Sergio Assad’s Left Hand Independence Workout
I attended a masterclass with the great Sergio Assad. While working with a player, he recommended the following left-hand independence routine.
Sergio Assad is one of the top figures in the classical guitar world today. He and his brother, Odair, have performed as a guitar duo for over 50(!) years. He’s also well-respected as a composer and arranger. And Sergio is on the guitar faculty at the San Francisco Conservatory.
He’s also friendly, warm, and humble – as nice a guy as you could ask to meet.
Why Develop Left Hand Independence
In classical guitar practice, we put much emphasis on the right-hand technique. And this is as it should be. Classical guitar music is complex. We need a reliable and safe right hand technique to play it.
And as the right hand “speaks the words”, the left hand “chooses the words”.
The more agility, flexibility, and versatility we have in our left hand, the better.
Music often demands that the left-hand fingers move in complex patterns. Each finger may need to move a different distance in a different direction.
For this, we need each finger to be able to move independently of the others.
Introducing Sergio Assad’s Left Hand Independence Workout
This independence routine starts with the most basic movements: up-and-down, and side-to-side.
From there, we isolate and master the movements of each finger.
Next, we use varying combinations of fingers together. The fingers move both in parallel and in opposing motions.
As the routine progresses, you’ll need more and more independence.
One Foot In Front of the Other
Unless you’re already advanced, you will come to a point that challenges you. That’s great.
Work through as far as you can, then move on to other areas of your practice. Aim for a modest improvement each day.
Over time, you’ll develop more independence and flexibility in your left hand.
If you find a movement that seems impossible, you’ve struck gold. When you finally master the movement, you’ll have real and tangible proof you’re improving!
The Main Goals: Awareness and Attention
This will likely be one of many technique exercises you perform on a regular basis.
The goal is not perfection, but awareness and attention.
As we put focused attention on our movements, we improve.
The goal is not perfection, but awareness and attention.
The most powerful habit we can develop is the ability to pay attention to small details. When we are aware of each movement and moment, we gain the insights and opportunities to make the incremental improvements that bring our playing forward.
Exercises such as this one are not a means to an end (though they do help us reach our goals). They are an end unto themselves. We naturally crave improvement. But focusing completely on the moment at hand is the surest path to that improvement
Related: Another Left Hand Independence Exercise

Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
Thanks to you (you are my only teacher) in only a few months I've gone from very basic beginner pieces to having just completed learning Bach's Gavottes 1&2 in good form and execution. As a non-classical electric guitarist who has always used a pick and never his fingers, this has been no small feat!
~ Gregg Olson
-Gregg Olson
These warm-up and stretching exercises are helping me a lot! Because I’m a software developer I have to stay 8 hours typing on a computer keyboard, so I use my hands a lot during the day. At night, when I have some time to practice the guitar my hands and arms are usually in pain because they have been working a lot during the day, but I’ve found that doing the warm-up/stretching exercises in The Woodshed releases me from this pain and I’m then able to practice after doing them.
You are building a very interesting and working guitar course, because for what I’ve seen so far it really works!
~ Ulysses Alexandre Alves
-Ulysses Alexandre Alves
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