{"id":19029,"date":"2017-01-27T10:00:07","date_gmt":"2017-01-27T18:00:07","guid":{"rendered":"http:\/\/classicalguitarshed.foureyes.com\/?p=19029"},"modified":"2024-07-22T23:35:27","modified_gmt":"2024-07-23T06:35:27","slug":"cross-bar-line","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/cross-bar-line\/","title":{"rendered":"Cross the Bar Line for Better Phrasing, Better Classical Guitar Practice"},"content":{"rendered":"<p>Is your practice actually preparing you to play beautifully? Or could it be creating little problems that you don\u2019t even recognize?<\/p>\n<p>In a perfect world, every minute of practice leads us closer to playing music with precision and beauty, or builds a useable skill that helps in that endeavor.<\/p>\n<p>You\u00a0move in this direction when you cross the bar line in your music practice. \u00a0More on this below, but first&#8230;..<\/p>\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/va-1BBYSt3U?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2 id=\"howyoupracticeishowyouplay\" style=\"text-align: center;\">How You Practice is How You Play<\/h2>\n<p>If you\u2019re distracted, tense, and inconsistent in your practice, chances are these traits will dominate your performances as well.<\/p>\n<p>Likewise, if you you\u2019re focused and intentional in your practice, you\u2019ll bring these qualities to your playing for others.<\/p>\n<blockquote><p>\u201cHow you practice is how you play.\u201d<\/p><\/blockquote>\n<p>When, in daily practice, you focus on the details of connecting one to another, phrasing with intention and forethought, and playing with rhythmic accuracy, these habits of focus become your \u201c<a href=\"https:\/\/www.classicalguitarshed.com\/musical-tension\/\" target=\"_blank\" rel=\"noopener noreferrer\">autopilot<\/a>\u201d. After the initial adrenaline spike, you\u2019ll naturally gravitate to focusing on these in performance.<\/p>\n<p>This means that if you want to play musically, practice musically. If you want to play with precision, practice with precision.<\/p>\n<h2 id=\"practiceaspreparationforperformance\" style=\"text-align: center;\">Practice as Preparation for Performance<\/h2>\n<p>Instead of mentally separating practice and performance, think of them as two sides of the same coin.<\/p>\n<p>Even if your performance is only for your cat, or your family, it\u2019s still valid, and the rules still apply. One of the great joys of playing guitar is sharing a tune with someone. It\u2019s an honest gift, and a personal offering.<\/p>\n<p><a href=\"https:\/\/www.classicalguitarshed.com\/polish-performance-level\/\" target=\"_blank\" rel=\"noopener noreferrer\">Performance<\/a> is also the best test of our abilities. It \u201cups the ante\u201d, and adds pressure. Just as martial artists spar to test their skills, we can perform.<\/p>\n<p>Ideally, all practice moves us towards better performance. We don\u2019t play scales only because they\u2019re fun, but because scale practice allows us to train the vital elements of playing with flow and grace.<\/p>\n<p>Such is true with each element of practice. It all serves the one main goal: to share a beautiful musical moment with someone. (Even if we envision that moment far in the future, or never.)<\/p>\n<p>Keep performance as the goal, and you keep practice useful and intentional.<\/p>\n<h2 id=\"alwaysmoving:thenaturalinclinationsofmusic\" style=\"text-align: center;\">Always Moving: The Natural Inclinations of Music<\/h2>\n<p>To play beautifully, we need the physical skills to execute the music, and the musical understanding to render it beautifully.<\/p>\n<p>Just as it\u2019s nearly impossible to read aloud convincingly in a language we don\u2019t understand, music doesn\u2019t flow as it could unless we understand how it moves.<\/p>\n<p>The natural inclination of music is to move forward. Like a good story, it draws us in and keeps us interested. It unfolds while simultaneously exposing the next mystery. Music shows us what\u2019s in one hand while pointing forward with the other. Some call this \u201c<a href=\"https:\/\/www.classicalguitarshed.com\/longline\">the long line<\/a>\u201d.<\/p>\n<p>One of our jobs as players is to demonstrate the music to listeners. The music can\u2019t speak without the player actively breathing life into it. The most interesting music in the world will come out bland if played blandly (even if every note is played \u201cperfectly\u201d).<\/p>\n<p>So the question is: How do we move music forward? The answer: intentionally. We train ourselves to <a href=\"https:\/\/www.classicalguitarshed.com\/four-measure-phrase-formula\/\" target=\"_blank\" rel=\"noopener noreferrer\">hear and play music in phrases and lines<\/a>. And we stop practicing in ways that break the natural flow of the musical line.<\/p>\n<p>One of the easiest ways to begin this \u201cmusical practice\u201d is to cross the bar line.<\/p>\n<h2 id=\"barlinesareun-musical\" style=\"text-align: center;\">Barlines are Un-Musical<\/h2>\n<p>Bar lines (or measure lines) organize music on the page, but are inherently un-musical when heard. Just as the line-break in a paragraph of text organizes the words on a page (creating tidy margins), bar lines keep the music tidy on the page. And most of time, sound just as unnatural when used as a stopping place.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-19106 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/bar-line-example2.jpg\" alt=\"bar lines sound unmusical\" width=\"400\" height=\"150\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/bar-line-example2.jpg 400w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/bar-line-example2-300x113.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>Generally, all the notes after the first note of a measure lead to the first note of the next measure. This moves music forward.<\/p>\n<blockquote><p>Most often, all the notes after the first note of a measure lead to the first note of the next measure. \u00a0So practice that way.<\/p><\/blockquote>\n<h6 style=\"text-align: center;\"><a href=\"https:\/\/www.classicalguitarshed.com\/strong-weak-beats-music-guitar\/\">Related: Strong Beats and Weak Beats in Music<\/a><\/h6>\n<h2 id=\"crossthebarlineinyourpractice\" style=\"text-align: center;\">Cross the Bar Line in Your Practice<\/h2>\n<p>If you want to play musically, with direction, momentum, and flow, start today to form the habit of always crossing the bar line in your practice.<\/p>\n<div id=\"attachment_19108\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-19108\" class=\"wp-image-19108 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/bar-line-examples.jpg\" alt=\"Groups of notes tend to phrase to the first note in the next bar.\" width=\"600\" height=\"225\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/bar-line-examples.jpg 600w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/bar-line-examples-300x113.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><p id=\"caption-attachment-19108\" class=\"wp-caption-text\">Groups of notes tend to phrase to the first note in the next bar.<\/p><\/div>\n<p>Think of each bar as a \u201cbar plus one beat\u201d.<\/p>\n<p>Listen for logical phrases in your music, and practice them. This makes your practice more enjoyable, and your <a href=\"https:\/\/www.classicalguitarshed.com\/musical-expression-guitar-phrasing\/\" target=\"_blank\" rel=\"noopener noreferrer\">phrasing<\/a> more convincing.<\/p>\n<h3 id=\"theendofthelineisnoexception\">The End of the Line is No Exception<\/h3>\n<p>One common tendency is to stop at the line break. While understandable, the line break is not chosen for any musical reason. Just as the line break on a page of text has nothing to do with the sentence, the line break in music has nothing to do with the music.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-19107 size-full\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/bar-line-example3.jpg\" alt=\"In music, don't stop at the end of a line.\" width=\"600\" height=\"225\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/bar-line-example3.jpg 600w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/bar-line-example3-300x113.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>Form the habit of always going to the next downbeat, even if it means going to the next line, or the next page. Your music will make better sense this way, which is more enjoyable to practice and hear.<\/p>\n<h2 id=\"exceptionstotherule\" style=\"text-align: center;\">Exceptions to the Rule<\/h2>\n<p>As with any rule, there are notable exceptions. There are places in music where the bar line does mark a full stop.<\/p>\n<p>Examples include the ends of sections, the high point (climax) of a piece, and other special occasions. They are most often marked with a long note.<\/p>\n<p>These exceptions form a small percentage of the measures in most pieces.<\/p>\n<p>Another instance where you would use \u201cun-natural\u201d stopping places would be if you were intentionally solving technical problems using practice techniques that divided a larger section into smaller ones (such as <a href=\"https:\/\/www.classicalguitarshed.com\/classical-guitar-speed-bursts\/\" target=\"_blank\" rel=\"noopener noreferrer\">speed bursts<\/a>).<\/p>\n<h2 id=\"review\" style=\"text-align: center;\">Review<\/h2>\n<p>&#8212; How you practice is how you play. Make your practice as useful to the ultimate goal of performance as possible.<\/p>\n<p>&#8212; Music needs to constantly move forward. Every little stopping point undermines this and sucks energy out of your playing.<\/p>\n<p>&#8212; Barlines are unnatural stopping points, and should be seen, not heard.<\/p>\n<p>&#8212; Form the habit of crossing the bar line and playing through the downbeat (first beat) of the next bar.<\/p>\n<h6 style=\"text-align: center;\"><a href=\"https:\/\/www.classicalguitarshed.com\/strong-weak-beats-music-guitar\/\">Related: Strong Beats and Weak Beats in Music<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Is your practice actually preparing you to play beautifully? Or could it be creating little problems that you don\u2019t even recognize? In a perfect world, every minute of practice leads us closer to playing music with precision and beauty, or builds a useable skill that helps in that endeavor. You\u00a0move in this direction when you cross the bar line in &#8230; <\/p>\n<div><a href=\"https:\/\/classicalguitarshed.com\/cross-bar-line\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":19109,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,434,3,20],"tags":[347,341,369,349],"class_list":["post-19029","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-main-content-parent","category-phrasing","category-practicing","tag-learning-pieces","tag-phrasing-techniques","tag-practice-methods","tag-theory"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cross the Bar Line for Beautiful Playing and Better Practice<\/title>\n<meta name=\"description\" content=\"Pro Tip: practice playing one note past the bar line to instantly play more musically, enjoy your practice more, and spice up your classical guitar music.\" \/>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cross the Bar Line for Better Phrasing, Better Classical Guitar Practice\" \/>\n<meta property=\"og:description\" content=\"Pro Tip: practice playing one note past the bar line to instantly play more musically, enjoy your practice more, and spice up your classical guitar music.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/classicalguitarshed.com\/cross-bar-line\/\" \/>\n<meta property=\"og:site_name\" content=\"Classical Guitar Shed\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ClassicalGuitarShed\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-01-27T18:00:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-07-23T06:35:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/cross-bar-line-thumbnail.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"320\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Allen\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@CLguitarshed\" \/>\n<meta name=\"twitter:site\" content=\"@CLguitarshed\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Allen\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Cross the Bar Line for Beautiful Playing and Better Practice","description":"Pro Tip: practice playing one note past the bar line to instantly play more musically, enjoy your practice more, and spice up your classical guitar music.","robots":{"index":"noindex","follow":"follow"},"og_locale":"en_US","og_type":"article","og_title":"Cross the Bar Line for Better Phrasing, Better Classical Guitar Practice","og_description":"Pro Tip: practice playing one note past the bar line to instantly play more musically, enjoy your practice more, and spice up your classical guitar music.","og_url":"https:\/\/classicalguitarshed.com\/cross-bar-line\/","og_site_name":"Classical Guitar Shed","article_publisher":"https:\/\/www.facebook.com\/ClassicalGuitarShed\/","article_published_time":"2017-01-27T18:00:07+00:00","article_modified_time":"2024-07-23T06:35:27+00:00","og_image":[{"width":640,"height":320,"url":"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/cross-bar-line-thumbnail.jpg","type":"image\/jpeg"}],"author":"Allen","twitter_card":"summary_large_image","twitter_creator":"@CLguitarshed","twitter_site":"@CLguitarshed","twitter_misc":{"Written by":"Allen","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/classicalguitarshed.com\/cross-bar-line\/#article","isPartOf":{"@id":"https:\/\/classicalguitarshed.com\/cross-bar-line\/"},"author":{"name":"Allen","@id":"https:\/\/classicalguitarshed.com\/#\/schema\/person\/85d09303adb38d43cdedd2033f6b016e"},"headline":"Cross the Bar Line for Better Phrasing, Better Classical Guitar Practice","datePublished":"2017-01-27T18:00:07+00:00","dateModified":"2024-07-23T06:35:27+00:00","mainEntityOfPage":{"@id":"https:\/\/classicalguitarshed.com\/cross-bar-line\/"},"wordCount":1068,"publisher":{"@id":"https:\/\/classicalguitarshed.com\/#organization"},"image":{"@id":"https:\/\/classicalguitarshed.com\/cross-bar-line\/#primaryimage"},"thumbnailUrl":"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/cross-bar-line-thumbnail.jpg","keywords":["learning pieces","phrasing techniques","practice methods","theory"],"articleSection":["Articles","Main Content Parent","Making It Beautiful","On Practicing"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/classicalguitarshed.com\/cross-bar-line\/","url":"https:\/\/classicalguitarshed.com\/cross-bar-line\/","name":"Cross the Bar Line for Beautiful Playing and Better Practice","isPartOf":{"@id":"https:\/\/classicalguitarshed.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/classicalguitarshed.com\/cross-bar-line\/#primaryimage"},"image":{"@id":"https:\/\/classicalguitarshed.com\/cross-bar-line\/#primaryimage"},"thumbnailUrl":"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/cross-bar-line-thumbnail.jpg","datePublished":"2017-01-27T18:00:07+00:00","dateModified":"2024-07-23T06:35:27+00:00","description":"Pro Tip: practice playing one note past the bar line to instantly play more musically, enjoy your practice more, and spice up your classical guitar music.","breadcrumb":{"@id":"https:\/\/classicalguitarshed.com\/cross-bar-line\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/classicalguitarshed.com\/cross-bar-line\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/classicalguitarshed.com\/cross-bar-line\/#primaryimage","url":"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/cross-bar-line-thumbnail.jpg","contentUrl":"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2017\/01\/cross-bar-line-thumbnail.jpg","width":640,"height":320,"caption":"cross the bar line for classical guitar phrasing"},{"@type":"BreadcrumbList","@id":"https:\/\/classicalguitarshed.com\/cross-bar-line\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/classicalguitarshed.com\/"},{"@type":"ListItem","position":2,"name":"Cross the Bar Line for Better Phrasing, Better Classical Guitar Practice"}]},{"@type":"WebSite","@id":"https:\/\/classicalguitarshed.com\/#website","url":"https:\/\/classicalguitarshed.com\/","name":"Classical Guitar Shed","description":"Learn Classical Guitar Online with No Guesswork","publisher":{"@id":"https:\/\/classicalguitarshed.com\/#organization"},"alternateName":"ClassicalGuitarShed","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/classicalguitarshed.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/classicalguitarshed.com\/#organization","name":"Classical Guitar Shed","url":"https:\/\/classicalguitarshed.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/classicalguitarshed.com\/#\/schema\/logo\/image\/","url":"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/04\/CGS-logo-black-400.png","contentUrl":"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2018\/04\/CGS-logo-black-400.png","width":400,"height":192,"caption":"Classical Guitar Shed"},"image":{"@id":"https:\/\/classicalguitarshed.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/ClassicalGuitarShed\/","https:\/\/x.com\/CLguitarshed","https:\/\/www.instagram.com\/classicalguitarshed\/","https:\/\/www.pinterest.com\/classicalguitarshed\/","https:\/\/www.youtube.com\/user\/ClassicalGuitarShed"]},{"@type":"Person","@id":"https:\/\/classicalguitarshed.com\/#\/schema\/person\/85d09303adb38d43cdedd2033f6b016e","name":"Allen","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/classicalguitarshed.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/fd2cda6ac2676c1fa6a476f9338cd2d0c15e585829ea7de118320c6c9a977400?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fd2cda6ac2676c1fa6a476f9338cd2d0c15e585829ea7de118320c6c9a977400?s=96&d=mm&r=g","caption":"Allen"},"sameAs":["https:\/\/classicalguitarshed.com","https:\/\/x.com\/CLguitarshed"]}]}},"_links":{"self":[{"href":"https:\/\/classicalguitarshed.com\/wp-json\/wp\/v2\/posts\/19029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarshed.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarshed.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarshed.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarshed.com\/wp-json\/wp\/v2\/comments?post=19029"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarshed.com\/wp-json\/wp\/v2\/posts\/19029\/revisions"}],"predecessor-version":[{"id":208797,"href":"https:\/\/classicalguitarshed.com\/wp-json\/wp\/v2\/posts\/19029\/revisions\/208797"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarshed.com\/wp-json\/wp\/v2\/media\/19109"}],"wp:attachment":[{"href":"https:\/\/classicalguitarshed.com\/wp-json\/wp\/v2\/media?parent=19029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarshed.com\/wp-json\/wp\/v2\/categories?post=19029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarshed.com\/wp-json\/wp\/v2\/tags?post=19029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}