<!-- <hr /> -->{"id":21161,"date":"2017-05-19T10:00:01","date_gmt":"2017-05-19T17:00:01","guid":{"rendered":"http:\/\/classicalguitarshed.foureyes.com\/?p=21161"},"modified":"2022-08-02T04:08:21","modified_gmt":"2022-08-02T11:08:21","slug":"simplify","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/simplify\/","title":{"rendered":"Ace the Tricky Spots and Polish to Perfection (pt 4: Simplify)"},"content":{"rendered":"<p>When we first begin a new piece of music, we\u2019re tempted to dive right in and start playing the tune over and over. \u00a0\u00a0(\u201cjust to hear what it sounds like\u2026\u201d)<\/p>\n<p>A single playthrough is useful to get a basic idea of what lays ahead. But battering away at the music is one of the least effective methods to learn a piece or overcome tricky spots.<\/p>\n<p>Instead of hurling ourselves against it over and over, we can use other learning and practice methods to get more done in less time.<\/p>\n<p>History has provided many quotes that remind us, \u201cThe journey of a thousand miles begins with eating an elephant.\u201d Or something like that.<\/p>\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ybptEqQ6_Ik?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2 style=\"text-align: center;\"><strong>One Bite at a Time<\/strong><\/h2>\n<p>Instead of working on an entire piece of music at once, we can break the larger task into several smaller, more manageable tasks.<\/p>\n<p>Whether first learning a new piece, or solving problems in a piece, simplifying is one of the most effective methods.<\/p>\n<p>When we make the music simpler, we can focus on the specific solutions that will bring the piece forward.<\/p>\n<p>Here are a few steps you can take to simplify your work and make more headway with your music.<\/p>\n<h2 style=\"text-align: center;\"><strong>Step One: Make Small Sections<\/strong><\/h2>\n<p>First, only look at one small section at a time. \u00a0Limit the scope of your work. \u00a0Instead of a page, focus only one bar (or two, or whatever).<\/p>\n<p>Resist the urge to keep going once you\u2019ve made it over the hurdle. Instead, go back and reinforce your good work. (This is, after all, practice.)<\/p>\n<blockquote><p>Resist the urge to keep going once you\u2019ve made it over the hurdle.<\/p><\/blockquote>\n<p>You\u2019ll usually find that some sections are easier or harder than others. By splitting your music into small sections, you can spend your time on the sections that need the most work.<\/p>\n<p>Instead of spending valuable practice time on sections that are already up to speed, you can squeeze out a few more repetitions on areas that still need the work.<\/p>\n<p>This means you\u2019ll learn the music more quickly, and it will stay more organized in your mind.<\/p>\n<h3><strong>Tip: Always Cross the Bar Line<\/strong><\/h3>\n<p>Always make your small sections cross one note over the bar line.<\/p>\n<p>You can read more about why this is so powerful here: <a href=\"https:\/\/www.classicalguitarshed.com\/cross-bar-line\/\" target=\"_blank\" rel=\"noopener noreferrer\">Crossing the Bar Line<\/a><\/p>\n<h2 style=\"text-align: center;\"><strong>Step Two: Remove Repeating Material<\/strong><\/h2>\n<p>Many tunes have repeating material. When you encounter a repeating musical element, you can simplify the music by omitting it.<\/p>\n<p>After you practice for a few moments without the repeating material, add the material back in. The goal is still to play the piece. Removing the material is a tool to help you learn. It\u2019s not an end unto itself.<\/p>\n<h3><strong>Simplify Repeating Patterns<\/strong><\/h3>\n<p>In classical guitar music especially, we encounter many arpeggio (right hand, \u201cfingerpicking\u201d) patterns. Instead of playing the entire right hand pattern, we can simplify the music into \u201cchunk chords\u201d.<\/p>\n<p>This way, we can focus attention on the left hand chord <a href=\"https:\/\/www.classicalguitarshed.com\/classical-guitar-scales\/\" target=\"_blank\" rel=\"noopener noreferrer\">shapes<\/a>. This eliminates the distraction of the perpetual rhythm and right hand complexity.<\/p>\n<div id=\"attachment_21166\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-21166\" class=\"wp-image-21166 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim-1.jpg\" alt=\"repeated eighth notes \" width=\"700\" height=\"84\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim-1.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim-1-300x36.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-21166\" class=\"wp-caption-text\">This passage has a repeating high E note, alternating with a bass note.<\/p><\/div>\n<div id=\"attachment_21167\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-21167\" class=\"wp-image-21167 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim2.jpg\" alt=\"simplify rhythms quarter notes\" width=\"700\" height=\"78\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim2.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim2-300x33.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-21167\" class=\"wp-caption-text\">To simplify it, remove the repeating high note and focus on the moving line.<\/p><\/div>\n<h3 style=\"text-align: center;\"><strong>Step Three: Separate Musical Elements<\/strong><\/h3>\n<p>Oftentimes, music combines a few different technical or musical elements. We can practice these elements separately. When we separate them, and only play the similar material, we remove the \u201cswitching costs\u201d.<\/p>\n<p>We can then keep the rhythm, volume (<a href=\"https:\/\/www.classicalguitarshed.com\/dynamics-phrasing-classical-guitar\/\" target=\"_blank\" rel=\"noopener noreferrer\">dynamics<\/a>), tone quality or other stylistic traits consistent and intentional throughout the piece.<\/p>\n<h3><strong>Chords<\/strong><\/h3>\n<p>When you have block or strummed chords interspersed with other material, you can isolate the chords. This will help you learn or memorize the chord shapes.<\/p>\n<div id=\"attachment_21168\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-21168\" class=\"wp-image-21168 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim3.jpg\" alt=\"spanish guitar music\" width=\"700\" height=\"98\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim3.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim3-300x42.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-21168\" class=\"wp-caption-text\">This passage from Malague\u00f1a has both chords and melody.<\/p><\/div>\n<div id=\"attachment_21169\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-21169\" class=\"wp-image-21169 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim5.jpg\" alt=\"simplify music with chords\" width=\"700\" height=\"102\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim5.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim5-300x44.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-21169\" class=\"wp-caption-text\">To simplify it, practice just the chords, without the melody.<\/p><\/div>\n<h3><strong>Scale Passages<\/strong><\/h3>\n<p>Likewise, you\u2019ll sometimes have melodic or scale passages interspersed with strummed chords or arpeggios (broken chords). You can remove the other material and play only the scale passages.<\/p>\n<p>Note: Keep in mind that one of the notes of the chords may do double duty as both chord-tone and melody note. When playing the melody, be sure to include it.<\/p>\n<div id=\"attachment_21168\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-21168\" class=\"wp-image-21168 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim3.jpg\" alt=\"spanish guitar music\" width=\"700\" height=\"98\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim3.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim3-300x42.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-21168\" class=\"wp-caption-text\">The complete music can be challenging and confusing all at once.<\/p><\/div>\n<div id=\"attachment_21170\" style=\"width: 710px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-21170\" class=\"wp-image-21170 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim4.jpg\" alt=\"simplify music with scales\" width=\"700\" height=\"90\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim4.jpg 700w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/05\/sim4-300x39.jpg 300w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><p id=\"caption-attachment-21170\" class=\"wp-caption-text\">To simplify, remove the chords, and play just the melody<\/p><\/div>\n<h3><strong>Separate the Hands<\/strong><\/h3>\n<p>More basic than separating music elements is separating the hands.<\/p>\n<h6 style=\"text-align: center;\"><a href=\"https:\/\/www.classicalguitarshed.com\/how-to-learn-classical-guitar-pieces\" target=\"_blank\" rel=\"noopener noreferrer\">You can read more about separating the hands, and the entire \u201c7-Step\u201d Process of learning new music here<\/a>.<\/h6>\n<h2 style=\"text-align: center;\"><strong>Step Four: Practice Like Material Together<\/strong><\/h2>\n<p>As an extension of step three above, you can practice like material together. Even if the sections are far apart in the music, you can focus on a single technique or musical element at a time.<\/p>\n<p>For instance, you could first practice all the scale passages (in small sections) in a piece. \u00a0Then work on all the block chords. Then all the arpeggio sections. And so on.<\/p>\n<p>This lets you keep attention on the integrity of a single technique. You can bring all the good work you\u2019ve done in one section into the next.<\/p>\n<h3><strong>Large Scale Grouping<\/strong><\/h3>\n<p>As you learn more pieces and have more repertoire to maintain, you can organize your practice based on technique.<\/p>\n<p>For instance, you could practice your scales. Then practice any tricky spots containing scales in your pieces. Then play through any scale passages in your repertoire pieces (you may be working on speed or fluidity, or just keeping them front of mind).<\/p>\n<p>After you do all your scale work, you can switch to another technique (such as arpeggios\/right-hand patterns). \u00a0Repeat the process with the next technique, and so on.<\/p>\n<p>This also makes your technique work directly related to and beneficial to your pieces. Instead of a separate \u201cthing\u201d you do, technique practice becomes more recognizably useful.<\/p>\n<h3><strong>Group Similar Sections<\/strong><\/h3>\n<p>Coming back to a single piece of music, you can also group sections of the music that are similar. Ideally, these are similar, but different in some way.<\/p>\n<p>One example would be first and second endings. Practice the identical material that precedes each ending, then continue through the different endings. Practicing these together will alert you to both the similarities and the differences.<\/p>\n<p>The music will become more organized in your mind, and you\u2019ll be more likely to stay calm and clear while playing.<\/p>\n<h2 style=\"text-align: center;\"><strong>The Extra Bonuses of Simplifying<\/strong><\/h2>\n<p>In addition to working out the tricky spots, you\u2019ll also find other benefits to practicing the art of simplification.<\/p>\n<h3><strong>Learning is Easier<\/strong><\/h3>\n<p>When you simplify your work, you also make it easier. You become more familiar with the separate elements that make up the music. Then, when you re-combine everything, you maintain a richer understanding of each small piece.<\/p>\n<p>You solve each individual problem more quickly, and as a result learn entire pieces or sections more quickly and easily.<\/p>\n<h3><strong>You Get More Wins<\/strong><\/h3>\n<p>It\u2019s common to struggle on a difficult piece or section for eons before feeling any sense of accomplishment. But you can feel more success and progress when you break your work into smaller tasks.<\/p>\n<h3><strong>You Memorize More Easily<\/strong><\/h3>\n<p>When you simplify your music using the steps above, you\u2019ll oftentimes memorize the music without even trying.<\/p>\n<p>This is because you\u2019ve examined the music from many different angles. While exploring these different angles, you become more familiar with the music. Memorization is actually \u201cfamiliarization\u201d by another name.<\/p>\n<h3><strong>You Learn to Think About Music Structure<\/strong><\/h3>\n<p>Simplifying your music does more than just help you work through tricky sections and learn pieces. \u00a0Simplifying music also teaches you to think about music \u201cstructure\u201d.<\/p>\n<p>Music structure is beyond the scope of this article. \u00a0But think of architecture, and you\u2019ll get the picture. \u00a0It\u2019s the \u201cbones\u201d that make up the music.<\/p>\n<p>As you become a more advanced and mature musician, you\u2019ll gain a better understanding of how music works. \u00a0You\u2019ll recognize how composers organize music (to tell a story or communicate an idea). \u00a0And you\u2019ll learn ways to make this obvious to the listener. \u00a0All these elements, taken together, form the \u201cstructure\u201d of a piece.<\/p>\n<p>Recognizing the different musical elements (scales, chords, melodies, harmonies, similar material, etc.) will allow you to better organize your own playing. And this will help you to better communicate the ideas the composers intend.<\/p>\n<p>You\u2019ll connect more dots within the music you play. You\u2019ll see how the different musical sections relate. As you form these connections within your own understanding, you\u2019ll be more able to play with expression and intention. You\u2019ll have purpose behind your musical decisions. Your music will take on new meaning, and you\u2019ll have deeper relationships with the music you play.<\/p>\n<p>And all this, just from simplifying your music!<\/p>\n\n<p>For more on working through the tricky spots, try these articles:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.classicalguitarshed.com\/polish-guitar-music-troubleshoot-tricky-spots\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ace the Tricky Spots and Polish to Perfection (pt. 1: First Things First)<\/a><\/li>\n<li><a href=\"https:\/\/www.classicalguitarshed.com\/problem-solving-classical-guitar-polishing\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ace the Tricky Spots and Polish to Perfection (pt 2: The One Thing)<\/a><\/li>\n<li><a href=\"https:\/\/www.classicalguitarshed.com\/solving-problems-polish-troubleshoot\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ace the Tricky Spots and Polish to Perfection (pt 3: The Moves and the Mouth)<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>When we first begin a new piece of music, we\u2019re tempted to dive right in and start playing the tune over and over. \u00a0\u00a0(\u201cjust to hear what it sounds like\u2026\u201d) A single playthrough is useful to get a basic idea of what lays ahead. But battering away at the music is one of the least effective methods to learn a &#8230; <\/p>\n<div><a href=\"https:\/\/classicalguitarshed.com\/simplify\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":21175,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,434,20],"tags":[347,315,369,314],"class_list":["post-21161","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-main-content-parent","category-practicing","tag-learning-pieces","tag-polishing","tag-practice-methods","tag-problem-solving"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Simplify Your Work, Polish Pieces, and Play Perfectly<\/title>\n<meta name=\"description\" content=\"Simplify your practice to learn pieces quickly, iron out tricky spots in your music, and polish pieces to perfection. 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