Or easiest of all, we could search for videos on YouTube.<\/p>\r\n
\r\n\r\n<\/p>\r\n
But which of these is the best way to teach ourselves how to play?<\/p>\r\n
\r\n\r\n<\/p>\r\n
This article explores how:<\/strong><\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n To start with, let’s imagine the ideal scenario.<\/p>\r\n \r\n\r\n<\/p>\r\n In a perfect world, we would have some great learning tools at our disposal.<\/p>\r\n \r\n\r\n<\/p>\r\n We would find an excellent teacher for classical guitar lessons. This could be through a music school, Skype, FaceTime, Google chat or some other WebCam service. We could ask questions as they arise, and get an immediate answer.<\/p>\r\n \r\n\r\n<\/p>\r\n Or we could work with a service that provides video reviews<\/a>.\u00a0 We’d send in a short video. A teacher would then send one back with feedback on our playing. They would check our sitting position, hand position, and technique. (These are things that, as a beginner, we don’t necessarily know we don’t know!)<\/p>\r\n \r\n\r\n<\/p>\r\n Having another set of eyes and ears on what we are doing is nice. It takes such focus to learn to play the guitar, we often miss something.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n <\/div>\r\n\r\n<\/p>\r\n This is why the highest-level performers in any sphere work with coaches and\/or peers. They seek out objective feedback.<\/p>\r\n \r\n\r\n<\/p>\r\n In a perfect world, we would work with a teacher or coach in every single practice<\/strong>. We would imitate their movements and learn by “mirroring” elite playing techniques.<\/p>\r\n \r\n\r\n<\/p>\r\n In our ideal world, we would work on music that we love and that excites us. This is motivating and makes everything more fun.<\/p>\r\n \r\n\r\n<\/p>\r\n We would know how to practice.\u00a0 We’d understand how to be efficient with our time<\/a>, and how to focus.\u00a0 We would structure our sessions so that we develop many skills incrementally<\/a>. We would work in different ways on different activities each day. (To learn more about the basic ingredients of great practice, go here<\/a>).<\/p>\r\n \r\n\r\n<\/p>\r\n But life’s not like that.<\/em><\/strong><\/p>\r\n \r\n\r\n<\/p>\r\n Most of us, for one reason or another, are not in the perfect ideal situation.<\/p>\r\n \r\n\r\n<\/p>\r\n Many of us have to compromise.<\/p>\r\n \r\n\r\n<\/p>\r\n So how do we compensate for these non-perfect scenarios? How can we still have a rich and rewarding experience?<\/p>\r\n \r\n\r\n<\/p>\r\n Can we teach ourselves, when many agree that classical guitar is difficult to play?<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n Learning classical guitar can present a unique set of challenges. But we can teach ourselves with dedication and the right approach.<\/p>\r\n \r\n\r\n<\/p>\r\n Here are some factors that differentiate playing classical guitar from rock or acoustic styles.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n If we want to teach ourselves, we need to focus on consistent, regular practice<\/a>, and perseverance. And we need to value gradual progression.<\/p>\r\n \r\n\r\n<\/p>\r\n So let’s examine the ways we can do this.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n If we don’t have a top-notch teacher<\/a>, we might choose a repertoire that doesn’t suit our ability.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n This is easy to mess up when we teach ourselves. We may not have a clear perspective on our present level. We may not be able to judge the difficulty of pieces.<\/p>\r\n \r\n\r\n<\/p>\r\n There are ways to address this problem once we are aware of it.<\/p>\r\n \r\n\r\n<\/p>\r\n We can use a method book, an online course, or join an\u00a0online guitar program<\/a>. This will help us with music theory and notation. And it will also direct us through a predefined classical guitar course. More on this later.<\/p>\r\n \r\n\r\n<\/p>\r\n If you are keen to choose your own repertoire instead, then the recommendation is simple. Choose<\/strong> something you love, get hold of the sheet music, and dive into it headfirst<\/strong>.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n Of course, you could make decisions that an experienced teacher would disagree with.\u00a0 But, hey, no one gets hurt. (Conversely, learning advanced surgical techniques this way could be bad.)<\/p>\r\n \r\n\r\n<\/p>\r\n I am a fan of the RCM Bridges Repertoire Series<\/a>. They have compiled some rewarding pieces, graded by level of difficulty. You can also listen to tunes from the first couple of books: Download Bridges mp3s\u00a0<\/a><\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n There’s so much free sheet music on the internet. It’s tempting to download anything and everything you can get your hands on.<\/p>\r\n \r\n\r\n<\/p>\r\n But not all editions are created equal.<\/p>\r\n \r\n\r\n\r\n\r\n<\/p>\r\n The website IMSLP<\/a> is a treasure trove of classical-style guitar music. But a facsimile of a study by Sor for instance, is not the easiest to read. We can run the risk of becoming demotivated.<\/p>\r\n \r\n\r\n<\/p>\r\n Instead, find pieces that are categorized according to skill levels. And if you prefer, find ones that offer TAB as well.<\/p>\r\n \r\n\r\n<\/p>\r\n Make sure that the pieces you are downloading are:<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n The ClassicalGuitarShed.com library is an excellent place to start. We have over 1000 pieces of free guitar sheet music<\/a> with TABs you can download and play.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n There are many fine method books and tutorial DVDs out there. We won’t get feedback, as we would from a taught lesson. But they are certainly better than nothing.<\/p>\r\n \r\n\r\n<\/p>\r\n They can also provide great background education. They will expose us to methods of classical guitar technique<\/a>. They will introduce repertoire. And they will offer tips and ways of working that you might not have considered.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n There are many books dedicated to learning classical guitar.<\/p>\r\n \r\n\r\n<\/p>\r\n Many of the 19th-century players wrote their own methods. And many have been written since the Bream and Williams heyday of the 1960s and ’70s.<\/p>\r\n \r\n\r\n<\/p>\r\n Some potentials\u00a0for your library are:<\/strong><\/p>\r\n \r\n\r\n<\/p>\r\n Solo Guitar Playing<\/strong><\/a> (Frederick Noad)<\/p>\r\n \r\n\r\n<\/p>\r\n Takes you from the beginning, step by step, with teacher accompaniments.<\/p>\r\n \r\n\r\n<\/p>\r\n <\/p>\r\n Classical Guitar Technique<\/strong><\/a> (Aaron Shearer)<\/p>\r\n \r\n\r\n<\/p>\r\n <\/p>\r\n Julio Sagreras\u2019 Guitar Lessons<\/strong><\/a><\/p>\r\n \r\n\r\n<\/p>\r\n <\/p>\r\n The Christopher Parkening Guitar Method<\/strong><\/a><\/p>\r\n \r\n\r\n<\/p>\r\n <\/p>\r\n Pumping Nylon<\/strong><\/a>(Scott Tennant)<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n Not a beginner’s method book, but a great reference (especially the chapter on nails).<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n There are tons more, but these are a few common ones.<\/p>\r\n \r\n\r\n<\/p>\n Free Ebook: Learn Any Piece in 7 Easy Steps<\/a><\/span>\n \n\r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n These are more general books on music and how to practice effectively. They are not specifically guitar methods. But they are great for any musician:<\/p>\r\n \r\n\r\n<\/p>\r\n The Musicians Way<\/strong><\/a> (Gerald Klickstein) – If you can only have one, this one\u2019s pretty good.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n <\/p>\r\n The Practice Revolution<\/strong><\/a> – (Philip Johnston) – How students practice: What works and what doesn’t.<\/p>\r\n \r\n\r\n<\/p>\r\n <\/p>\r\n Zen Guitar<\/strong><\/a> (Philip Toshio Sudo) – The name says it all.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n <\/p>\r\n The Art of Practicing<\/strong> <\/a>(Madeline Bruser) – On playing from the heart. A lovely book with a 10-step approach to daily practice.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n <\/p>\r\n The High-Performance Mind<\/strong><\/a> (Anna Wise) – On optimizing performance using brainwave frequencies. I find this kind of work incredibly helpful for focusing and performing. Not music-based.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n <\/p>\r\n The Inner Game of Music<\/strong><\/a> (Barry Green) – On getting past our silly minds and just making great music.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n <\/p>\r\n Daily Rituals: How Artists Work<\/a><\/strong> (Mason Curry) – A fun read. Look into the lives of history’s great artists, writers, musicians, and thinkers.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\n Practical Practice: The 7-Step Method<\/a><\/span>\n \n\r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n There is some fine teaching available on DVDs. Depending on your level and your specific needs, these could be more or less useful at any given time.<\/p>\r\n \r\n\r\n<\/p>\r\n I have not worked extensively with DVDs, and my knowledge of them is limited. But I can enthusiastically recommend William Kanengiser\u2019s<\/a>\u00a0“Effortless Classical Guitar”. It’s suitable for guitarists of any level as an educational resource.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n The beauty of books and DVDs is that you can check them out from your local library, so cost is not an issue. They often have sheet music, CDs and vinyl too.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n Getting well-acquainted with your local library resources is time well spent. They can usually order anything they haven’t got in stock.<\/p>\r\n \r\n\r\n<\/p>\r\n You can also use your library to preview different resources. Then you can buy the ones that you connect with the most.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n (—>>>If you are out to teach yourself classical guitar, this is the most important section<\/strong> of this whole article. Do this, and you will move forward in your playing. Seriously.)<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n Even if you have no teacher or resources, you can video or audio record yourself. Record a session playing guitar and review it.<\/p>\r\n \r\n\r\n<\/p>\r\n This will give you some structure to your classical guitar practice. It provides noticeable results.<\/p>\r\n \r\n\r\n<\/p>\r\n Even if you do live in a fairy-tale world and have it all, this is still great practice.<\/p>\r\n \r\n\r\n<\/p>\r\n And it’s not just for the beginner. Many high-level performers use this as the main form of preparation for performances.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n 1) At the end of each practice, <\/strong>record yourself<\/strong><\/a> (either audio or video)<\/strong>.<\/p>\r\n \r\n\r\n<\/p>\r\n Use your phone, or any recorder you have. \u00a0Quality is not imperative.<\/p>\r\n \r\n\r\n<\/p>\r\n You can record snippets of pieces you are working on, or the the whole lot. If you are playing guitar exercises, scales, chords or arpeggios<\/a>, you can record those as well.<\/p>\r\n \r\n\r\n<\/p>\r\n Give yourself just a single pass or two at anything that you are recording. Play as well as you can, but the point is not studio-quality recordings that you will share with the world. Only you will hear them, so they don’t need to be precious.<\/p>\r\n \r\n\r\n<\/p>\r\n 2) At the start of each practice, listen to your previous day’s recording.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n Find something specific<\/strong> that you could improve on. This could be:<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n 3) Spend your practice time working to improve those specific points<\/strong>.<\/p>\r\n \r\n\r\n<\/p>\r\n Work on them in any way that you can. Be creative in your practice<\/a> and try to find new ways to approach your work.<\/p>\r\n \r\n\r\n<\/p>\r\n Stay focused on the specific areas for improvement that you chose for that one practice.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n This simple exercise will provide a basic structure for your practice<\/a>. It will give you concrete goals. You may be amazed at how effective this technique is.<\/p>\r\n \r\n\r\n<\/p>\r\n When starting a new piece, try these free classical guitar lessons<\/a>. They offer steps on how to learn guitar music.<\/p>\r\n \r\n\r\n<\/p>\r\n (Note: If you’re insecure about hearing yourself, (please forgive me but) get over it. Do it anyway. It will get easier with time, guaranteed. (More on perfectionism later).<\/p>\r\n \r\n\r\n<\/p>\r\n The point of listening isn\u2019t to judge. (“I’m terrible!” is not constructive.) The point is to simply identify some small, specific improvements that you can work on. Ask great questions<\/a>, and you will find worlds upon worlds to explore.<\/p>\r\n \r\n\r\n<\/p>\n Free Ebook: Learn Any Piece in 7 Easy Steps<\/a><\/span>\n \n\r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n In this method, you are becoming your own teacher. You are letting your ears determine what can be improved on. You can then spend your time working to improve those things.<\/p>\r\n \r\n\r\n<\/p>\r\n Of course, you may still be using terrible guitar technique. You may be making terrible musical choices. You may be doing everything wrong and not know it.\u00a0 This is almost guaranteed.<\/p>\r\n \r\n\r\n<\/p>\r\n That’s perfectly fine. We’ve already established that this is not the ideal situation. Ideally, you wouldn\u2019t be teaching yourself classical guitar in the first place. \u00a0You’d get help.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n Let’s say you want to learn how to become a gourmet cook, but you have no resources.<\/p>\r\n \r\n\r\n<\/p>\r\n There is no harm in simply going to the kitchen and experimenting.<\/p>\r\n \r\n\r\n<\/p>\r\n Sure, you may not be paving the way to get your own show on the food network. But you are enjoying yourself, trying new things and making progress. So who cares?<\/p>\r\n \r\n\r\n<\/p>\r\n Back to classical guitars. As time goes on, and you continue to follow this routine, your learning will unfold like the layers of an onion. \u00a0As you learn to listen more closely, you will hear new things to work on in your classical guitar pieces.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n Teaching yourself is not ideal. You are highly likely to ingrain all sorts of bad habits. It’s just the nature of the game.<\/p>\r\n \r\n\r\n<\/p>\r\n Your situation might change. You might get to work with a great teacher or gain access to better resources. And then you’re bound to find all sorts of things that you will have to relearn.<\/p>\r\n \r\n\r\n<\/p>\r\n That’s perfectly alright. If this happens, you can then embrace the new challenges as they come. Chances are, you will have also built many strengths during this time as well. You can grow from those successes, and further refine your skills over time.<\/p>\r\n \r\n\r\n<\/p>\r\n As Jake the Dog said, \u201cDude, suckin\u2019 at something is the first step to being sorta good at something.<\/em>\u201d (“Adventure Time.”) And it’s true.<\/p>\r\n \r\n\r\n<\/p>\r\n Struggle is the evidence of progress. The rewards of becoming great at something far outweigh the short-term discomfort.<\/p>\r\n \r\n\r\n<\/p>\n <\/p>\n Get Started with the 7-Step Practice Method<\/a><\/span>\n <\/p>\n \n\r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n The moral of the story here is to not be defined by your limitations but to work with what you have. Embrace the opportunity to spend time with the instrument. Focus on solving small problems.<\/p>\r\n \r\n\r\n<\/p>\r\n We can make it our goal to become more aware of the details and to put our attention and energy into them<\/a>.<\/p>\r\n \r\n\r\n<\/p>\r\n Then we will find we:<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n As classical guitarists, we are oftentimes very detail-oriented people. Or we enjoy the process of building something intricate and beautiful.<\/p>\r\n \r\n\r\n<\/p>\r\n It’s very easy to want everything to be perfect. But even in the most ideal circumstances, this probably isn’t going to happen.<\/p>\r\n \r\n\r\n<\/p>\r\n Let’s not let lack of perfection paralyze or discourage us. Instead, we can accept and embrace the imperfections.<\/p>\r\n \r\n\r\n<\/p>\r\n By releasing the need to be perfect, we can enjoy the learning process. We can simply work on small details much more.<\/p>\r\n \r\n\r\n<\/p>\r\n “Balance on the razor’s edge between striving for perfection and releasing the need for it.”<\/p>\r\n \r\n\r\n<\/p>\r\n If we can:<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n then we can allow ourselves to be present. We can show up to the small specific challenges we have set for ourselves for that one practice session.<\/p>\r\n \r\n\r\n<\/p>\r\n We can try to balance on the razor’s edge between striving for perfection and releasing the need for it. (As a recovering perfectionist, I know as well as any that this isn\u2019t always easy!)<\/p>\r\n \r\n\r\n<\/p>\r\n Living and working within this balance is the path to learning guitar. We can brush off external situations and circumstances.<\/p>\r\n \r\n\r\n<\/p>\r\n \r\n\r\n<\/p>\r\n If you teach yourself guitar, you will no doubt make mistakes and face blind alleys. If you want to skip these, consider joining The Woodshed\u00ae Classical Guitar Program.<\/p>\r\n \r\n\r\n<\/p>\r\n You’ll get step-by-step instruction in all the major areas of learning guitar.\u00a0 You’ll work at your own pace on your own schedule.\u00a0 There are practice-along videos at each step. So it’s the closest thing to working with a live instructor.<\/p>\r\n \r\n\r\n<\/p>\r\n You also get unlimited video reviews, so you always know you’re on the right track.\u00a0 You can even schedule short 1-on-1 Zoom calls to speak with a guitar teacher<\/a>.<\/p>\r\n \r\n\r\n<\/p>\r\n The program is designed to build a solid foundation on which you can continue to improve on your own. For years and decades if you wish. It was made especially for you.\u00a0 It starts at the beginning, and you can move at your own speed.\u00a0 So you’re always in the driver’s seat.<\/p>\r\n \r\n\r\n<\/p>\r\n Thousands of members are seeing amazing results. And you can, too.<\/p>\r\n \r\n\r\n<\/p>\n\r\n
Table of contents<\/h2>\r\n
\r\n
\r\n
The Ideal Way to Learn Classical Guitar<\/h2>\r\n
“Ideally, we would work with a teacher in every single practice.” <\/blockquote>\r\n
![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/lessons-slideshow5-200x300-1.jpeg\")
\r\nIs it Difficult to Play Classical Guitar?<\/h2>\r\n
\r\n
\r\n
\r\n
\r\n
\r\n
How to Choose Classical Guitar Music to Play<\/h2>\r\n
![\"Regondi](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2024\/09\/Regondi-Screenshot-e1725285179777-226x300.jpg\")
<\/a><\/p>\r\nAppropriate Repertoire<\/h3>\r\n
![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/RCM-bridges-repertoire-series-222x300.jpeg\")
<\/figure>\r\nFree Sheet Music<\/h3>\r\n
\r\n
Learn Classical Guitar:\u00a0 Resources for Study<\/h2>\r\n
Books on Playing Classical Guitar<\/h3>\r\n
![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/noad-book-230x300.jpeg\")
<\/figure>\r\n![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/shearer-guitar-224x300.jpeg\")
<\/figure>\r\n![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/sagreras-books-225x300.webp\")
<\/figure>\r\n![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/parkening-method-232x300.jpeg\")
<\/figure>\r\n![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/pumping-nylon-225x300.jpeg\")
<\/figure>\r\n
The Art of Classical Guitar Playing<\/strong><\/a> (Charles Duncan)<\/p>\r\n![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/duncan-book-225x300.jpeg\")
<\/figure>\r\nOther recommended books<\/strong><\/h4>\r\n
![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/musicians-way-195x300.jpeg\")
<\/figure>\r\n![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/practice-revolution-200x300.jpeg\")
<\/figure>\r\n![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/zen-guitar-220x300.jpeg\")
<\/figure>\r\n![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/art-of-practicing-Bruser-199x300.jpeg\")
<\/figure>\r\n![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/high-performance-mind-198x300.jpeg\")
<\/figure>\r\n![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/inner-game-of-music-197x300.jpeg\")
<\/figure>\r\n![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/daily-rituals-203x300.jpeg\")
<\/figure>\r\n\u00a0<\/h3>\r\n
DVDs on Playing Classical Guitar<\/h3>\r\n
![\"Depending](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/kanengiser-effortless-guitar-212x300.jpeg\")
<\/figure>\r\nGet a Library Card<\/h3>\r\n
![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/pexels-janko-ferlic-590493-300x277.jpg\")
<\/figure>\r\n
\r\nRecord Yourself and Learn Classical Guitar More Quickly<\/h3>\r\n
![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/pexels-pavel-danilyuk-7120856-200x300.jpg\")
<\/figure>\r\nHere’s the routine:<\/strong><\/h4>\r\n
![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/pexels-dzenina-lukac-815494-300x200.jpg\")
<\/figure>\r\n\r\n
Lather, rinse, repeat.<\/em><\/strong><\/h4>\r\n
You Can Learn Classical Guitar by Yourself<\/h2>\r\n
Practice Tip #1: Embrace Blundering<\/h3>\r\n
![\"\"](\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2022\/09\/experimenting-300x200.jpg\")
<\/figure>\r\nPractice Tip #2: Accept the Future<\/h3>\r\n
Practice Tip #3: Just Go For It<\/h3>\r\n
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Practice Tip #4: Perfectionism is the Road to Nowhere<\/h3>\r\n
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Join The Woodshed\u00ae Classical Guitar Program<\/h2>\r\n