{"id":200154,"date":"2022-02-15T08:00:00","date_gmt":"2022-02-15T16:00:00","guid":{"rendered":"https:\/\/www.classicalguitarshed.com\/?p=200154"},"modified":"2022-02-12T02:30:39","modified_gmt":"2022-02-12T10:30:39","slug":"tq-john-cage-not-boring","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/tq-john-cage-not-boring\/","title":{"rendered":"John Cage on Conquering Boredom in Guitar Practice"},"content":{"rendered":"\n

Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here<\/a>. Enjoy!<\/p>\n\n\n\n

\n\n\n\n

\u201cIf something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.\u201d <\/em><\/p>

John Cage<\/em><\/p><\/blockquote>\n\n\n\n

\n\n\n\n

Amateur musicians often seek novelty in practice. They bounce from one piece of music to the next in the name of variety.<\/p>\n\n\n\n

And the curiosity behind this is positive. Curiosity drives us to explore the new and novel.<\/p>\n\n\n\n

But for many musicians, the depth of curiosity is quite shallow. It only skims the surface. The only question asked is, \u201cWhat are the notes?\u201d or \u201cHow does this sound?\u201d<\/p>\n\n\n\n

These are indeed important and relevant questions. But they are only the first of many possible questions. And as we ask more questions we look closer and find more to be curious about.<\/p>\n\n\n\n

On the physical level, we can notice our levels of tension in the many parts of the body. We can play with appropriate tension<\/a> and notice when we use too much or too little muscle. We can become aware of balance and posture.<\/p>\n\n\n\n

We can put attention on the way we use our hands – the movements and patterns. We can note the set of a jaw, or the hardness or softness of our eyes<\/a>.<\/p>\n\n\n\n

On a musical level, we can pick apart the different musical voices<\/a>. The melody, the bass, and the accompanimental voices.<\/p>\n\n\n\n

We can explore the mood and sentiment of the music. We can discover how the composer has demonstrated this in the writing.<\/p>\n\n\n\n

On the level of sound, we can listen for the tone quality<\/a> of each note. We can listen to each note connecting smoothly to the next.<\/p>\n\n\n\n

We can listen to the harmony (chords) and the texture. We can listen for the melody to stay more prominent than the other voices. We can listen for clarity in our musical ideas and phrasing<\/a>.<\/p>\n\n\n\n

And we can wonder at how these different levels interact. We can ask questions such as, \u201cHow does the tone change when I let my muscles stay relaxed?\u201d and “What does it feel like in my body when I play with more contrast in dynamics (volume)?<\/p>\n\n\n\n

When we ask deeper questions<\/a>, each piece becomes a much more lively adventure. We no longer need to start a new piece to add variety. Instead, we generate variety.<\/p>\n\n\n\n

In this inquiry, we develop better technique. We learn to use our bodies more effectively. And this means we become more able to meet more complex musical demands.<\/p>\n\n\n\n

Practice can move beyond entertainment and amusement, and into a self-study rich with endless discovery and interest<\/a>.<\/p>\n\n\n\n

This feeds both the intellect and the spirit. Deepening into the craft of playing lets us become more connected to the music, ourselves, and our innate humanity.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy! \u201cIf something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.\u201d  John Cage Amateur musicians often seek novelty in practice. They bounce from … <\/p>\n

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