{"id":31838,"date":"2018-03-30T10:00:09","date_gmt":"2018-03-30T17:00:09","guid":{"rendered":"http:\/\/classicalguitarshed.foureyes.com\/?p=31838"},"modified":"2025-03-24T00:39:46","modified_gmt":"2025-03-24T07:39:46","slug":"muting","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/muting\/","title":{"rendered":"7 Ways to Mute Your Guitar Strings (7 Muting Techniques)"},"content":{"rendered":"\r\n<p>It\u2019s hard enough to sound the right notes at the right times on our guitars. But what about when we want the strings to STOP ringing?<\/p>\r\n\r\n\r\n\r\n<p>What\u2019s the best way to mute our strings when learning to play classical guitar pieces?<\/p>\r\n\r\n\r\n\r\n<p>Below you\u2019ll find seven methods every guitar player can choose from.<\/p>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/LgizsxBiKNk\" width=\"700\" height=\"393\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n\r\n\r\n\r\n<div class=\"wp-block-yoast-seo-table-of-contents yoast-table-of-contents\">\r\n<h2>Table of contents<\/h2>\r\n<ul>\r\n<li><a href=\"#h-the-ends-of-notes\" data-level=\"2\">The Ends of Notes<\/a><\/li>\r\n<li><a href=\"#h-muting-method-1-the-left-hand-lift\" data-level=\"2\">Muting Method #1: The Left-Hand Lift<\/a><\/li>\r\n<li><a href=\"#h-muting-method-2-the-left-hand-touch\" data-level=\"2\">Muting Method #2: The Left-Hand Touch<\/a><\/li>\r\n<li><a href=\"#h-muting-method-3-the-right-hand-thumb-muting-technique\" data-level=\"2\">Muting Method #3: The Right-Hand Thumb Muting Technique<\/a><\/li>\r\n<li><a href=\"#h-muting-method-4-the-plant\" data-level=\"2\">Muting Method #4: The Plant<\/a><\/li>\r\n<li><a href=\"#h-muting-method-5-the-karate-chop\" data-level=\"2\">Muting Method #5 The Karate Chop<\/a><\/li>\r\n<li><a href=\"#h-muting-method-6-the-fade\" data-level=\"2\">Muting Method #6: The Fade<\/a><\/li>\r\n<li><a href=\"#h-muting-method-7-pizzicato\" data-level=\"2\">Muting Method #7: Pizzicato<\/a><\/li>\r\n<li><a href=\"#h-which-one-should-i-use\" data-level=\"2\">Which One Should I Use?<\/a><\/li>\r\n<\/ul>\r\n<\/div>\r\n\r\n\r\n\r\n<h2 id=\"h-the-ends-of-notes\" class=\"wp-block-heading\" style=\"text-align: center;\">The Ends of Notes<\/h2>\r\n\r\n\r\n\r\n<p>Each note we play has three parts: the beginning, the middle, and the end.<\/p>\r\n\r\n\r\n\r\n<p>We focus most often on the beginnings of notes. When we play single notes, we use our bodies (fingers) to sound the string. This moment of sounding the string is the beginning of the note.<\/p>\r\n\r\n\r\n\r\n<p>When we let a note ring, fretted or unfretted (open), we hear the duration of the note. This is the middle of the note.<\/p>\r\n\r\n\r\n\r\n<p>And when we either stop the note or it fades completely away, we have the end of the note.<\/p>\r\n\r\n\r\n\r\n<p>A main goal of classical guitar technique is to learn how to play smooth and connected notes (aka <a href=\"https:\/\/www.classicalguitarshed.com\/legato-guitar-synchronize-the-hands\/\" target=\"_blank\" rel=\"noopener noreferrer\">legato<\/a>). This means that one note ends at the exact moment another note begins. In this way we make the music more lyrical and vocal, instead choppy and separated.<\/p>\r\n\r\n\r\n\r\n<p>The same rules apply to playing <a href=\"https:\/\/classicalguitarshed.com\/chords\/\">chords<\/a>. Each chord we play has the same sense of beginning, middle, and end. We can also play chords with a similar sense of legato that we use when playing single notes.<\/p>\r\n\r\n\r\n\r\n<p>And sometimes we need to end a note or a chord on purpose, at a specific time. This could be at the end of a section or tune, or it <a href=\"https:\/\/classicalguitarshed.com\/music-rests\/\" target=\"_blank\" rel=\"noopener\">could be at a rest<\/a> or dramatic moment.<\/p>\r\n\r\n\r\n\r\n<p>In these cases, we\u2019ll need to stop the sound by muting the strings.<\/p>\r\n\r\n\r\n<span style=\"--tl-form-height-m:784.844px;--tl-form-height-t:564.562px;--tl-form-height-d:564.562px;\" class=\"tl-placeholder-f-type-shortcode_106209 tl-preload-form\"><span><\/span><\/span>\n\r\n\r\n\r\n<h2 id=\"h-muting-method-1-the-left-hand-lift\" class=\"wp-block-heading\" style=\"text-align: center;\">Muting Method #1: The Left-Hand Lift<\/h2>\r\n\r\n\r\n\r\n<p>One way to stop a fretted note from ringing is to stop pressing the guitar strings with the left-hand finger.<\/p>\r\n\r\n\r\n\r\n<p>When we lift either one finger or the entire fretting hand, we release pressure on the string.<\/p>\r\n\r\n\r\n\r\n<p>We don\u2019t need to lift our fingers all the way off the strings, as this could create unwanted noise and re-sound the strings on accident.<\/p>\r\n\r\n\r\n\r\n<p>Instead, we can stop pressing. We can \u201clet go\u201d of our grip.<\/p>\r\n\r\n\r\n\r\n<p>This may happen on accident when playing <a href=\"https:\/\/www.classicalguitarshed.com\/learn-guitar-chords\/\" target=\"_blank\" rel=\"noopener noreferrer\">chords<\/a>. In that case, we\u2019ll want to recognize it and make sure to keep the pressure steady.<\/p>\r\n\r\n\r\n\r\n<p>Also, if we release pressure slowly, we may create a buzzing sound. So we can either release the pressure quickly or combine this method with the next\u2026<\/p>\r\n\r\n\r\n\r\n<h2 id=\"h-muting-method-2-the-left-hand-touch\" class=\"wp-block-heading\" style=\"text-align: center;\">Muting Method #2: The Left-Hand Touch<\/h2>\r\n\r\n\r\n\r\n<p>Another way to stop a ringing note is to use a left-hand finger to touch the string that\u2019s ringing.<\/p>\r\n\r\n\r\n\r\n<p>We can use the entire hand or just send one finger (The index finger is commonly used) over to do the job.<\/p>\r\n\r\n\r\n\r\n<p>This can take practice not to press the string, but only to touch it lightly. We\u2019ll need control if the other fingers are pressing other strings.<\/p>\r\n\r\n\r\n\r\n<p>We can also play a note \u201csloppily\u201d on purpose to mute the adjacent string. When we do this, we play more on the pad of the finger and let the tip touch the next string, muting it.<\/p>\r\n\r\n\r\n\r\n<h2 id=\"h-muting-method-3-the-right-hand-thumb-muting-technique\" class=\"wp-block-heading\" style=\"text-align: center;\">Muting Method #3: The Right-Hand Thumb Muting Technique<\/h2>\r\n\r\n\r\n\r\n<p><a href=\"https:\/\/www.classicalguitarshed.com\/thumb-muting-exercise\/\" target=\"_blank\" rel=\"noopener\">We can use the right-hand thumb to mute strings<\/a>. This could be simultaneous with preparation for the next thumb note.<\/p>\r\n\r\n\r\n\r\n<p>Using the side of the thumb, we can mute one or more strings depending on its position.<\/p>\r\n\r\n\r\n\r\n<p>This can also be combined with\u2026<\/p>\r\n\r\n\r\n\r\n<h2 id=\"h-muting-method-4-the-plant\" class=\"wp-block-heading\" style=\"text-align: center;\">Muting Method #4: The Plant<\/h2>\r\n\r\n\r\n\r\n<p>\u201cPlanting\u201d is when we prepare our right-hand fingers on the strings before playing them.<\/p>\r\n\r\n\r\n\r\n<p>We can do this to increase confidence and security in our guitar playing. And we can also do it to mute one or more notes.<\/p>\r\n\r\n\r\n\r\n<p>Ideally, we keep our right-hand <a href=\"https:\/\/www.classicalguitarshed.com\/how-to-learn-classical-guitar-arpeggios-right-hand-technique\/\" target=\"_blank\" rel=\"noopener noreferrer\">technique<\/a> as intentional as we can, so we\u2019re in the best position to continue our guitar playing.<\/p>\r\n\r\n\r\n\r\n<h2 id=\"h-muting-method-5-the-karate-chop\" class=\"wp-block-heading\" style=\"text-align: center;\">Muting Method #5 The Karate Chop<\/h2>\r\n\r\n\r\n\r\n<p>Using the outside (little-finger side) of the right hand, we can stop all the strings at once.<\/p>\r\n\r\n\r\n\r\n<p>This method is great at the end of a song, when we want a hard cut-off.<\/p>\r\n\r\n\r\n\r\n<p>We can \u201cchop\u201d hard enough to stop the string noise abruptly, but not so hard that the strings click against the fretboard. The result is an <a href=\"https:\/\/www.classicalguitarshed.com\/accents\/\" target=\"_blank\" rel=\"noopener noreferrer\">accented<\/a> silence.<\/p>\r\n\r\n\r\n\r\n<p>This guitar technique is also <a href=\"https:\/\/www.classicalguitarshed.com\/classical-guitar-for-guitarists\/\" target=\"_blank\" rel=\"noopener\">used extensively in acoustic guitar or electric guitar playing<\/a> by using the outside of the picking hand and placing it close to the bridge.<\/p>\r\n\r\n\r\n\r\n<p>As a bonus <a href=\"https:\/\/www.classicalguitarshed.com\/8-tips-for-a-better-performance\/\" target=\"_blank\" rel=\"noopener noreferrer\">performance<\/a> tip, freeze all body motion for a moment when using this guitar technique. It gives a professional closure to the piece.<\/p>\r\n\r\n\r\n\r\n<h2 id=\"h-muting-method-6-the-fade\" class=\"wp-block-heading\" style=\"text-align: center;\">Muting Method #6: The Fade<\/h2>\r\n\r\n\r\n\r\n<p>For a different ending effect, we can \u201ckarate chop\u201d directly onto the bridge, behind the strings, then roll our right hand forward. This creates the effect of a volume knob being turned down.<\/p>\r\n\r\n\r\n\r\n<p>It\u2019s a softer ending than the full \u201ckarate chop\u201d, but still has an air of finality about it, perfect for an ending.<\/p>\r\n\r\n\r\n\r\n<h2 id=\"h-muting-method-7-pizzicato\" class=\"wp-block-heading\" style=\"text-align: center;\">Muting Method #7: Pizzicato<\/h2>\r\n\r\n\r\n\r\n<p>Also known as \u201cmuted bass\u201d, pizzicato is a technique where we play the thumb while the side of the hand lightly rests on the strings near the bridge. In electric or acoustic guitar techniques, that would be similar to palm muting.<\/p>\r\n\r\n\r\n\r\n<p>The effect is like an upright string bass: woody, thuddy, round and without much sustain.<\/p>\r\n\r\n\r\n\r\n<p>If you do \u201cThe Fade\u201d from above, you\u2019ll be in the perfect position to play pizzicato.<\/p>\r\n\r\n\r\n\r\n<p>The right hand chops down onto the bridge, behind the strings. Next, we roll our hand forward, over the strings. The side of the hand lightly covers the strings (often just the bass strings when playing pizzicato). Then the thumb plays the bass strings.<\/p>\r\n\r\n\r\n\r\n<h2 id=\"h-which-one-should-i-use\" class=\"wp-block-heading\" style=\"text-align: center;\">Which One Should I Use?<\/h2>\r\n\r\n\r\n\r\n<p>Which one we use depends on the situation and our comfort levels with each muting technique.<\/p>\r\n\r\n\r\n\r\n<p>The important part is that we learn to hear how notes end. With practice, we can notice when a note rings too long, creating a clash with the next note. Or we can hear when a note ends too early, creating a clipped sound, unwanted noise, and breaking the <a href=\"https:\/\/www.classicalguitarshed.com\/longline\/\" target=\"_blank\" rel=\"noopener noreferrer\">line<\/a>.<\/p>\r\n\r\n\r\n\r\n<p>Eventually, we use a number of these methods almost by instinct to clean and polish our music as we go. But to start, <a href=\"https:\/\/www.classicalguitarshed.com\/basics\/\" target=\"_blank\" rel=\"noopener\">we have to develop the tools<\/a> and learn to hear the ends of the notes.<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s hard enough to sound the right notes at the right times on our guitars. But what about when we want the strings to STOP ringing? What\u2019s the best way to mute our strings when learning to play classical guitar pieces? Below you\u2019ll find seven methods every guitar player can choose from. &nbsp; The Ends of Notes Each note we &#8230; <\/p>\n<div><a href=\"https:\/\/classicalguitarshed.com\/muting\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":31841,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,434],"tags":[11,377],"class_list":["post-31838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-technique","category-main-content-parent","tag-articulation","tag-special-techniques"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Use 7 Different Ways to Mute your Guitar Strings<\/title>\n<meta name=\"description\" content=\"Discover how to mute the guitar strings. Learn tricks with your left and right hands. 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You can do this on classical, acoustic, and electric guitar. =\" \/>\n<meta property=\"og:url\" content=\"https:\/\/classicalguitarshed.com\/muting\/\" \/>\n<meta property=\"og:site_name\" content=\"Classical Guitar Shed\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ClassicalGuitarShed\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-03-30T17:00:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-24T07:39:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/03\/muting-640.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"320\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Allen\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@CLguitarshed\" \/>\n<meta name=\"twitter:site\" content=\"@CLguitarshed\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Allen\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Use 7 Different Ways to Mute your Guitar Strings","description":"Discover how to mute the guitar strings. 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