical term used in two ways. First, it\u2019s used colloquially to say that the music has good forward momentum. i.e. \u201cMan, that really swings!\u201d<\/p>\n<p>More specifically, \u201cswing\u201d refers to a stylistic altering of the rhythm of a piece of music. Instead of playing notes of equal length in a <a href=\"https:\/\/classicalguitarshed.com\/metronome\" target=\"_blank\" rel=\"noopener noreferrer\">steady rhythm<\/a>, notes are lengthed or shortened, according to their placement in the beat.<\/p>\n<p>This rhythmic \u201cfeel\u201d is common in jazz.<\/p>\n<h2 style=\"text-align: center;\">How to Know a Tune is in Swing Time<\/h2>\n<p>Music played in swing time are usually written in standard notation and rhythms. However, at the top of the piece, usually by the tempo (speed) marking, will be instructions to play in swing time.<\/p>\n<p>This usually looks like two eighth notes equaling a quarter and eighth to be played as <a href=\"https:\/\/classicalguitarshed.com\/triplets\/\" target=\"_blank\" rel=\"noopener noreferrer\">triplets<\/a>.<\/p>\n<p class=\"centerc\" data-wp-editing=\"1\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-34749 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-4-notation.jpg\" alt=\"swing time rhythm\" width=\"150\" height=\"75\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-4-notation.jpg 150w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-4-notation-100x50.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-34750 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-5-notation.jpg\" alt=\"swing time eighth notes\" width=\"150\" height=\"75\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-5-notation.jpg 150w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-5-notation-100x50.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/p>\n<h2 style=\"text-align: center;\">How to Practice Swing Rhythms<\/h2>\n<p>When first learning the notes of a swing tune, it can be difficult to <a href=\"https:\/\/www.classicalguitarshed.com\/fix-rhythm-problems-in-classical-guitar-pieces\/\" target=\"_blank\" rel=\"noopener noreferrer\">learn<\/a> the notes and alter the rhythm all at once. This is especially so for those new to playing in swing time.<\/p>\n<p>The process below can help ensure the triplet (swing) rhythm is precise and consistent.<\/p>\n<h3>Step One: Add Notes to Make Triplets<\/h3>\n<p>We start with steady eighth notes and the instruction to play in swing time. To the written rhythm we can add an extra note to the first eighth note of each beat. This will create three notes per beat (triplets), with the first doubled.<\/p>\n<p>Note: This step (adding extra notes) will negate any written <a href=\"https:\/\/classicalguitarshed.com\/right-hand-fingerings-guitar\/\" target=\"_blank\" rel=\"noopener noreferrer\">right-hand fingerings<\/a>. We can play whatever fingering works in the right hand for this step. We return to the written fingering on step three below.<\/p>\n<div id=\"attachment_34751\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-34751\" class=\"wp-image-34751 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-1.jpg\" alt=\"swing time \" width=\"700\" height=\"139\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-1.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-1-300x60.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-1-100x20.jpg 100w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-34751\" class=\"wp-caption-text\">Here we have the original notation.<\/p><\/div>\n<div id=\"attachment_34752\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-34752\" class=\"wp-image-34752 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-2.jpg\" alt=\"swing time triplets\" width=\"700\" height=\"116\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-2.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-2-300x50.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-2-100x17.jpg 100w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-34752\" class=\"wp-caption-text\">Step One: Add an extra note, doubling the first eighth of each beat, creating triplets.<\/p><\/div>\n<h3>Step Two: Accent the Appropriate Notes<\/h3>\n<p>Next, once we have added the extra notes, we can <a href=\"https:\/\/classicalguitarshed.com\/accents\/\" target=\"_blank\" rel=\"noopener noreferrer\">accent<\/a> the notes written in the original score. This will usually be the first and third note of each triplet.<\/p>\n<div id=\"attachment_34753\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-34753\" class=\"wp-image-34753 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-7-accents.jpg\" alt=\"swing time accents\" width=\"700\" height=\"133\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-7-accents.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-7-accents-300x57.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-7-accents-100x19.jpg 100w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-34753\" class=\"wp-caption-text\">Step Two: Accent the original notes.<\/p><\/div>\n<p><strong>Reminder:<\/strong> To play accents, it\u2019s often more effective to play the unaccented notes very quiet, rather than only playing the accented notes louder.<\/p>\n<h3>Step Three: Remove the Extra Notes<\/h3>\n<p>When we can play the passage with accents, we can remove the extra (middle) notes, keeping the triplet rhythm. This will bring us back to the original notes, but played in precise swing time.<\/p>\n<p>The rests in the example below are for illustration only. We usually hold the first note all the way through to the second, creating a <a href=\"https:\/\/classicalguitarshed.com\/legato-guitar-synchronize-the-hands\/\" target=\"_blank\" rel=\"noopener noreferrer\">connected<\/a> melody line.<\/p>\n<div id=\"attachment_34754\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-34754\" class=\"wp-image-34754 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-6-rests.jpg\" alt=\"triplet feel\" width=\"700\" height=\"125\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-6-rests.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-6-rests-300x54.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-6-rests-100x18.jpg 100w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-34754\" class=\"wp-caption-text\">Step Three: Remove the extra notes, keeping the triplet rhythm (Keep Counting!)<\/p><\/div>\n<h2 style=\"text-align: center;\">The Most Common Mistake: Dotted Rhythms<\/h2>\n<p>One of the most common blunders playing swing time and triplet rhythms is returning to a 16th note pulse. This means we hold the long note for three 16ths, and the short note for one 16th. This is not swing time, and sounds \u201csquare\u201d compared to actual swing time.<\/p>\n<div id=\"attachment_34755\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-34755\" class=\"wp-image-34755 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-7-wrong.jpg\" alt=\"wrong note rhythm\" width=\"700\" height=\"113\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-7-wrong.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-7-wrong-300x48.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/09\/swing-7-wrong-100x16.jpg 100w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-34755\" class=\"wp-caption-text\">Don&#8217;t slip into the trap of playing dotted rhythms.<\/p><\/div>\n<h2 style=\"text-align: center;\">The Body and Brain Work Together<\/h2>\n<p>Often, once we play a few measures of swing time, we no longer need to count triplets, but instead feel the ongoing rhythm. This is great, and desirable.<\/p>\n<p>If we only use our brains and conscious counting to play the rhythms, they will lack the bounce and lively nature that swing time offers.<\/p>\n<p>If we only use our \u201cfeelings\u201d to play the rhythms, we may find ourselves off-kilter and not know how to correct. That said, we should seek to feel the inherent dance swing time contains and bring that to our music.<\/p>\n<p>In this way, we form the perfect union of the visceral and the cerebral. We can be confident, because we have counted and worked through the rhythms in practice.<\/p>\n<p>Having mastered a tune, we can allow the swing rhythm to continue. We can stop counting, guided by our <a href=\"https:\/\/classicalguitarshed.com\/develop-rhythm\/\" target=\"_blank\" rel=\"noopener noreferrer\">inner rhythm<\/a> and sense of pulse.<\/p>\n<p>To allow the \u201cbody to take over\u201d, we must have practiced and ingrained the notes and rhythms to such an extent that we keep rhythmic accuracy, even if we miss a note or become distracted.<\/p>\n<p>Though sometimes challenging, swing time is good fun. It makes us more versatile musicians, and adds entertaining variation to our repertoire.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When we study music, we may sometimes forget that music is first a form of human expression, and only second a formal study-subject. Just as words exist to communicate ideas, music exists (in large part) to communicate feelings. One of the oldest and most visceral elements of music is rhythm. From the first dances and sticks-clicks, up to today, rhythm &#8230; <\/p>\n<div><a href=\"https:\/\/classicalguitarshed.com\/swing-time\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":2973,"featured_media":34748,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,434,20],"tags":[52,351],"class_list":["post-34747","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-main-content-parent","category-practicing","tag-practice-skills","tag-rhythm"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Swing Time and Shuffle Feel on Guitar: How to Really Swing<\/title>\n<meta name=\"description\" content=\"What&#039;s Swing Time in music? How do you play it? 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How do you play it? Discover a simple way to play swing time and shuffle feel so you sound great and always keep it swinging.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/classicalguitarshed.com\/swing-time\/","og_locale":"en_US","og_type":"article","og_title":"Swing Time: How to Learn and Practice Tunes in Swing Time","og_description":"What's Swing Time in music? How do you play it? 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