{"id":104377,"date":"2020-04-10T09:00:00","date_gmt":"2020-04-10T16:00:00","guid":{"rendered":"https:\/\/www.classicalguitarshed.com\/?p=104377"},"modified":"2022-08-02T04:07:27","modified_gmt":"2022-08-02T11:07:27","slug":"scale-fragments","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/scale-fragments\/","title":{"rendered":"Scale Fragments, for Fluid Scales and Melodic Mastery"},"content":{"rendered":"\n<p>Why do we practice scales? To get better, of course. But what does this mean? What does \u201cbetter\u201d look like?<\/p>\n\n\n\n<p>Scales are a tool with which we practicing connecting notes smoothly. We train our hands to play at a consistent volume. We work on our sound and tone quality. We practice swells and fades. We limber our fingers and improve accuracy and precision.<\/p>\n\n\n\n<p>And if scales are the tool, scale fragments can sharpen that tool.<\/p>\n\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5EGRGIW1cuk?rel=0&amp;showinfo=0&amp;autohide=1\" allowfullscreen=\"\" width=\"700\" height=\"393\" frameborder=\"0\"><\/iframe><\/p>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\" id=\"h-fluid-scales-start-with-one-note\">Fluid Scales Start with One Note<\/h2>\n\n\n\n<p>On classical guitar, scales usually use the index and middle fingers on the right hand. These alternate to play the strings. (This is aptly called &#8220;<a href=\"https:\/\/www.classicalguitarshed.com\/m-alternation\/\" target=\"_blank\" rel=\"noreferrer noopener\">I\/M alternation<\/a>&#8220;)<\/p>\n\n\n\n<p>And in the left hand, we play two or three notes per string (most often).<\/p>\n\n\n\n<p>The challenge is to <a href=\"https:\/\/www.classicalguitarshed.com\/legato-guitar-synchronize-the-hands\/\" target=\"_blank\" rel=\"noreferrer noopener\">synchronize the hands<\/a>. When done well, there is little or no gap between the notes. Just as when we sing many notes with a steady breath, the scale is fluid and connected.<\/p>\n\n\n\n<p>If we look at the smallest building block of this entire exercise, we find one note. First, we have to play just one note well.<\/p>\n\n\n\n<p>To play a note well means we use an intentional hand position, form, and <a href=\"https:\/\/www.classicalguitarshed.com\/double-movement-play-prepare\/\" target=\"_blank\" rel=\"noreferrer noopener\">movement<\/a>. We play at a chosen volume and with a chosen tone quality.<\/p>\n\n\n\n<p>Then, when we can, we play two notes, and the game begins\u2026<\/p>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\" id=\"h-scale-building-blocks-two-note-pairs-on-one-string\">Scale Building Blocks: Two-Note Pairs on One String<\/h2>\n\n\n\n<p>Question: What\u2019s the recipe for beautiful flowing melodies?<\/p>\n\n\n\n<p>Answer: Our ability to connect one note to another on the same string.<\/p>\n\n\n\n<p>And how can we train this ability? Well, we can work on just this core element. Instead of a full <a href=\"https:\/\/www.classicalguitarshed.com\/scales\/\" target=\"_blank\" rel=\"noreferrer noopener\">scale pattern<\/a>, we can practice just two notes.<\/p>\n\n\n\n<p>We can focus all our attention on just two notes on one string. This isolates a core element of all melodies and scales.<\/p>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\" id=\"h-add-one-more-then-another\">Add One More, Then Another<\/h2>\n\n\n\n<p>Once we can play two notes well, we can add one more. This may include a <a href=\"https:\/\/www.classicalguitarshed.com\/m-string-crossing\/\" target=\"_blank\" rel=\"noreferrer noopener\">string crossing<\/a>. If so, we have a new challenge. And another building block.<\/p>\n\n\n\n<p>Mastering this, we add another note. And another. We may use speed bursts. Or we may keep it slow.<\/p>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\" id=\"h-mind-the-fundamentals\">Mind the Fundamentals<\/h2>\n\n\n\n<p>Throughout this process the main goal is to mind the fundamentals.<\/p>\n\n\n\n<p>Everything we want to ultimately embody in our music, we practice here. This is the time and place to \u201csharpen the saw\u201d and set the standard. As we improve here, our overall level rises.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-technique\">Technique<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>I\/M alternation in the right hand.<\/li><li>A nice \u201cC\u201d shape in the left hand.<\/li><li>Upright <a href=\"https:\/\/www.classicalguitarshed.com\/how-to-hold-a-guitar\/\" target=\"_blank\" rel=\"noreferrer noopener\">sitting position<\/a>.<\/li><\/ul>\n\n\n\n<p>We can put every aspect of our playing under the microscope and make it intentional.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-tone\">Tone<\/h3>\n\n\n\n<p>We can listen for consistent and beautiful <a href=\"https:\/\/www.classicalguitarshed.com\/classical-guitar-tone\/\" target=\"_blank\" rel=\"noreferrer noopener\">tone quality<\/a>. We can feel our fingers moving through the strings. We can notice how small shifts in position or speed affect the sound of each note.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-rhythm\">Rhythm<\/h3>\n\n\n\n<p>We can play with exacting <a href=\"https:\/\/www.classicalguitarshed.com\/metronome\/\" target=\"_blank\" rel=\"noreferrer noopener\">rhythm<\/a>. We can train ourselves to listen at higher and higher levels. We can raise the standard and ingrain rhythmic clarity and precision.<\/p>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\" id=\"h-daily-practice-yields-compounded-interest\">Daily Practice Yields Compounded Interest<\/h2>\n\n\n\n<p>In any one day, we may or may not notice any difference. But as we focus on quality and consistency, we do <a href=\"https:\/\/www.classicalguitarshed.com\/one-percent-improvements\/\" target=\"_blank\" rel=\"noreferrer noopener\">improve over time<\/a>.<\/p>\n\n\n\n<p>Described here is work at the micro-level, at the level of one note and one movement. Working this way, the macro takes care of itself. We raise the quality here, and we raise it everywhere.<\/p>\n\n\n\n<p>The main ingredients are attention and time. A <a href=\"https:\/\/www.classicalguitarshed.com\/short-guitar-practices\/\" target=\"_blank\" rel=\"noreferrer noopener\">few minutes<\/a> mixing these with scale fragments, and we sound better and better.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Why do we practice scales? To get better, of course. But what does this mean? What does \u201cbetter\u201d look like? Scales are a tool with which we practicing connecting notes smoothly. We train our hands to play at a consistent volume. We work on our sound and tone quality. We practice swells and fades. We limber our fingers and improve &#8230; <\/p>\n<div><a href=\"https:\/\/classicalguitarshed.com\/scale-fragments\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":199903,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21,434],"tags":[345,359,135,365,375],"class_list":["post-104377","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-technique","category-main-content-parent","tag-exercises","tag-right-hand-technique","tag-scales","tag-speed","tag-tone"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Improve Your Playing at Any Level With Scale Fragments<\/title>\n<meta name=\"description\" content=\"Scale fragments help you speed up and smooth out your classical guitar playing. 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