{"id":174378,"date":"2020-12-18T06:00:54","date_gmt":"2020-12-18T14:00:54","guid":{"rendered":"https:\/\/www.classicalguitarshed.com\/?p=174378"},"modified":"2024-07-22T23:55:22","modified_gmt":"2024-07-23T06:55:22","slug":"overlapping-chords","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/overlapping-chords\/","title":{"rendered":"How to Connect Guitar Chords Beautifully in Music &#8211; Overlapping Chords"},"content":{"rendered":"<p>Guitar chords are one of the things that make classical guitar so beautiful. We can play many notes together, at the same time. Very few instruments do this well. Most play only one note at a time.<\/p>\n<p>But with this benefit, we face challenges other instruments may not. One such challenge is that of connecting one chord to another.<\/p>\n<p>We may not want a space of silence between chords. So how can we connect the chords so the sound continues?<\/p>\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/DApZK6y4knw?rel=0&amp;showinfo=0&amp;autohide=1\" width=\"700\" height=\"393\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">?<\/span><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\">The Problem: Chunks vs. Lines<\/h2>\n<p>When we think of a chord, we usually think of a position on the guitar. A \u201cC\u201d chord, for example, uses three fingers in a certain pattern.<\/p>\n<p>These patterns, or chord shapes, form a chunk of information in our minds. And this is useful. It helps us to think and act more quickly.<\/p>\n<p>But it also comes with a drawback.<\/p>\n<p>While we think in \u201cchunks,\u201d music flows in \u201clines.\u201d<\/p>\n<h3>Vertical vs. Horizontal &#8211; The difference between chunks and lines<\/h3>\n<p>Music often has a melody, a bass, and accompaniment. These are called <a href=\"https:\/\/www.classicalguitarshed.com\/interpret-classic-guitar-music\/\">musical voices<\/a> or parts.<\/p>\n<p>The melody unfolds one note at a time. This is called a line of music. When we whistle a tune, we\u2019re whistling a musical line. The same holds true with lyrics. On the page, these form a horizontal line (like the words on the page)<\/p>\n<div id=\"attachment_174384\" style=\"width: 410px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-174384\" class=\"size-full wp-image-174384\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-3-lines.jpg\" alt=\"melody as a musical line\" width=\"400\" height=\"146\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-3-lines.jpg 400w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-3-lines-300x110.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-3-lines-100x37.jpg 100w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-174384\" class=\"wp-caption-text\">A line of music makes a horizontal string of notes.<\/p><\/div>\n<p>Often in classical guitar music, we find a melody note with a chord in the bass and accompaniment. Looking at the page here, we see a vertical stack of notes.<\/p>\n<div id=\"attachment_174383\" style=\"width: 410px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-174383\" class=\"size-full wp-image-174383\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-2-chunks.jpg\" alt=\"chords in music\" width=\"400\" height=\"146\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-2-chunks.jpg 400w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-2-chunks-300x110.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-2-chunks-100x37.jpg 100w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-174383\" class=\"wp-caption-text\">Chords appear as vertical stacks of notes<\/p><\/div>\n<p>The melody is still part of the melody line, but we also see a chunk chord. The melody needs to stay clear and \u201cupfront,\u201d while the other notes stay in the background. <a href=\"https:\/\/www.classicalguitarshed.com\/chord-balance\/\">This is called chord balance<\/a>.<\/p>\n<h2 style=\"text-align: center;\">Chords are Made of Notes<\/h2>\n<p>So while it\u2019s convenient to think of chords as chunks or blocks of notes, this may or may not be so in the music.<\/p>\n<p>Often in a piece of music, the <a href=\"https:\/\/www.classicalguitarshed.com\/slash-chords-inversions-guitar\/\" target=\"_blank\" rel=\"noopener\">chords contain notes that are also parts of lines<\/a>. The melody mentioned above is one example. But any note of a chord can be part of a musical line.<\/p>\n<p>So when we set out to connect our chords beautifully, it helps to know the <a href=\"https:\/\/www.classicalguitarshed.com\/music-theory-guitar\/\">context of each note within the chord<\/a>. It\u2019s not always possible to smoothly connect every note. But we can prioritize based on what we know of the larger music context (the lines).<\/p>\n<h2 style=\"text-align: center;\">To Connect Two Chords, at Least One Note Should Connect Them<\/h2>\n<p>Nuts and bolts: When we play from one chord to another, ideally at least one note should connect smoothly.<\/p>\n<p>As long as at least one note connects well to the next, the chord change will sound more smooth and more flowing.<\/p>\n<h2 style=\"text-align: center;\">How to Make Chunk Chords Into Flowing Musical Lines<\/h2>\n<p>The goal is to <a href=\"https:\/\/www.classicalguitarshed.com\/make-bar-chords\/\">play our chord shapes<\/a> one to the next and have it sound like music. This is better for the listener than having them sound like many separate chords.<\/p>\n<h3>Open strings: A gift from Heaven<\/h3>\n<p>If the two chords share a note, try not to mute it. Open strings are useful for connecting chords as well.<\/p>\n<div id=\"attachment_174386\" style=\"width: 410px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-174386\" class=\"size-full wp-image-174386\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-5-open-strings.jpg\" alt=\"open strings in chords\" width=\"400\" height=\"135\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-5-open-strings.jpg 400w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-5-open-strings-300x101.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-5-open-strings-100x34.jpg 100w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-174386\" class=\"wp-caption-text\">When we have open strings, we can let them ring as long as possible before muting them.<\/p><\/div>\n<p>If the two chords share an open string, we allow it to ring through as much as possible. This \u201chides\u201d the gaps formed between the other notes as we shift chords.<\/p>\n<h3>Common notes over-ring<\/h3>\n<p>Like the open strings, <a href=\"https:\/\/www.classicalguitarshed.com\/most-common-chord-progression\/\" target=\"_blank\" rel=\"noopener\">we sometimes have common notes between the two chords<\/a>. When we do, it\u2019s important to let them ring as much as we can.<\/p>\n<div id=\"attachment_174387\" style=\"width: 410px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-174387\" class=\"size-full wp-image-174387\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-6-G-stays.jpg\" alt=\"open string ringing\" width=\"400\" height=\"135\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-6-G-stays.jpg 400w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-6-G-stays-300x101.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-6-G-stays-100x34.jpg 100w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-174387\" class=\"wp-caption-text\">When chords share an open string, let it ring as much as possible to cover the lift and replacing of fingers.<\/p><\/div>\n<p>This means we don\u2019t lift the left-hand finger. And it means we prepare the right hand as little as possible, so we <a href=\"https:\/\/www.classicalguitarshed.com\/muting\/\">avoid muting the string<\/a>.<\/p>\n<h3>Sometimes a finger stays on the same string<\/h3>\n<p>In another scenario, a left-hand finger may go to another note on the same string. When this happens on a non-wound string, we can slide quickly with minimal lift. This can make the chord change more secure, and sound more connected.<\/p>\n<h3>Arpeggios and broken chords &#8211; connect the last note to the first<\/h3>\n<p>When we have broken chords (aka &#8220;<a href=\"https:\/\/classicalguitarshed.com\/how-to-learn-classical-guitar-arpeggios-right-hand-technique\/\">arpeggios<\/a>&#8220;), we can listen for the last note of the chord to connect well to the first note of the next chord.\u00a0 The first note is often. bass note.\u00a0 We can listen closely to these two notes and strive to connect them as much as possible.<\/p>\n<div id=\"attachment_174381\" style=\"width: 410px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-174381\" class=\"size-full wp-image-174381\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-arpeggios.jpg\" alt=\"connecting arpeggio chords\" width=\"400\" height=\"86\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-arpeggios.jpg 400w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-arpeggios-300x65.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/12\/connecting-chords-arpeggios-100x22.jpg 100w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><p id=\"caption-attachment-174381\" class=\"wp-caption-text\">Connect the last note of one chord to the first note of the next for flowing arpeggios and broken chords.<\/p><\/div>\n<p>When we connect these two notes, the music sounds more flowing and legato[tk] (smooth and connected).<\/p>\n<h2 style=\"text-align: center;\">Butt-Joints: When Nothing Above Works<\/h2>\n<p>Alas, with all our tricks, sometimes there is no easy way to connect two chords. This often happens when we <a href=\"https:\/\/www.classicalguitarshed.com\/chord-shift-formula\/\">shift to a chord<\/a> in a higher or lower position on the guitar neck.<\/p>\n<p>When this happens, we can think of it as a \u201cbutt-joint.\u201d In woodworking, a butt-joint is where two pieces of wood meet with no elegant joinery. The two pieces butt up against each other. Same with chords.<\/p>\n<p>When this is the case, we do our best to play each chord clearly, in rhythm.<\/p>\n<p>One tip for butt joints is to choose a note to listen to and connect that one note as much as possible. It could be the highest note (often the melody), the lower, or any other. We can focus on connecting the highest note of the first chord to the highest note of the second chord.<\/p>\n<p>This listening can lead us to land the second chord more securely. And the sound, volume, and chord balance of the two chords can more closely match.<\/p>\n<h3>Use Rhythm to Keep it Musical<\/h3>\n<p>When we face a technical challenge in our music, <a href=\"https:\/\/www.classicalguitarshed.com\/rubato-video\/\">it\u2019s tempting to slow down<\/a>. And if we do this enough times in practice, we begin to hear this slow-down as musically correct. Even if it\u2019s not.<\/p>\n<p>So we should always practice keeping the music in rhythm. If we do want to slow down for musical reasons we can. But it\u2019s not good practice to do so in response to technical challenges.<\/p>\n<h2 style=\"text-align: center;\">Find a Solution, and Play It Every Time<\/h2>\n<p>For any tricky chords that we work to connect, we can find a solution. A solution is a strategy or choreography that <a href=\"https:\/\/www.classicalguitarshed.com\/corrective-pauses-speed-chord-changes\/\">helps us meet the challenge<\/a>. The methods listed above are examples.<\/p>\n<p>Once we find a solution, we should aim to play that part of the music consistently with this solution. When we play it the exact same way every time, we are more likely to play without major error when it counts.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guitar chords are one of the things that make classical guitar so beautiful. We can play many notes together, at the same time. Very few instruments do this well. Most play only one note at a time. But with this benefit, we face challenges other instruments may not. One such challenge is that of connecting one chord to another. We &#8230; <\/p>\n<div><a href=\"https:\/\/classicalguitarshed.com\/overlapping-chords\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":174389,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,434,20],"tags":[148,341,302],"class_list":["post-174378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-technique","category-main-content-parent","category-practicing","tag-chords","tag-phrasing-techniques","tag-troubleshooting"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Overlapping Chords on Guitar for Smoother Chord Changes<\/title>\n<meta name=\"description\" content=\"Switch chords more smoothly and fluidly, with chord overlapping. 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