{"id":30048,"date":"2018-01-19T10:00:44","date_gmt":"2018-01-19T18:00:44","guid":{"rendered":"http:\/\/classicalguitarshed.foureyes.com\/?p=30048"},"modified":"2024-07-23T00:02:04","modified_gmt":"2024-07-23T07:02:04","slug":"stacked-rhythms","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/stacked-rhythms\/","title":{"rendered":"How to Play Stacked Rhythms on Classical Guitar"},"content":{"rendered":"<p>We use basic musical skills to figure out rhythms that move one note at a time.<\/p>\n<p>But what about when we see trickier rhythms? How do we count music that has many voices all at the same time?<\/p>\n<h2 style=\"text-align: center;\">Classical Guitar Music Looks Complex on the Page<\/h2>\n<p>Classical guitar use one musical staff (the lines in standard musical notation). But we play bass lines, melodies, and accompaniment parts, all at the <a href=\"https:\/\/www.classicalguitarshed.com\/polyrhythms\/\" target=\"_blank\" rel=\"noopener noreferrer\">same time<\/a>.<\/p>\n<p>So the music looks complex on the page. Notes and rhythms are stacked one atop the other.<\/p>\n<p>We need to understand the rhythm of everything we play. To this end, we can clap and count aloud.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/bwkSR1nQQTk?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\"><\/iframe><\/p>\n<h2 style=\"text-align: center;\">The Forest AND the Trees<\/h2>\n<p>When we have stacked rhythms on classical guitar, we have two main ideas we need to hold at the same time.<\/p>\n<p>On one hand, we have the total rhythm of everything we\u2019re playing. We\u2019ll call this \u201cthe forest\u201d.<\/p>\n<p>On the other, we have many lines of music happening at the same time. We\u2019ll call this \u201cthe trees\u201d<\/p>\n<p>One of our challenges as musicians is to understand both. We need to give each part it\u2019s proper place, as well as keeping the whole tune together.<\/p>\n<div id=\"attachment_30051\" style=\"width: 410px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-30051\" class=\"wp-image-30051 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-1.jpg\" alt=\"stacked rhythms on guitar\" width=\"400\" height=\"142\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-1.jpg 400w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-1-300x107.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-30051\" class=\"wp-caption-text\">Stacked rhythms can look confusing.<\/p><\/div>\n<h3>The Forest: Vertical Reading<\/h3>\n<p>When we read music vertically, we look at all the notes that fall on a given beat at one time.<\/p>\n<p>Working in this way we\u2019ll often recognize <a href=\"https:\/\/www.classicalguitarshed.com\/learn-guitar-chords\/\" target=\"_blank\" rel=\"noopener noreferrer\">chord shapes<\/a> (if we remember to look for them). This can help us to learn and <a href=\"https:\/\/www.classicalguitarshed.com\/memorize-music-classical-guitar\/\" target=\"_blank\" rel=\"noopener noreferrer\">memorize<\/a> the music.<\/p>\n<p>But this is only part of the story. We also have\u2026.<\/p>\n<h3>The Trees: Horizontal Reading<\/h3>\n<p>We can also look at each individual line of the music. We can note the rhythm of the melody, the bass and the accompaniment (or interior voices) each in turn.<\/p>\n<p>In an orchestral score (sheet music), each instrument has its own line of music.<\/p>\n<div id=\"attachment_30052\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-30052\" class=\"wp-image-30052 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-2.jpg\" alt=\"stacked rhythms classical guitar\" width=\"600\" height=\"453\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-2.jpg 600w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-2-300x227.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-30052\" class=\"wp-caption-text\">Stacked rhythms are separate lines of music, written all on one line.<\/p><\/div>\n<p>On guitar, we play all the parts ourselves. So we cram them onto one line.<\/p>\n<p>Usually, the total beats of each musical part (melody, bass, etc.) will add up to the full value of the measure. So we may see rests or <a href=\"https:\/\/classicalguitarshed.com\/dotted-notes-music\/\" target=\"_blank\" rel=\"noopener\">dotted notes<\/a>.<\/p>\n<h6 style=\"text-align: center;\">Related: <a href=\"https:\/\/www.classicalguitarshed.com\/interpret-classic-guitar-music\/\" target=\"_blank\" rel=\"noopener noreferrer\">How to Interpret the Many Parts of Classical Guitar Music<\/a><\/h6>\n<h2 style=\"text-align: center;\">The Common Denominator<\/h2>\n<p>To find the total rhythm, we first look for the smallest <a href=\"https:\/\/www.classicalguitarshed.com\/music-theory-guitar\/\" target=\"_blank\" rel=\"noopener noreferrer\">note value<\/a> (8ths, 16ths,\u00a0etc).<\/p>\n<p>We can then write in or imagine a steady pulse of that smallest note value. We can use either a repeated note, or the counts (1 e &amp; a, 2 e &amp; a etc.)<\/p>\n<div id=\"attachment_30053\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-30053\" class=\"wp-image-30053 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-3.jpg\" alt=\"16th note stacked rhythms\" width=\"600\" height=\"569\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-3.jpg 600w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-3-300x285.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-30053\" class=\"wp-caption-text\">Write in a steady rhythmic pulse, or the count.<\/p><\/div>\n<p>Next we can notice where within the steady pulse (or count) the notes of the measure occur. On the page, we can underline or circle the beats containing at least on note.<\/p>\n<p>Once finished, we have our \u201cconglomerate rhythm\u201d, or complete rhythm.<\/p>\n<div id=\"attachment_30054\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-30054\" class=\"size-full wp-image-30054\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-4.jpg\" alt=\"complex rhythm classical guitar\" width=\"600\" height=\"569\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-4.jpg 600w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/01\/stacked-rhythms-4-300x285.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-30054\" class=\"wp-caption-text\">Notice which beats include a note, and mark those. The end result is the total rhythm.<\/p><\/div>\n<h2 style=\"text-align: center;\">How to Practice Stacked Rhythms<\/h2>\n<p>We can practice stacked rhythms in many ways. Ideally, we spend time on at least two of the options below.<\/p>\n<h3>1. Parts Separately<\/h3>\n<p>We can also play the parts separately. We can practice the melody alone, then the bass, etc.<\/p>\n<p>This is beneficial because it\u2019s technically easier than playing all the parts together. But it does take some <a href=\"https:\/\/www.classicalguitarshed.com\/sight-reading-guitar\/\">sight-reading<\/a>.<\/p>\n<p>When we explore the lines of music making up the whole we gain a more intimate understanding of the music. We hear more. We can make decisions based on what we discover. For example, we can make the melody swell or fade, or to bring certains notes out (accenting them).<\/p>\n<p>This type of \u201celemental practice\u201d can feel like this \u201cdoesn\u2019t count\u201d as practicing the tune. But it allows for understanding that wouldn\u2019t likely occur otherwise. And it boosts listening skills.<\/p>\n<h3>2. Isolated Parts Together<\/h3>\n<p>Once we know the parts separately, we can practice any two lines together.<\/p>\n<p>We could practice just the bass and interior voices. Or we could practice the melody and bass with no interior voices. We can leave out parts of the music, and explore the interaction of those remaining.<\/p>\n<p>Likewise, we can play one part, and sing or count another aloud.<\/p>\n<p>When clapping and counting, we can also tap the different parts with different hands.<\/p>\n<h3>3. All Together Now<\/h3>\n<p>Lastly, we can play all the notes, as written. From our analogy above, this is the forest.<\/p>\n<p>This uses all the fingers and notes that will be in the final performance. We can then listen for <a href=\"https:\/\/www.classicalguitarshed.com\/chord-balance\/\" target=\"_blank\" rel=\"noopener noreferrer\">balance<\/a> in the parts, so that each is at the volume we decide best.<\/p>\n<h2 style=\"text-align: center;\">Music with Ornaments<\/h2>\n<p>When we learn music with ornaments, the general rule is to leave the ornaments out to begin with.<\/p>\n<p>We first clap, count, then play the music with no ornaments.<\/p>\n<p>This is the same when counting the stacked rhythms &#8211; leave ornaments out.<\/p>\n<p>Once we\u2019re ready, we can clap and count just the line of music containing the ornaments, adding them back in. This allows us to keep the music in rhythm and use the ornaments to their full effect.<\/p>\n<p>Once we can play the single line with ornaments included, then we can add the other parts back in. Here we should take care to maintain the rhythmic integrity of everything.<\/p>\n<h6 style=\"text-align: center;\">Related:\u00a0<a title=\"Play \u201cNaked\u201d: Leave Out the Ornaments (at first)\" href=\"https:\/\/www.classicalguitarshed.com\/leave-out-ornaments\/\" target=\"_blank\" rel=\"noopener noreferrer\">Play \u201cNaked\u201d: Leave Out the Ornaments (at first<br \/>\n<\/a><\/h6>\n<h6 style=\"text-align: center;\">Also Related:\u00a0<a title=\"A Quick Guide to Musical Ornaments on the Guitar\" href=\"https:\/\/www.classicalguitarshed.com\/ornaments\/\" target=\"_blank\" rel=\"noopener noreferrer\">A Quick Guide to Musical Ornaments on the Guitar<\/a><\/h6>\n<h2 style=\"text-align: center;\">It\u2019s Okay to Write on the Music<\/h2>\n<p>When we becomed stumped by a rhythm (or any other time), it\u2019s perfectly fine to write on the music.<\/p>\n<p>If it helps to write the counts above or below the music, by all means do it.<\/p>\n<p>Pencil is best, to allow for mistakes. This also lets us erase it later if we no longer need them.<\/p>\n<p><a href=\"https:\/\/www.classicalguitarshed.com\/musical-upbeat\/\" target=\"_blank\" rel=\"noopener\">In figuring out rhythms<\/a>, we can do whatever we need to. Anything goes. The main goal is to eliminate <a href=\"https:\/\/quantumprogress.wordpress.com\/2011\/04\/22\/embracing-confusion-as-a-necessary-part-of-learning-part-1\/\">confusion<\/a> and make positive strides in each practice.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We use basic musical skills to figure out rhythms that move one note at a time. But what about when we see trickier rhythms? How do we count music that has many voices all at the same time? Classical Guitar Music Looks Complex on the Page Classical guitar use one musical staff (the lines in standard musical notation). But we &#8230; <\/p>\n<div><a href=\"https:\/\/classicalguitarshed.com\/stacked-rhythms\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":30312,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,434,3],"tags":[347,63,351,349],"class_list":["post-30048","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-main-content-parent","category-phrasing","tag-learning-pieces","tag-reading-music","tag-rhythm","tag-theory"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Count and Play Stacked Rhythms in Classical Guitar Music<\/title>\n<meta name=\"description\" content=\"Hear music better with more clarity and understanding by figuring out complex and stacked rhythms in Classical Guitar 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