{"id":2768,"date":"2015-04-15T09:16:00","date_gmt":"2015-04-15T16:16:00","guid":{"rendered":"http:\/\/classicalguitarshed.foureyes.com\/?p=2768"},"modified":"2024-11-06T23:47:30","modified_gmt":"2024-11-07T07:47:30","slug":"interpret-classic-guitar-music","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/interpret-classic-guitar-music\/","title":{"rendered":"Musical Parts and Voices: How to Interpret Classic Guitar Music"},"content":{"rendered":"<div id=\"attachment_3082\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3082\" class=\"wp-image-3082 size-medium\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/lute-tab-300x119.png\" alt=\"lute tablature\" width=\"300\" height=\"119\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/lute-tab-300x119.png 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/lute-tab.png 807w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-3082\" class=\"wp-caption-text\">Lute Tablature from the 1600s<\/p><\/div>\n<p>Legend has it that <a title=\"\u201cAllegro\u201d by Mauro Giuliani: Full Lesson (w\/ downloads)\" href=\"https:\/\/www.classicalguitarshed.com\/giuliani-allegro-classical-guitar-lesson\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mauro Giuliani <\/a>is fellow responsible for ordering classic guitar music onto the music staff.<\/p>\n<p>Before, the trend was all tablature, or notes on the staff combined with a sort of tablature.<\/p>\n<p>What Mauro did was to put the stems of the bass notes going down, and the melody note stems going up.<\/p>\n<p>This made it enormously easier to see and understand what is actually going on in classic guitar music.<\/p>\n<div id=\"attachment_3094\" style=\"width: 704px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-whole.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3094\" class=\"wp-image-3094 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-whole.png\" alt=\"classic guitar music example\" width=\"694\" height=\"134\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-whole.png 694w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-whole-300x58.png 300w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/a><p id=\"caption-attachment-3094\" class=\"wp-caption-text\">Example of classic guitar music (an excerpt of Leo Brouwer&#8217;s &#8220;Un Dia de Noviembre&#8221;)<\/p><\/div>\n<h2 style=\"text-align: center;\">Deciphering Classic Guitar Music<\/h2>\n<p>One of the best traits of classical guitar and classic guitar music is that you can play more than one line of music (also called &#8220;voices&#8221;) at a time.<\/p>\n<p>Saxophones, violins (for the most part), voice (except for the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Tuvan_throat_singing\">Tuvans<\/a>) and most other instruments can only play one note at a time.<\/p>\n<p>The guitar (as well as the piano, marimba, harp, etc.) have the ability to <a href=\"https:\/\/classicalguitarshed.com\/chords\/\">play chords<\/a>. \u00a0And with this ability comes the opportunity to play both a <strong>melody<\/strong> and a <strong>bass<\/strong> line at the same time. \u00a0We can go even further and play <strong>harmony<\/strong> and accompaniment notes as well, all simultaneously!<\/p>\n<p>It all gets very complex very quickly. \u00a0So we needed a way to determine what&#8217;s what.<\/p>\n<ul>\n<li>What is the bass?<\/li>\n<li>What is the melody?<\/li>\n<li>What should be loudest?<\/li>\n<li>What should be quietest?<\/li>\n<li>Does this all stay the same for the whole piece?<\/li>\n<li>Or does it bounce back and forth?<\/li>\n<li>What in the world is going on here?<\/li>\n<\/ul>\n<h2 style=\"text-align: center;\">Reading Between the Lines<\/h2>\n<p>So what Giuliani came up with, and we still do to this day, is to use note stem direction to signal the roles of the notes.<\/p>\n<p>Once you know what to look for, you have the opportunity to create <strong>depth and interest<\/strong> in your music. \u00a0The only challenges left at this point are knowing the roles of each part (mental), and then actually demonstrating those roles to the listener (physical).<\/p>\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/h3qSVjSU0ko?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\"><\/iframe><\/p>\n<p><strong>Also mentioned in this video: <\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.classicalguitarshed.com\/chord-balance\/\" target=\"_blank\" rel=\"noopener noreferrer\">Chord Balance<\/a><\/li>\n<li><a href=\"https:\/\/www.classicalguitarshed.com\/classical-guitar-phrasing-note-pairs\/\" target=\"_blank\" rel=\"noopener noreferrer\">Note Pairs<\/a><\/li>\n<li><a href=\"https:\/\/www.classicalguitarshed.com\/metronome\/\" target=\"_blank\" rel=\"noopener noreferrer\">Using a Metronome<\/a><\/li>\n<li><a href=\"https:\/\/www.classicalguitarshed.com\/how-to-learn-classical-guitar-pieces\/\" target=\"_blank\" rel=\"noopener noreferrer\">How to Learn Pieces<\/a><\/li>\n<li><a href=\"https:\/\/www.classicalguitarshed.com\/basics\/\" target=\"_blank\" rel=\"noopener noreferrer\">Basics of Technique<\/a><\/li>\n<li><a href=\"https:\/\/www.classicalguitarshed.com\/mistakes\/\" target=\"_blank\" rel=\"noopener noreferrer\">5 Common Mistakes<\/a><\/li>\n<\/ul>\n<h2 style=\"text-align: center;\">Three Layers of Sound<\/h2>\n<p>Ideally, you have three layers of sound happening at all times.<\/p>\n<p>Of course, sometimes the music only has one or two parts, so three isn&#8217;t possible. \u00a0But if it is, then the ideal is to have all three parts clearly defined in every moment.<\/p>\n<p>Our primary goal is to communicate the emotional content of the music to our listener. \u00a0That is job number one, and everything we do (again, ideally) goes to support that one overarching goal.<\/p>\n<h2>The Roles of Each Part<\/h2>\n<p>Just as in a string quartet, a rock band, a choir, or an orchestra, each part has a specific role to play at any given time.<\/p>\n<p>To use the rock band analogy, you have a lead singer, a drummer, a guitarist, and a bass player.<\/p>\n<ul>\n<li><strong>The drummer<\/strong> creates a solid rhythmic foundation for everyone to work within. \u00a0To mix metaphors, this is the canvas that the music is painted on.<\/li>\n<li><strong>The Diva<\/strong>\u00a0(or front-man, if you like) is the lead singer (the melody part). \u00a0They should be the loudest, and you should be able to hear and understand what they are singing. \u00a0Everyone else is there to support the lead singer.<\/li>\n<li><strong>The bass player<\/strong> outlines the harmony (chord changes) and fills out the sound, making it sound full and rich.<\/li>\n<li><strong>The guitarist<\/strong>\u00a0(aka the &#8220;rhythm player&#8221;) fills in the harmony with chords, provides &#8220;color&#8221;, and some counterpoint to the lead singer.<\/li>\n<\/ul>\n<p>Of course the roles can change midstream. \u00a0The guitar, bass, or drums could take a solo. \u00a0Some parts could drop out. \u00a0We can tweak these roles in all sorts of ways. \u00a0But the underlying structure is there.<\/p>\n<p>As long as everyone is in the right place, and fulfilling their role to the fullest, the music just works.<\/p>\n<p>If any one member of the band get too ambitious and play too loudly when it isn&#8217;t their turn, things can go south quickly.<\/p>\n<h2><\/h2>\n<div id=\"attachment_3095\" style=\"width: 704px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-melody.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3095\" class=\"wp-image-3095 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-melody.png\" alt=\"classical guitar melody\" width=\"694\" height=\"134\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-melody.png 694w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-melody-300x58.png 300w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/a><p id=\"caption-attachment-3095\" class=\"wp-caption-text\">The Melody (play loudest, most present)<\/p><\/div>\n<div id=\"attachment_3096\" style=\"width: 704px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-bass.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3096\" class=\"wp-image-3096 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-bass.png\" alt=\"classical guitar bass line\" width=\"694\" height=\"134\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-bass.png 694w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-bass-300x58.png 300w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/a><p id=\"caption-attachment-3096\" class=\"wp-caption-text\">The Bass Line (2nd loudest, behind the melody)<\/p><\/div>\n<div id=\"attachment_3090\" style=\"width: 704px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-interior.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3090\" class=\"wp-image-3090 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-interior.png\" alt=\"classic guitar accompaniment\" width=\"694\" height=\"134\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-interior.png 694w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-interior-300x58.png 300w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/a><p id=\"caption-attachment-3090\" class=\"wp-caption-text\">The Interior Voices (quietest of all, in the background)<\/p><\/div>\n<div id=\"attachment_3093\" style=\"width: 704px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3093\" class=\"wp-image-3093 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-all-parts.png\" alt=\"Day in nov all parts\" width=\"694\" height=\"134\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-all-parts.png 694w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2015\/04\/Day-in-nov-all-parts-300x58.png 300w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><p id=\"caption-attachment-3093\" class=\"wp-caption-text\">All the parts<\/p><\/div>\n<h2>Creating the Perfect Balance<\/h2>\n<p>So, to recap the lesson from the band analogy from above:<\/p>\n<ul>\n<li>Rhythm forms the foundation.<\/li>\n<li>The melody is the loudest, &#8220;on top&#8221;.<\/li>\n<li>The bass is second loudest, supporting the melody.<\/li>\n<li>The harmony (interior voices) are quietest, and in the background.<\/li>\n<\/ul>\n<p>Of course there are different levels of &#8220;rightness&#8221; that we can get in balancing all these elements. \u00a0For instance, you could be playing with great rhythm, but all the voices could still be to similar in volume (so that you can&#8217;t tell one part from another).<\/p>\n<p>Likewise, you could have the opposite: great <a href=\"https:\/\/www.classicalguitarshed.com\/balance-ratios\/\" target=\"_blank\" rel=\"noopener noreferrer\">balance<\/a> of the voices but wavering rhythm.<\/p>\n<p><strong>My take is this:<\/strong> If you have to choose, choose rhythm. \u00a0We all know good rhythm when we hear it, and also know when it&#8217;s off. \u00a0Start there and <a title=\"Chord Balance\" href=\"https:\/\/www.classicalguitarshed.com\/chord-balance\/\" target=\"_blank\" rel=\"noopener noreferrer\">then add balance.<\/a><\/p>\n<h2 style=\"text-align: center;\">Train Your Ear to Hear the Different Parts of Music<\/h2>\n<p>The only way to truly play with good balance is to know what each part is doing. \u00a0If you don&#8217;t know, you can make errors and not even know it.<\/p>\n<p>The way to train your ear is to practice the parts separately. \u00a0This can look different ways:<\/p>\n<ul>\n<li>You could <a href=\"https:\/\/www.classicalguitarshed.com\/recall-memory\/\" target=\"_blank\" rel=\"noopener noreferrer\">memorize<\/a> each part separately.<\/li>\n<li>You could just sightread each part once or twice.<\/li>\n<li>Anywhere in between.<\/li>\n<\/ul>\n<p>Ideally, you take each part and practice it up to the level where you know how each note will connect to the next. \u00a0You have your <a href=\"https:\/\/www.classicalguitarshed.com\/3-levels-sound-dynamics\/\" target=\"_blank\" rel=\"noopener noreferrer\">dynamics<\/a> (swells and fades) all worked out, and you can say exactly how each note should be played.<\/p>\n<p>Of course when you put three parts back together, some of this perfection will be lost. \u00a0But even if a little of it remains, the entire piece will be better for it. \u00a0And you will have become a better musician and listener in the process.<\/p>\n<h2 style=\"text-align: center;\">Try it on for size!<\/h2>\n<h3>Action\u00a0Challenge:<\/h3>\n<p>To really train your eye to see the different musical parts, you could also copy or print some classic guitar music and highlight the different voices (with a highlighter). \u00a0You could leave this by your bedside and do a few lines before bed, like a crossword or sudoku. \u00a0Soon you&#8217;ll be spotting the different lines automatically!<\/p>\n<p>As a side-note, while you sleep your subconscious mind returns about 7 times more often to whatever you input the 45 minutes before sleep. \u00a0To learn most quickly, review whatever you are learning (ie: a new piece, identifying chords, sight-reading, the challenge above, or whatever) just before bed. \u00a0It&#8217;s a great way to wind down, and is certainly much healthier than watching the news.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Legend has it that Mauro Giuliani is fellow responsible for ordering classic guitar music onto the music staff. Before, the trend was all tablature, or notes on the staff combined with a sort of tablature. What Mauro did was to put the stems of the bass notes going down, and the melody note stems going up. This made it enormously &#8230; <\/p>\n<div><a href=\"https:\/\/classicalguitarshed.com\/interpret-classic-guitar-music\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":199908,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[434,3],"tags":[347,354,63],"class_list":["post-2768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-main-content-parent","category-phrasing","tag-learning-pieces","tag-phrasing-concepts","tag-reading-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How to Interpret Classic Guitar Music<\/title>\n<meta name=\"description\" content=\"Discover how to identify the different parts (voices) within your classic guitar music, and play them beautifully. 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