{"id":28401,"date":"2017-11-17T10:00:16","date_gmt":"2017-11-17T18:00:16","guid":{"rendered":"http:\/\/classicalguitarshed.foureyes.com\/?p=28401"},"modified":"2022-08-02T04:07:50","modified_gmt":"2022-08-02T11:07:50","slug":"springboard","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/springboard\/","title":{"rendered":"Phrasing Tool:  The Springboard (for Longer Lines)"},"content":{"rendered":"<p>In our quest to play guitar beautifully, we juggle all sorts of issues.<\/p>\n<p>We work on our tone quality, rhythm, dynamics (swells and fades) and more.<\/p>\n<p>As we get more intentional about how we connect melody notes, we notice common patterns. \u00a0Then we can work out ways of handling them.<\/p>\n<p>\u201cThe Springboard\u201d is a musical device or tool that helps melodies move forward and sing more.<\/p>\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/rsqV_5kqiN0?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\"><\/iframe><\/p>\n<h2 style=\"text-align: center;\"><strong>Goals of Phrasing<\/strong><\/h2>\n<p>One of the top goals we can have for our phrasing is for the melody to last as long as possible. We call this \u201c<a href=\"https:\/\/www.classicalguitarshed.com\/longline\/\" target=\"_blank\" rel=\"noopener noreferrer\">the long line<\/a>\u201d.<\/p>\n<p>You\u2019ll find tools and tricks for this in many other CGS <a href=\"https:\/\/www.classicalguitarshed.com\/category\/phrasing\/\" target=\"_blank\" rel=\"noopener noreferrer\">articles<\/a>. But they all have the same goal. \u00a0And the goal is this: To keep the piece moving along, avoiding stops and unnecessary ornamentations that interrupt the &#8220;flow&#8221; of the music.<\/p>\n<p>So instead of having many short musical phrases, the \u201clong line\u201d idea proposes fewer and longer phrases. We can connect the smaller musical ideas into larger ones.<\/p>\n<p>The trick to creating larger musical ideas is to not stop the line. Anything that distracts from or \u201cupstages\u201d the melody breaks the line.<\/p>\n<p>One common distraction is when we jump to a high note and play it loud.<\/p>\n<h2 style=\"text-align: center;\"><strong>The High-Note Trap: Firing the Starting Gun<\/strong><\/h2>\n<p>When we accent a high note, it tends to sound like the beginning or ending of a phrase. (To <a href=\"https:\/\/www.classicalguitarshed.com\/accents\/\" target=\"_blank\" rel=\"noopener noreferrer\">accent<\/a> a note is to play it louder than the notes surrounding it.)<\/p>\n<p>Regardless of our intentions, when we accent a high note, it breaks the line. This is true 95% or more of the time.<\/p>\n<p><strong>Note:<\/strong> A \u201chigh note\u201d as described here is any note higher than both the note before and after it. This can be in any range on the guitar, from low to high.<\/p>\n<h2 style=\"text-align: center;\"><strong>Elegant High Notes<\/strong><\/h2>\n<p>Ideally, when we jump from a lower note to a higher note, the higher note retains a \u201cfloating\u201d quality.<\/p>\n<p>With our goal of a long line, we want it to sound like part of a larger musical idea. \u00a0We don&#8217;t want the high note to sound like an arrival (an ending) or beginning of something new. \u00a0(Unless it is, and we choose to communicate that on purpose.)<\/p>\n<p>High notes should sound neither weak nor tentative. They should sound neither strained nor forced. \u00a0(Think of the kindergarten soloist gasping a breath then shouting the high note).<\/p>\n<p>\u201cThe Springboard\u201d is a way to achieve elegant high notes. It allows the musical line to continue and maintain a soaring quality.<\/p>\n<h2 style=\"text-align: center;\"><strong>Introducing: The Springboard<\/strong><\/h2>\n<p>\u201cThe Springboard\u201d only applies when we jump up to a high note. \u00a0In other words, not by one or two frets, as in a <a href=\"https:\/\/www.classicalguitarshed.com\/why-practice-scales\/\" target=\"_blank\" rel=\"noopener noreferrer\">scale<\/a>.<\/p>\n<p>To use the Springboard approach, give emphasis (a slight accent) to the lower note. \u00a0Then connect it smoothly (<a href=\"https:\/\/www.classicalguitarshed.com\/legato-guitar-synchronize-the-hands\/\" target=\"_blank\" rel=\"noopener noreferrer\">legato<\/a>, no gap in the sound) to the higher note, which we play softer.<\/p>\n<p>In the same way that we want to avoid the high note breaking the line, we also want to avoid anything too severe or abrupt in the lower voices. That said, we tend to have a bit more latitude in the lower notes of a line than the higher.<\/p>\n<h2 style=\"text-align: center;\"><strong>Rules Were Made to Be Broken<\/strong><\/h2>\n<p>Will this musical device work everywhere all the time? Of course not.<\/p>\n<p>But it will help to create more beautiful musical lines in a large majority of instances.<\/p>\n<p>As with any rule, we can master it and use it as a default starting place. If we want to do something different in a certain phrase or even an entire piece, so be it.<\/p>\n<p>There is no \u201cPhrasing Gestapo,\u201d and no one gets hurt either way. So we can choose to use the Springboard or not.<\/p>\n<h2 style=\"text-align: center;\"><strong>Springboard Examples<\/strong><\/h2>\n<p>Here are some examples of The Springboard in action. Notice that very often the jump from low note to high note happens at a bar line. This is the most common place to see Springboard opportunities in music. (You can hear these examples in the video above.)<\/p>\n<div id=\"attachment_28409\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-28409\" class=\"size-full wp-image-28409\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-1-minuet.jpg\" alt=\"classical guitar phrasing\" width=\"700\" height=\"120\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-1-minuet.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-1-minuet-300x51.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-28409\" class=\"wp-caption-text\">J.S.Bach: Minuet in G<\/p><\/div>\n<div id=\"attachment_28410\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-28410\" class=\"wp-image-28410 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-2-julia.jpg\" alt=\"Barrios musical phrasing \" width=\"700\" height=\"109\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-2-julia.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-2-julia-300x47.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-28410\" class=\"wp-caption-text\">Agustin Barrios: Julia Florida<\/p><\/div>\n<div id=\"attachment_28411\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-28411\" class=\"size-full wp-image-28411\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-3-retrato.jpg\" alt=\"baden powell classical guitar\" width=\"700\" height=\"116\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-3-retrato.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-3-retrato-300x50.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-28411\" class=\"wp-caption-text\">Baden Powell: Retrato Brasileiro (Here we have to choose between the written slur pull-off and the Springboard.)<\/p><\/div>\n<h2 style=\"text-align: center;\"><strong>How to Practice the Springboard<\/strong><\/h2>\n<p>So how do we master this little musical device? How can we form the habit and set our default intuition to use it?<\/p>\n<h3><strong>Identify Opportunities in Your Current Music<\/strong><\/h3>\n<p>To begin with, go through any piece(s) you\u2019re currently working on. \u00a0Find examples of low notes jumping to high notes. Remember, this is only for musical lines (not accompanimental or arpeggio sections.)<\/p>\n<p>Mark them. \u00a0Then practice them with a <a href=\"https:\/\/www.classicalguitarshed.com\/fine-details-classical-guitar-polish-perfect\/\" target=\"_blank\" rel=\"noopener noreferrer\">focus<\/a> on the volume level of each note leading to and away from the high note.<\/p>\n<h3><strong>Scan Unknown Sheet Music<\/strong><\/h3>\n<p>We can also scan music we\u2019re not currently playing. Whether it\u2019s guitar music, or any <a href=\"http:\/\/imslp.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">other instrument<\/a>, we can scan the melody lines and notice how the notes move.<\/p>\n<p>We can look for places where the melody leaps up.<\/p>\n<p>This is also a wonderful way to look for opportunities for <a href=\"https:\/\/www.classicalguitarshed.com\/classical-guitar-phrasing-note-pairs\/\" target=\"_blank\" rel=\"noopener noreferrer\">other phrasing devices<\/a>.<\/p>\n<h3><strong>Play Exercises<\/strong><\/h3>\n<p>We can also use exercises to focus. \u00a0We can train our hands to lean on the low notes and back off the higher notes.<\/p>\n<p>Here are a couple of exercises. You could also create your own.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-28415 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-1.jpg\" alt=\"phrasing for music\" width=\"700\" height=\"125\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-1.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-1-300x54.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-28416 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-2.jpg\" alt=\"octave phrasing \" width=\"700\" height=\"125\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-2.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/11\/springboard-ex-2-300x54.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/p>\n<h2 style=\"text-align: center;\"><strong>What Else Can a I Do for Guitar Phrasing?<\/strong><\/h2>\n<p>Over time, we delve more and more into the world of phrasing and interpretation. \u00a0And over time we gather more little tools and devices like this one.<\/p>\n<p>The Springboard is for very specific musical circumstance. \u00a0But others are more universal and more frequently appropriate.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.classicalguitarshed.com\/interpret-classic-guitar-music\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Know your musical voices.<\/strong><\/a> Then use <a href=\"https:\/\/www.classicalguitarshed.com\/chord-balance\/\" target=\"_blank\" rel=\"noopener noreferrer\">balance<\/a> to ensure that melody is always up front (and nothing upstages it).<\/li>\n<li><a href=\"https:\/\/www.classicalguitarshed.com\/dynamics-phrasing-classical-guitar\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Master your default dynamics<\/strong><\/a>. Create habits in the way you swell and fade, and be intentional with the volume of each note.<\/li>\n<li><strong><a href=\"https:\/\/www.classicalguitarshed.com\/legato-guitar-synchronize-the-hands\/\" target=\"_blank\" rel=\"noopener noreferrer\">Connect your notes beautifully.<\/a><\/strong> Synchronize your hands to avoid gaps in your melodic lines.<\/li>\n<\/ul>\n<h6 style=\"text-align: center;\"><a href=\"https:\/\/www.classicalguitarshed.com\/category\/phrasing\/\" target=\"_blank\" rel=\"noopener noreferrer\">See the entire Phrasing Archives here.<\/a><\/h6>\n<p>Good luck!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In our quest to play guitar beautifully, we juggle all sorts of issues. We work on our tone quality, rhythm, dynamics (swells and fades) and more. As we get more intentional about how we connect melody notes, we notice common patterns. \u00a0Then we can work out ways of handling them. \u201cThe Springboard\u201d is a musical device or tool that helps &#8230; <\/p>\n<div><a href=\"https:\/\/classicalguitarshed.com\/springboard\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":28425,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[434,3],"tags":[323,341],"class_list":["post-28401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-main-content-parent","category-phrasing","tag-dynamics","tag-phrasing-techniques"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Classical Guitar Phrasing Tool: The Springboard Technique<\/title>\n<meta name=\"description\" content=\"Use this simple musical device called The Springboard to make your melodies more beautiful. 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