{"id":102839,"date":"2020-04-03T06:00:00","date_gmt":"2020-04-03T13:00:00","guid":{"rendered":"https:\/\/www.classicalguitarshed.com\/?p=102839"},"modified":"2024-07-03T03:29:30","modified_gmt":"2024-07-03T10:29:30","slug":"polyrhythms","status":"publish","type":"post","link":"https:\/\/classicalguitarshed.com\/polyrhythms\/","title":{"rendered":"How to Play Polyrhythms on Classical Guitar"},"content":{"rendered":"\n<p>What is a \u201cpolyrhythm\u201d? And how do I play polyrhythms when I see them in music? <\/p>\n\n\n\n<p>Rhythm is one of the great elements of music. And we find rhythms at varying levels of complexity. <\/p>\n\n\n\n<p>On the more complex side, we have polyrhythms\u2026<\/p>\n\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/r_-vVFXpnko?rel=0&amp;showinfo=0&amp;autohide=1\" allowfullscreen=\"\" width=\"700\" height=\"393\" frameborder=\"0\"><\/iframe><\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-what-is-a-polyrhythm-in-music\">What is a Polyrhythm in Music?<\/h2>\n\n\n\n<p>The word \u201cpolyrhythm\u201d literally translates to \u201cmany rhythms\u201d. Instead of one single meter (such as duple, or <a rel=\"noreferrer noopener\" aria-label=\"triplets (opens in a new tab)\" href=\"https:\/\/www.classicalguitarshed.com\/triplets\/\" target=\"_blank\">triplets<\/a>), we find more than one happening at the <a href=\"https:\/\/www.classicalguitarshed.com\/stacked-rhythms\/\" target=\"_blank\" rel=\"noreferrer noopener\">same time<\/a>. <\/p>\n\n\n\n<p>This can create wonderful effects in our music. It can make a melody more vocal-like while the <a aria-label=\"accompaniment (opens in a new tab)\" href=\"https:\/\/www.classicalguitarshed.com\/interpret-classic-guitar-music\/\" target=\"_blank\" rel=\"noreferrer noopener\">accompaniment<\/a> stays steady. It can <a href=\"https:\/\/www.classicalguitarshed.com\/musical-tension\/\" target=\"_blank\" rel=\"noreferrer noopener\">add musical tension<\/a>, which can then resolve (which is very satisfying to hear). <\/p>\n\n\n\n<p>Polyrhythms are often notated in two separate lines of music. Most often, the stems go in opposite directions. <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"70\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-1.jpg\" alt=\"polyrhythms on guitar\" class=\"wp-image-102841\" style=\"width:400px;height:70px\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-1.jpg 400w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-1-300x53.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-1-100x18.jpg 100w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption class=\"wp-element-caption\">An example of a polyrhythm: 3 notes in the upper voice, with 2 notes in the lower. <\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"115\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-3.jpg\" alt=\"3 against 4 polyrhythm\" class=\"wp-image-102844\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-3.jpg 600w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-3-300x58.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-3-400x77.jpg 400w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-3-100x19.jpg 100w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">Another polyrhythm: 3 notes in the upper voice take the same amount of time as 4 notes in the lower. <\/figcaption><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-how-to-play-polyrhythms-in-time\">How to Play Polyrhythms in Time<\/h2>\n\n\n\n<p>For any polyrhthym, there is a single correct way to play it. There is an accurate placement of each note in time. <\/p>\n\n\n\n<p>While we may speed up or slow down for a musical effect, there is still a \u201cright\u201d rhythm that is above <a href=\"https:\/\/www.classicalguitarshed.com\/musical-interpretation\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"interpretation (opens in a new tab)\">interpretation<\/a>. <\/p>\n\n\n\n<p>But getting such a complex rhythm right can be challenging. With more than one meter, how do know where to place each note? The answer lies in the common denominator.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-find-the-common-denominator\">Find the Common Denominator<\/h3>\n\n\n\n<p>We learn about the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Lowest_common_denominator\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"common denominator (opens in a new tab)\">common denominator<\/a> when first studying fractions. This is the number by which everything is divided. <\/p>\n\n\n\n<p>One simple way to find a common denominator is to multiply two numbers together. This guarantees that both numbers divide into it equally. For example, the common denominator between 2 and 3 is 6 (2&#215;3=6). <\/p>\n\n\n\n<p>When we find our common denominator, we can map the exact placement of each note within the total. <\/p>\n\n\n\n<p>Following are examples of common polyrhythms, mapped using common denominators:<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-common-polyrhythm-3-against-2\">Common Polyrhythm: 3 against 2<\/h2>\n\n\n\n<p>A common polyrhythm is \u201c2 against 3\u201d, or \u201c3 against 2\u201d. This means that in the time it takes to play 2 notes in one part of the music, 3 even notes play in another. <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"116\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-2.jpg\" alt=\"polyrhythm guitar lesson\" class=\"wp-image-102845\" style=\"width:600px;height:116px\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-2.jpg 600w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-2-300x58.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-2-400x77.jpg 400w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-2-100x19.jpg 100w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">&#8220;3 against 2&#8221;, or &#8220;2 against 3&#8221;, mapped using the common denominator<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Hs_nz9vvf3k?rel=0&amp;showinfo=0&amp;autohide=1\" allowfullscreen=\"\" width=\"700\" height=\"393\" frameborder=\"0\"><\/iframe><\/p>\n\n\n\n<p>A quick way to remember this rhythm is to use the word \u201cMississippi\u201d with a pause after the first syllable. <\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-common-polyrhythm-4-against-3\">Common Polyrhythm: 4 against 3<\/h2>\n\n\n\n<p>Another common polyrhythm is \u201c3 against 4\u201d, or \u201c4 against 3\u201d. In the same process, we can find that the common denominator is 12. When we figure the placement of each part within the 12 equal sub-beats, we can find our full polyrhythm. <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"115\" src=\"https:\/\/www.classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-4.jpg\" alt=\"polyrhythm 4 against 3\" class=\"wp-image-102843\" srcset=\"https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-4.jpg 600w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-4-300x58.jpg 300w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-4-400x77.jpg 400w, https:\/\/classicalguitarshed.com\/wp-content\/uploads\/2020\/03\/Polyrhythms-4-100x19.jpg 100w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">&#8220;3 against 4&#8221;, or &#8220;4 against 3&#8221; &#8211; mapped using the common denominator<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"centerc\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/NKQpU9Ox5xM?rel=0&amp;showinfo=0&amp;autohide=1\" allowfullscreen=\"\" width=\"700\" height=\"393\" frameborder=\"0\"><\/iframe><\/p>\n\n\n\n<p>A quick reminder of this rhythm is \u201c Pass the applebutter\u201d, using the rhythm in the video. <\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\" id=\"h-tip-start-slow-and-listen\">Tip: Start Slow and Listen<\/h2>\n\n\n\n<p>When working with a polyrhythm, it\u2019s best to first work on it away from the piece of music. We can take the rhythm out of the context of the piece, and work on it. This simplifies the work. <\/p>\n\n\n\n<p>Using slow practice, and the method above, we can find the accurate rhythm. Then, we can internalize it .<\/p>\n\n\n\n<p>To internalize a polyrhythm, it helps to use the two hands, with one rhythm in each hand. For example, in \u201c2 against 3\u201d, one hand would tap 2 while the other tapped 3. <\/p>\n\n\n\n<p>After we can play the rhythm using both hands, we can bring it to the fingers and thumb of the <a href=\"https:\/\/classicalguitarshed.com\/how-to-learn-classical-guitar-arpeggios-right-hand-technique\/\" target=\"_blank\" rel=\"noreferrer noopener\">right hand<\/a> (most likely). Then play it on guitar using open strings, then finally adding in the left hand.<\/p>\n\n\n\n<p>Because these rhythms are complex, self-recording or <a href=\"https:\/\/www.classicalguitarshed.com\/video-yourself\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"videoing (opens in a new tab)\">videoing<\/a> is useful. This way, we can use critical listening to ensure we\u2019re playing what we think we\u2019re playing. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>What is a \u201cpolyrhythm\u201d? And how do I play polyrhythms when I see them in music? Rhythm is one of the great elements of music. And we find rhythms at varying levels of complexity. On the more complex side, we have polyrhythms\u2026 What is a Polyrhythm in Music? The word \u201cpolyrhythm\u201d literally translates to \u201cmany rhythms\u201d. Instead of one single &#8230; <\/p>\n<div><a href=\"https:\/\/classicalguitarshed.com\/polyrhythms\/\" class=\"more-link\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":102939,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,434,20],"tags":[351,349],"class_list":["post-102839","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-main-content-parent","category-practicing","tag-rhythm","tag-theory"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v25.8 (Yoast SEO v25.8) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Learn to Play and Discover Polyrhythms on Classical Guitar<\/title>\n<meta name=\"description\" content=\"A Polyrhythm is more than one rhythm at a time. Learn to count and play these advanced rhythms with accurate timing and placement. 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