
Chinese Curse – May You Live in Interesting Times
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!
“May you live in interesting times.”
Old Chinese Curse
“Interesting”, in this ironic curse, is a euphemism for “hard” or “challenging”.
And indeed, we usually view difficulty as a curse. We avoid it. We try our best to prevent it.
But it’s often through hardship and trial that we gain the best returns.
Elite performers, in every field, seek out obstacles. They tackle the big problems. They climb the craggiest mountains.
And this is what makes them elite. This is the recipe to rise to such levels. We choose the paths with the greatest potential for growth.
But it’s not the task itself that polishes our abilities and strengthens our core. Instead, it’s who we must be and become to face such adversity.
Head to head with a hurdle, we must manage our thoughts, attention and energy. We must focus. We must try, in full awareness that we may fail. All the while dodging the quicksand of worry, fear and disbelief.
It’s tempting to dismiss superior performance as something other people do. We may not always realize that it’s possible for us, now, sitting in our chairs holding our guitars.
But this is where it happens. At any level, at any age, in any timeframe.
Working on the tricky bits in our pieces, training our hands, forcing recall of new notes. It’s in these moments we improve and progress.
Playing the “finished” piece is fun and rewarding. But even more so when we’ve worked for it. It’s the barriers broken that let us feel the pride of a job well done.
So one of our primary tasks as musicians is to keep practice interesting. To go straight for the edge of comfort. To find that balance of “hard but not too hard”, and stay there.

Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
Hi Allen, I am a Dutch guy who plays classical guitar (solo and together with a flute player). Unfortunately I have been suffering from focal dystonia since begin 2016. Of course I tried physical therapy which didn't help… But I tried some of your [technique] lessons (I had teachers before but I was never taught your techniques) and to my big surprise the nasty feeling in the back of my right hand which pulls my index finger upward was gone! So now I practice your lessons. Anyway, I am very happy to have found you on the internet. Thanks very much!
~ Arnoud Reinders
-Arnoud Reinders
I have lost my entire metallic sound while I am playing now. Even my single note practice sounds more melodious, less tinny. [The Woodshed technique practice] has made a major difference in my tone. Thank you.
~ Harlan Friedman
-Harlan Friedman
“Success lies in relentless execution of the basics.”
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