Bach, Johann Sebastian – Free Sheet Music and TABs for Classical Guitar


Welcome to our tribute to Johann Sebastian Bach, one of the greatest composers of all time.

Bach’s influence extends profoundly into the world of classical guitar.  He played the harpsichord and organ, not the guitar or lute.  But his compositions for the lute and other string instruments have become popular repertoire for guitarists worldwide. His harmonic richness and emotional depth offer guitarists both a challenge and a profound musical experience.

Explore Bach’s timeless works and discover how his genius continues to inspire and elevate classical guitar music today.  As you do, you may find that you continue to play Bach’s pieces for years or decades.  His body of work has enormous staying power and remains compelling for the long term.

>>Download the Free PDF book:  Baroque Music for Classical Guitar<<

 


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Download the Free Sheet Music Book:  Baroque Music for Classical Guitar

About J.S. Bach

Johann Sebastian Bach (1685-1750) was one of the most influential composers and musicians of the Baroque period.

Born on March 31, 1685, in Eisenach, in the duchy of Saxe-Eisenach, Germany, he was the eighth child in a family with a long musical tradition. His father, Johann Ambrosius Bach, was a musician, and his uncles were all professional musicians. Bach received early music education from his father and later from his brother, Johann Christoph Bach, after the death of his parents when he was ten years old.

Bach’s career began in earnest as an organist in Arnstadt in 1703, where his exceptional talent quickly became evident. He moved to Mühlhausen in 1707, and then to Weimar in 1708.  Documents imply that he served there as the court organist.  This is unlikely to be the case, although he would probably have played there.  He became concertmaster in 1714 and was required to compose a cantata every month.  During his time in Weimar, Bach composed many of his famous organ works, including, possibly, the “Toccata and Fugue in D minor”.

In 1717, Bach accepted a position as Kapellmeister at the court of Prince Leopold of Anhalt-Köthen. This was a highly productive period.  The prince’s Calvinist beliefs did not require church music, allowing Bach to focus on instrumental compositions. During this time, he composed the “Brandenburg Concertos” and numerous solo works for violin and cello. He also completed the first book of the “The Well-Tempered Clavier.”

In 1723, Bach moved to Leipzig, where he was appointed as the Thomaskantor (cantor) at the St. Thomas Church. This position involved significant responsibilities, including teaching, composing, and leading music for four churches in the city. Despite the demanding workload, Bach composed many of his greatest choral works during this period.  This included the “St. Matthew Passion”, the “St. John Passion”, and the “Mass in B Minor”.  In the ecclesiastical year of 1724 alone, he produced around 62 cantatas.  His four “Orchestral Suites” were written between 1724 and 1731.

Bach was married twice. His first wife, Maria Barbara Bach, died in 1720, leaving him with seven children. In 1721, he married Anna Magdalena Wilcke, a singer, with whom he had thirteen more children. Only ten of his children survived to maturity, but several became notable musicians in their own right, continuing the Bach family legacy.

Throughout his life, Bach was renowned for his virtuosity on the organ and his skills as a composer. His music is characterized by its intellectual depth, technical command, and artistic beauty. He was a master of counterpoint, and his compositions often featured intricate interweaving of musical lines.

Despite his significant contributions to music, Bach was not widely recognized outside of Germany during his lifetime. It was not until the 19th century, when composers such as Felix Mendelssohn championed his work, that his genius was fully acknowledged.

Bach’s legacy continues to influence musicians and composers to this day. His vast body of work, which includes over 1,000 compositions, is considered essential to the Western classical music tradition. Johann Sebastian Bach died on July 28, 1750, in Leipzig, but his music lives on, celebrated for its technical brilliance, emotional depth, and timeless beauty.

Bach Lute Music – Guitarists’ Delight

Johann Sebastian Bach’s contributions to lute music are notable, though he did not play the lute himself. Instead, he composed for a “Lautenwerk,” a lute-harpsichord hybrid with gut strings.  His works for the lute include suites, fugues, and preludes, showcasing his mastery of counterpoint and harmonic complexity. Notable pieces include the “Lute Suites” (BWV 995-1000), the “Prelude, Fugue, and Allegro in E-flat major” (BWV 998), and the “Fugue in G minor” (BWV 1000).

These lute compositions have been widely transcribed for classical guitar, becoming staples in the guitar repertoire. They highlight Bach’s adaptability across instruments and his influence on classical guitar music.  Guitarists appreciate the technical challenges and expressive possibilities these pieces offer. Bach’s lute works remain integral to classical guitar education and performance, reflecting his enduring impact on string music.

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Allen Mathews

Hi, I’m Allen Mathews. 


I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.





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