3 Questions to Ask After Every Practice: Reflection for Guitar


Learning guitar isn’t just about putting in hours. It’s about what you take away from each practice session.

Most guitarists focus on technique and repertoire. But many overlook a simple yet powerful practice that can dramatically speed up their progress: reflection.

The good news? Implementing a reflection practice takes just minutes and revolves around three simple questions.

The Three Essential Questions

What happens when we take time to think about what we’ve learned? We process information more deeply and retain it better.

Research supports this approach. David Boud, an expert in experiential learning and reflective practice, argues that reflection enhances learning. (Boud et al., 2013).

So what should you ask yourself?

Download the Guitar Practice Reflection Packet

Question 1: What Worked?

After each practice session, take a moment to acknowledge what went well.

  • Did you finally nail that difficult chord transition?
  • Did you maintain proper posture throughout your practice?
  • Perhaps you achieved a tone quality you’ve been striving for.

These victories—no matter how small—deserve recognition.

Research in positive psychology suggests that recognizing accomplishments helps us feel happier (Seligman et al., 2005), and when we’re happier, we’re more likely to feel motivated.

By acknowledging successes, you build confidence that carries forward to future practice sessions.

And if you ever feel discouraged, you can look back over your successes and know that your work is working.

Question 2: What Didn’t Work?

Just as important as recognizing successes is honestly assessing what didn’t go well.

Perhaps your left-hand position deteriorated during a tricky spot. Or maybe your rhythm became inconsistent when you increased tempo.

The key here is specificity and compassion.

Be Nice!

Vague self-criticism (“I played terribly today!”) is harmful and beyond unhelpful. It offers no pathway to improvement and undermines motivation.

Instead, name the concrete issues: “My shifts to third position weren’t clean” or “I lost focus during the middle section of my practice.”

By identifying specific issues without harsh self-judgment, you transform setbacks into valuable learning opportunities.

And you’ll need these specific issues to inform Question 3…

Question 3: What Can I Improve Next Time?

The final question transforms insights into action.

Based on what worked and what didn’t, what specific adjustments will you make in your next practice session?

Research on goal-setting shows that specific, actionable goals lead to better performance than vague intentions (Locke & Latham, 2002).

Instead of general plans like “practice more carefully,” create concrete intentions:

  • “Tomorrow I’ll warm up thoroughly before attempting my repertoire”
  • or “I’ll use a metronome to address the rhythm issues in the middle section.”

This question ensures each practice builds upon the last. You create a continuous improvement chain rather than disconnected practice islands.

Make clear intentions for your next session, and you show up with purpose and direction.

Make Reflection a Habit

The beauty of this system lies in its simplicity. The entire process takes just a minute or two at the end of each practice session.

For maximum impact, consider writing down your reflections in a practice journal or on a scrap of paper. It need not be long. Just a few words will do.

(Research by Mueller and Oppenheimer (2014) suggests that the physical act of writing can enhance memory and conceptual understanding. Their study found that students who took handwritten notes processed information more deeply than those using laptops.)

This written record not only saves your insights but also allows you to track patterns over time.

You might discover that certain techniques consistently challenge you. Or that your focus wanes after 30 minutes of practice.

This is valuable data!

The Power of Mini-Reviews During Practice

For even more powerful results, try implementing mini-reflections during your practice session itself.

After completing a segment of your practice (i.e.scales), pause briefly to ask yourself the same three questions.

To make this habit stick, establish a physical trigger. For example, remove both hands from the guitar or make a quick clap. Done regularly, this signals your brain to shift into reflection mode.

This approach draws on research about spaced practice and distributed learning, which consistently shows benefits over massed practice (Carpenter et al., 2012).

Brief pauses for reflection can help consolidate learning before moving to the next segment of practice.

Beyond Reflection

While reflection enhances practice, it functions as part of a broader practice strategy.

And a study of musicians by Bonneville-Roussy and Bouffard (2015) found that deliberate practice strategies were significant predictors of achievement. And this goes beyond simply accumulating practice hours.

Their research suggests that HOW you practice matters as much as how long you practice.

With these three simple questions, you’ll get more from every minute you spend with your instrument. And this will lead to more improvement and satisfying successes.

Download the Guitar Practice Reflection Packet


References

Bonneville-Roussy, A., & Bouffard, T. (2015). When quantity is not enough: Disentangling the roles of practice time, self-regulation and deliberate practice in musical achievement. Psychology of Music, 43(5), 686-704. https://doi.org/10.1177/0305735614534910

Boud, D., Keogh, R., & Walker, D. (Eds.). (2013). Reflection: Turning experience into learning. Routledge. Amazon

Carpenter, S. K., Cepeda, N. J., Rohrer, D., Kang, S. H., & Pashler, H. (2012). Using spacing to enhance diverse forms of learning: Review of recent research and implications for instruction. Educational Psychology Review, 24(3), 369-378. https://doi.org/10.1007/s10648-012-9205-z

Gardner, B., Lally, P., & Wardle, J. (2012). Making health habitual: The psychology of ‘habit-formation’ and general practice. British Journal of General Practice, 62(605), 664-666. https://doi.org/10.3399/bjgp12X659466

Locke, E. A., & Latham, G. P. (2002). Building a practically useful theory of goal setting and task motivation: A 35-year odyssey. American Psychologist, 57(9), 705-717. https://doi.org/10.1037/0003-066X.57.9.705

Mueller, P. A., & Oppenheimer, D. M. (2014). The pen is mightier than the keyboard: Advantages of longhand over laptop note taking. Psychological Science, 25(6), 1159-1168. https://doi.org/10.1177/0956797614524581

Seligman, M. E., Steen, T. A., Park, N., & Peterson, C. (2005). Positive psychology progress: Empirical validation of interventions. American Psychologist, 60(5), 410-421. https://doi.org/10.1037/0003-066X.60.5.410

Zinsser, N. (2022). The confident mind: A battle-tested guide to unshakable performance. Mariner Books. Amazon


Allen Mathews

Hi, I’m Allen Mathews. 


I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.





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